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If UR Reading This It's 2 Late
Tony Cokes
Argos Arts - 30.00€ -

The first monograph on the work of artist Tony Cokes, creating a visual cartography of a body of moving image work that spans twenty years.

Tony Cokes's video works are eviscerating critiques and affective art works, bringing together color theory, sound, music, and texts, and quoting a polyphony of voices including Aretha Franklin, Mark Fisher, David Bowie, Public Enemy, and Donald Trump. Combining political and social commentary with cultural theory and a critique of capitalism, Cokes's works viscerally confront the social condition, particularly the prejudices and threats suffered by black subjects. This book is the first monograph on his practice, creating a visual cartography of a body of work that spans twenty years.

It features four critical pathways into Cokes's decades-long practice, with essays contributed by notable academics, and conversations between Cokes and artist Kerry Tribe. Cokes's work deals with mediation and distribution, and the book itself becomes another conduit for the dissemination of theory, critique, and counter-narrative—a process that Cokes so powerfully engages in as an artist.

This book accompanies Cokes's solo exhibition, If UR Reading This It's 2 Late: Vol. 1–3, across three international art institutions: Goldsmiths Centre for Contemporary Art, London; Carpenter Center for the Visual Arts, Harvard University; and ARGOS centre for audiovisual arts, Brussels.

WILL YOU MARRY ME?
Sara Leghissa, Marzia Dalfini
Nero Editions - 15.00€ -

The ultimate ambition of this book-tool is to “disappear on the street”. Its pages collect words and stories of people whose right to exist and be visible in public spaces was forced to confront the concepts of “legality” and “justice”.

Considering the assumption that the law is a fluid parameter, which changes depending on where we are in the world, the historical period in which we live and the sort of privileges we enjoy, the law defines what is considered moral, licit, in other words, what is right. It distributes power and the perception of power in society, defining, categorizing, dividing and controlling.

WILL YOU MARRY ME? is a public lecture and an artist’s book by Sara Leghissa and Marzia Dalfini, investigating a specific portion of the spectrum of illegality, namely the relationship between illegal acts and public space. It explores how we can act disobedience before everyone’s eyes, suggesting possible forms of complicity and public resistance.

All the content was collected by the artist during meetings and conversations that took place in Prato, Milan, Ramallah, Marseille, Madrid, Nyon and Lausanne and with this book-tool their words become manifestos that the reader is invited to detach and relocate into the public space.

Designed by Marzia Dalfini. Published by NERO with the support of L’Altra.

Format: 42 x 29,7 cm
Pages: 28
Language: IT / EN
Year: 2021

Deep Listening
Pauline Oliveros
iUniverse - 16.00€ -

Deep Listening is a practice created by composer Pauline Oliveros in order to enhance her own as well as other's listening skills. She teaches this practice worldwide in workshops, retreats and in her ground breaking Deep Listening classes at Rensselaer Polytechnic Institute and Mills College. Deep Listening practice is accessible to anyone with an interest in listening. Undergraduates with no musical training benefit from the practices and successfully engage in creative sound projects. Many report life changing effects from participating in the Deep Listening classes and retreats.

Handbook in Motion: An Account of an Ongoing Personal Discourse and Its Manifestations in Dance
Simone Forti
Wesleyan - 21.00€ -

Tracing a period in her life from the 1969 Woodstock Festival through the following years living on the land, this singular dance artist's direct and poetic writings bring a turbulent transitional era to life. Arriving in New York in the early 60's from California, she brought with her a series of pieces that proved to be a serious influence on the development of "postmodern" dance in years to come. Her "dance-constructions" were based on a concern with bodies in action, the movement not being stylized or presented for its visual line but rather as a physical fact. Combining drawings, "dance reports" (short descriptions of events whose movement made a deep impression on the author's memory), and documentary materials such as scores, descriptions, letters to colleagues, and photographic records of performances, Forti's eye toward creating idioms for exploring natural forms and behaviors is evident throughout.  

Simone Forti shifted from painting in 1955 to study dance with Anna Halprin and went on to study composition with Robert Dunn at the Merce Cunningham Studio leading to her association with Judson Dance Theater in the '60s. Her work spans from early minimalist dance-constructions, through animal movement studies, news animations, land portraits, and currently, Logomotion, an improvisational form based on the resonance between movement and the spoken word. She performs and teaches worldwide.

Philosophy for Spiders: On the Low Theory of Kathy Acker
Mckenzie Wark
Duke University Press - 23.00€ -

McKenzie Wark combines an autobiographical account of her relationship with Kathy Acker with her transgender reading of Acker's writing to outline Acker's philosophy of embodiment and its importance for theorizing the trans experience.

