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Cover of A Tone or Two

Vibrational Semantics

A Tone or Two

Marie Thams

‘A Tone or Two’ comes in the form of a text score and a melodic voice work. Noticing a shift in her voice in recent years, Thams tracks how within the last decades female voices have lowered 23hz in pitch. Tuning into the shift toward more gender equality, vocal pitch is explored in relation to authority, electability, courage and rhythmicity.

With link to online sound work.

Cover of Five Devours

Vibrational Semantics

Five Devours

Holly Pester

Essays €8.00

‘Five Devours’ is a short essay in five parts about need and food as a part of speech, about speech’s relationship to nourishment and hunger; the currency between eating and speaking, expending and consuming.

12 pages
150 x 200mm
risograph printed 
edition of 150

Cover of Words are my warders but don’t keep an I on me

Vibrational Semantics

Words are my warders but don’t keep an I on me

Daniela Cascella

Essays €8.00

An experimental essay on voice, narrative, literature and translation. In this text Daniela tunes into the hums of voices heard within books, to the recollected csitation, to singing with stitched lips.

Cover of Tips of the sung

Vibrational Semantics

Tips of the sung

Samuel Brzeski

Performance €25.00

Tips of the Sung is a collection of interdisciplinary texts from Samuel Brzeski composed over the five years whilst he was Associate Artist at Lydgalleriet. The collection brings together performance scripts for voice and video with newly composed texts for the page. Centring on the vibrations of the voice, the texts exist somewhere between signification and delirium, at times making more sound than sense. 

The texts are full of bumbling mumbles, meandering hums, homophones, inner voices, affirmations, motivations, subvocalisations, resolutions, errors in speech production, peach seduction, car maintenance manuals, self-help fallacies, roomy echo chambers, overheard language lessons, morning meditations, and other forms of verbal rehearsal at the limits of language.

Cover of DEAR EAR

Vibrational Semantics

DEAR EAR

Cia Rinne

DEAR EAR is a fragmentary text, moving through subvocalization, lingual acrobatics, ingressive speaking and rhythmic reading in various experiences of the visualised voice.

Cover of Not Not Nothing

Varamo Press

Not Not Nothing

Mette Edvardsen

Performance €18.00

This publication brings together the texts from the pieces Black (2011), No Title (2014), We to be (2015) and oslo (2017) created and performed by Mette Edvardsen. These pieces have been developed using language as material, looking into the relationship between writing and speaking, between language and voice. Mette Edvardsen is working on the verge of the visible, considering choreography as writing.

Cover of LIST OF BOOKS in the LIBRARIES of Time has fallen asleep in the afternoon sunshine

Afternoon Editions

LIST OF BOOKS in the LIBRARIES of Time has fallen asleep in the afternoon sunshine

Mette Edvardsen

Afternoon Editions no. 0: List of books in the library of Time has fallen asleep in the afternoon sunshine. The list consists of books that have been leart by heart within the project (by heart library), an incomplete list of books that were considered to be leart by heart, that played an important role in the process of choice, or that have been considered to be learnt by heart in the future (shadow library), a growing collection of literature, publications, essays, films, ephemera relating to interests within the project (reference library).

Edition last updated May 2020.

Cover of Appendix #4: Translation / Traduction

Time has fallen asleep in the afternoon sunshine

Appendix #4: Translation / Traduction

Victoria Pérez Royo, Léa Poiré and 1 more

Performance €15.00

The Appendixes #1-4 is an editorial series by Mette Edvardsen, Léa Poiré and Victoria Pérez Royo that came out of the project Time has fallen asleep in the afternoon sunshine. For a two-year residency at Les Laboratoires d'Aubervilliers (2022-23), they came together as a small work group, shaping the work process, hosting presentation formats and making the publication series on paper as four cahiers.

The cahiers comprise a collection of commissioned texts and contributions created for this context, selected documents and traces from work sessions and encounters organized during the residency, texts read together and republished for this occasion, a collection of references, notes in progress, unfinished thoughts and loose fragments - on paper, between pages.