Fiction

I read unsolicited ‘encounter’ emails as if they were intended for me alone in a sincere desire for a real love relation, until their repetition bored me.I posted them on Facebook, while I sought their form. My friend A. C. wrote to tell me how much he was enjoying my lover’s discourse. The form became clear: after the French edition of Roland Barthes’s Fragments d’un discours amoureux (“Tel Quel”, Seuil, 1977).

Emile Zola’s novel Nana is re-read and re-written,ghost-written, condensed according to soft furnishings, lighting effects (including metaphor), other women, death and dying, cats, anti-semitism, money, smell, and many other categories.

A debutante frees a hyena from the zoo so that it might take her place at her coming-out ball; an artist paints a portrait of a man’s dead wife, but finds she has painted herself instead; a woman makes love to a boar underneath a mountain of cats; a chicken is roasted with the brains and livers of thrushes, truffles, crushed sweet almonds, rose conserve and drops of divine liqueur; two noble sisters wonder whether anybody can be ‘a person of quality if they wash away their ghosts with common sense’; a psychoanalyst must decide what to do with the gift of a team of Russian rats trained to operate on humans. In this first complete edition of Leonora Carrington’s short stories, written throughout her life from her early years in Surrealist Paris to her late period in Dirty War-era Mexico City, the world is by turns subversive, funny, sly, wise and disarming.

Mistress Rebecca is approached by a 34-year-old Tory who works in a corporate field of creativity with a feeding fetish. Such mundanity is outrageous – until he declares himself as a female supremacist. Over the period of two evenings and one afternoon in three different chain restaurants in central London, Mistress Rebecca explores Humpty Dumpty’s beliefs then pushed his adoration of humiliation and his facade of female empowerment to its limits.

The book transcribes a body broken by American empire, that of ex-con Rafael Luis Estrada Requena, hacking itself away from contemporary society. Johanna Hedva, author of Sick Woman Theory, takes the ferocious compulsion to escape (from capitalism, from the limits of the body-machine, from Earth) and channels it into an evisceration of oppression and authority. Equal parts tender and brutal, romantic and furious, On Hell is a novel about myths that trick and resist totalitarianism.

WHAT TO EXPECT IN THIS BOOK:
* tentacle sex
* Kathy Acker
* the violent deaths of male genius artists, philosophers and theorists
* zombies
* sirens
* biohacking
* rampant plagiarism
* cop killing
* spells you can use at home