Over the decades readers have found a punk Acker, a feminist Acker, a queer Acker, a kink Acker, and an avant-garde Acker. In Philosophy for Spiders, McKenzie Wark adds a trans Acker.

Wark recounts her memories of Acker (with whom she had a passionate affair) and gives a comprehensive reading of her published and archived works. Wark finds not just an inventive writer of fiction who pressed against the boundaries of gender but a theorist whose comprehensive philosophy of life brings a conceptual intelligence to the everyday life of those usually excluded from philosophy's purview.

As Wark shows, Acker's engagement with topics such as masturbation, sadism, body-building, and penetrative sex are central to her distinct phenomenology of the body that theorizes the body's relation to others, the city, and technology.

Caliban and the Witch
Silvia Federici
Autonomedia - 20.00€ -

Caliban and The Witch: Women, The Body and Primitive Accumulation is a history of the body in the transition to capitalism. Moving from the peasant revolts of the late Middle Ages to the witch-hunts and the rise of mechanical philosophy, Federici investigates the capitalist rationalization of social reproduction. She shows how the battle against the rebel body and the conflict between body and mind are essential conditions for the development of labor power and self-ownership, two central principles of modern social organization.

"In the neoliberal era of postmodernism, the proletariat is whited-out from the pages of history. Federici recovers its historical substance by telling its story starting at the beginning, with the throes of its birth. This is a book of remembrance, of a trauma burned into the body of women, which left a scar on humanity's memory as deep and painful as those caused by famine, slaughter, and enslavement." — Peter Linebaugh

Silvia Federici is a longtime feminist activist and teacher. In 1972 she was among the founders of the International Feminist Collective, the organization that launched the Campaign for Wages For Housework in the US and abroad. She has also been active in the anti-globalization movement and the anti-death penalty movement. Silvia Federici was a founding member of the Committee for Academic Freedom in Africa, which for more than ten years documented the struggle of African students against the austerity programs imposed by the IMF and the World Bank on African countries. She has taught in the US and in Nigeria and is Emerita Professor of Political Philosophy and International Studies at Hofstra University (Hempstead, New York). Federici is the author of many book and essays on political philosophy, feminist theory, political philosophy, cultural studies, and education.

Published 2004.

The Gloria Anzaldúa Reader
Gloria Anzaldúa, AnaLouise Keating (ed.)
Duke University Press - 29.00€ -

A collection of published and unpublished writings of the groundbreaking Chicana writer and self-described "chicana dyke-feminist, tejana patlache poet, writer and cultural theorist" Gloria Anzaldua.

Gloria Anzaldúa (1942-2004) was a visionary writer whose work was recognized with many honors, including the Before Columbus Foundation American Book Award, a Lambda literary award, the National Endowment for the Arts Fiction Award, and the Bode-Pearson Prize for Outstanding Contributions to American Studies. Her book Borderlands/La frontera was selected as one of the 100 Best Books of the Century by Hungry Mind Review and the Utne Reader. AnaLouise Keating, Professor of Women's Studies at Texas Woman's University, is the author of Women Reading, Women Writing: Self-Invention in Paula Gunn Allen, Gloria Anzaldúa, and Audre Lorde; editor of Anzaldúa's Interviews/Entrevistas and EntreMundos/AmongWorlds: New Perspectives on Gloria Anzaldúa; and co-editor, with Anzaldúa, of this bridge we call home: radical visions for transformation.

AnaLouise Keating, Professor of Women's Studies at Texas Woman's University, is the author of Women Reading, Women Writing: Self-Invention in Paula Gunn Allen, Gloria Anzaldúa, and Audre Lorde; editor of Anzaldúa's Interviews/Entrevistas and EntreMundos/AmongWorlds: New Perspectives on Gloria Anzaldúa; and co-editor, with Anzaldúa, of this bridge we call home: radical visions for transformation.

The Against Nature Journal #3
Aimar Arriola, Grégory Castéra (eds.)
Council - 15.00€ -

This third issue reviews the many ways in which medicine has pathologized non-procreative sexual desire— those bodies that challenge gender binaries or expose different abilities—while imagining other ways of collectively well-being.

"The issue opens with a commissioned work by visual artists CANDICE LIN and P. STAFF that evokes the central concerns of the journal in subtle and unexpected ways. Lambda Literary Award–winner INDRAPRAMIT DAS speculates on other forms of kinship in a new science-fiction story, while a transnational questionnaire offers insights into the continuous fight for reproductive justice.

We republish a chapter from the autobiography of the late South African, trans, traditional healer NKUNZI ZANDILE NKABINDE, which is introduced by RUTH MORGAN.

We continue to honor the power of poetry with works by ROSA CHÁVEZ and STELLA NYANZI, while celebrating the energy of collective action with a piece by WHAT WOULD AN HIV DOULA DO? In anticipation to his new book on queer desire in the Caribbean, scholar ANDIL GOSINE shares a previous article addressing the notion of “against nature,” while our Columns section brings news from Brazil, India, Kenya, Lebanon, Malaysia, Morocco, and the UK during a season of pandemic fatigue, but also care work, organization, and hope." — the editors

The Essential June Jordan
June Jordan
Copper Canyon Press - 18.00€ -

The Essential June Jordan honors the enduring legacy of a poet fiercely dedicated to building a better world. In this definitive volume, featuring an afterword by Pulitzer Prize-winner Jericho Brown, June Jordan’s generous body of poetry is distilled and curated to represent the very best of her works.

Written over the span of several decades―from Some Changes in 1971 to Last Poems in 2001­―Jordan’s poems are at once of their era and tragically current, with subject matter including racist police brutality, violence against women, and the opportunity for global solidarity amongst people who are marginalized or outside of the norm. In these poems of great immediacy and radical kindness, humor and embodied candor, readers will (re)discover a voice that has inspired generations of contemporary poets to write their truths. June Jordan is a powerful voice of the time-honored movement for justice, a poet for the ages.

Side Magazine #01 – The Professor
Saâdane Afif
Wirklichkeit Books - 7.00€ -

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor.

Side Magazine is conceived as a site of research for the fourth edition of Bergen Assembly convened by Saâdane Afif. Yasmine d'O., who has been invited as curator of the upcoming edition, will be the executive editor. 
Side Magazine is dedicated to the seven characters in The Heptahedron, a play written by the French poet, essayist, and scholar Thomas Clerc in 2016. In order of apparition these characters are the Professor, the Moped Rider, the Bonimenteur, the Fortune Teller, an Acrobats, the Coalman, and the Tourist.

The first issue of Side Magazine is dedicated to the figure of the Professor. It features seven articles, each of which explores the identity, role, and position of the Professor. Contributors include Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Marjorie Senechal, and Vivian Slee. 
Seven issues of Side Magazine will be released in the run up to the opening of Bergen Assembly 2022, opening September 8. A special eighth issue will be published after the opening days. This, combined with the existing seven issues as a collection, constitute the exhibition catalogue and guide.

Saâdane Afif (born 1970 in Vendôme, France) creates installations made up of unexpected encounters between objects. These creations, of uncertain status, oscillate between function and symbol, between art and design, and provoke shifts of meaning that engage a reflection on today's industrial society.

Contre-vents – Colères, espoirs, écologies et politiques dans l'Ouest de la France
François Piron and Guillaume Désanges (eds.)
Paraguay Press - 30.00€ -

A documentary and speculative publication on a genealogy of political, social, ecological and identity-based struggles in the Brittany region and the West of France, from the 1960s to the Zone to Defend of today, based on numerous documents and films made by filmmakers and collectives.

Published following the eponymous exhibition at Grand Café, Saint-Nazaire, in 2019.

Texts by Isabelle Cambourakis, Jade Lindgaard, Élise Roullaud; interviews with Jean-Louis Le Tacon, Patrick Prado, Joseph Potiron, Olivier Tric. 
Graphic design: Laure Giletti & Grégory Dapra.
 
published in September 2021

Knowledge Beside Itself – Contemporary Art's Epistemic Politics
Tom Holert
Sternberg Press - 19.00€ -

A study on the role of research and knowledge production in today's contemporary art, and the growing relevance of art as conduit of knowledge.

What is the role and function of contemporary art in economic and politicalsystems that increasingly manage data and affect? Knowledge Beside Itself delves into the peculiar emphasis placed in recent years, curatorially and institutionally, on notions such as “research” and “knowledge production.” Considered as a specific, expansive mode of the culture industry, contemporary art is viewed here as a strategic bet on the social distinctions and value extractions made possible by claiming a different, novel access to “knowledge.” Contemporary art's various liaisons with the humanities and the social and natural sciences, as well as its practitioners' frequent embeddedness within transdisciplinary research environments and educational settings, have created a sense of epistemo-aesthetic departure, which concurs with the growing relevance of art as conduit or catalyst of knowledge.

Discussing the practice of artists such as Christine Borland, Tony Chakar, Natascha Sadr Haghighian, Adelita Husni-Bey, Jakob Jakobsen, Claire Pentecost, and Pilvi Takala, writer and curator Tom Holert submits the gambit of conceptualizing contemporary art as an agent of epistemic politics to a genealogical analysis of its political-economic underpinnings in these times of cognitive capitalism, machine learning, and a renewed urgency of epistemological disobedience.

Tom Holert is a writer and curator. In 2015 he cofounded the Harun Farocki Institut in Berlin, a platform for research and production departing from the example set by Farocki. With Anselm Franke he curated the 2018 exhibition “Neolithic Childhood: Art in a False Present, c. 1930” at Haus der Kulturen der Welt, Berlin.

Diaries and Dreams – 1976-1979
Ion Grigorescu
Sternberg Press - 24.00€ -

Second volume of Ion Grigorescu's translated diaries, assembled like a small literary and art-historical sensation of the period between 1976 and 1979.

In recent years, the work of Ion Grigorescu, one of the seminal Eastern European visual artists of his generation, has attracted increasing attention in the West. This volume is the second of his translated diaries—the first from 1970 to 1975 was published in 2014 by Sternberg Press—and is assembled like a small literary and art-historical sensation of the period between 1976 and 1979. It not only counters the facile reading of Grigorescu's practice in the context of Conceptual art and performance art, but provides insight into the artist's multifocal thinking, which incorporates an original critique of modernism, the dystopian effects of an instrumentalized idea of reason and rationality, an analysis of subjectivity, and a penetrating gaze into a dialectic of secrecy and elucidation, of exposure and mystification.

Grigorescu's diaries are written notes revolving around the status of the image and investigate the relation of the body to society and of art to the world through a phenomenological approach. His work proposes a parallel conception of the public made tangible through the eloquence of the body.

In poetic language full of powerfully pictorial metaphors, Grigorescu's reflects on the tension between the realistic effects of the image, the suppression of realism, and the hidden traces the gaze holds through the activities of the increasingly present unconscious of collective memory. Along with the drawings, paintings, photographs, and sketches that accompany them, the diaries serve as an introduction that open the possibility of conceiving Grigorescu's art as a rare evocation of a singular way of thinking: a stance.

Ion Grigorescu (born 1945, lives and works in Bucarest) is one of the most emblematic artistic personalities of the post-war period in Romania, a key figure of conceptual artin Eastern Europe.

AA Bronson's House of Shame
AA Bronson
Edition Patrick Frey - 52.00€ -

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

A nocturnal secret ritual performed by two naked men in a hotel room in the Netherlands; a woven tent where the artist dressed as a mage encounters visitors to share their traumas; buttplugs adorned with rooster feathers; a collection of queer zines; anal-sprayed tartan paintings; a zen garden of mugwort. A few of the singular artistic gestures AA Bronson committed in the last few years are united in this book.

After his General Idea partners, Felix Partz and Jorge Zontal, passed away in 1994, AA Bronson had to learn how to keep on living by himself, inventing a personal identity without his former companions, creating a new community of work, friendship and love. These issues have been at the core of his art in the last 25 years. He has developed a work where collaboration with other artists, especially younger queer artists, and creation of a social bond are central.

AA Bronson's House of Shame aims to emphasize this social dimension in his work through an overview of a series of exhibitions he made between 2013 and 2018. These are shows that bring together a community of artists; shows where performances and rituals, often invisible, contribute to the creation of a shared experience; a unique blend of art, friendship, collaboration, spirituality and humour.

The book is in two-parts. An initial monographic section, which includes an essay and an interview with the artist, brings together the works and the exhibitions. In the second, choral part, friends have been invited to bear witness and write a sort of 'journal de bord,' telling the tale of five years of the artist's community life.

With a foreword by Vincent Simon, a text by Paul Clinton, and an interview by Frédéric Bonnet, and contributions from Philip Aarons, Defne Ayas, Elijah Burger, Matthias Herrmann, Richard John Jones, Bradford Kessler, Terence Koh, Sholem Krishtalka, Mark Jan Krayenhoff van de Leur, Gareth Long, Chrysanne Stathacos, Scott Treleaven, and Louwrien Wijers.

published in September 2021

Hooker's Green Lake
Faye Wei Wei
Editions Lutanie - 16.00€ -

A series of recent drawings by London-based artist Faye Wei Wei.

Faye Wei Wei (born 1994) is a British artist. She has had solo shows at Project Room, Galerie Kandlhofer, Vienna (2020), Cob Gallery, London (2019), SADE Gallery, Los Angeles (2018), Centre For Chinese Contemporary Art, Manchester (2018)... She graduated from the Slade School of Fine Art in 2016. She lives and works in London.

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