PSYCHOTRONIC CRIMES is the English translation of an educational manga published in February 2020 by the Technological Crime Victims Network Nonprofit Organization of Japan. Originally titled お前はまだ集団ストーカーを知らない (literally “You Don’t Know Gang Stalking Yet”), the comic serves as a comprehensive overview of the heinous acts of electronic harassment and gang stalking perpetuated by various religious and political organizations, unnamed in the comic but hinted to be the Unification Church and the Liberal Democratic Party. Following the assassination of former Prime Minister Shinzo Abe, a Liberal Democratic politician with deep ties to the Unification Church, these groups and their sordid techniques of coercion have come under serious legal scrutiny for the first time in Japan’s history. However, the true nature of these crimes is still obscure to the populace and many victims remain alienated and alone. Founded in 1998, the Technology Crime Victim Network provides community support for targeted individuals and helps raise awareness about gang stalking and other electronic crimes in Japan and abroad.

Translated by Netspooky

The involuntary whispering of the dew-harvest.

A grimoire carved in scarlet, SALAMANDER'S WOOL is the inaugural full-length collection of writing by V Manuscript, amalgamating a vast array of arcane rituals into an ensorcelling poetic corpus. To read SALAMANDER'S WOOL is to consort with spirits and scry with dæmons, a linguistic alchemy which transmutes both language and reader.

V Manuscript is a poet and scriptomancer living in New York City.

A legend in his home country of Greece but virtually unknown abroad, The Commune is the final work of Marios Chakkas, composed in the months preceding his early death in 1972. Born under the Fascist regime and reared as a socialist revolutionary, The Commune is Chakkas' reckoning with the uncertainty of the past and the madness of the present as the military junta secures its position and the spirit of the socialist insurrection fades. Returning from political exile, Chakkas confronts the decay and ruin of his Athenian neighborhood as he recounts childhood gunfights in the streets, churches filled with asbestos, vanished comrades, and violent squabbles over memorials for executed partisans in his singular voice which swerves from scorching poetic indignation to gallows humor to metaphysical meditation.

Chloe Tsolakoglou is a Greek-American writer who grew up in Athens, Greece. A PhD Student in English and Comparative Literature at Columbia University, her work has been published in or is forthcoming by Denver Quarterly’s FIVES, The Adroit Journal, Cream City Review, and elsewhere.

Translated by Chloe Tsolakoglou

COMPUTER PICTURES is a collection of digital illustrations and 3D renders from the eponymous trade magazine, a journal for “Creators and Designers of Digital Graphics, Multimedia and Prepress Production” which ran from 1984 until 1995. A publication of relative obscurity, scant few issues are available online and even their physical archival presence is limited. Yet within the pages of this inauspicious magazine lies an incredible cache of beguiling artwork that peeks and probes at the limits and potential of emerging forms. The true brilliance of Computer Pictures was its complete disregard for pedigree and pretension in an egalitarian embrace of the computer-based picture. Bleeding-edge experiments from Stanford and SGI ran alongside the output of rank amateurs. Professors, professionals, and hobbyists coinhabited the pages together in a non-hierarchal free-for-all exploration. These works, a swirling array of photomontages, 3D renders, and digital illustrations, conjure an occluded future frothing at the margins, a brief moment when the horizon seemed opened, the heavens were leveled, and new icons were waiting to be forged.

Edited by Octavio Minestrone

UNIVERSAL HEDONICS gathers the abstracts and drawing sheets of numerous patents for neurotech devices, directed energy weapons, and remote emotional state sensors from a diverse array of companies and persons. Since patents do not actually require the inventions to be functioning or in a prototype state, they act as a site for projecting the inventor’s technosomatic desires regardless of physical feasibility. Yet many of these patents, such as “Target tracking system and method with jitter reduction suitable for directed energy systems” are verifiably real technologies whose interdictory applications have been applied to protestors and dissidents.

Edited by Octavio Minestrone and P. Joseph Xtian

Cactus erotica. Dykes taking T erotica. Handmade rope erotica. 
Tangentially alien erotica. Clit long like laffy taffy erotica. Death erotica.

In L.A. Warman's anti-sequel to her award-winning debut Whore Foods, two anonymous lovers traverse the vast and lonely desert which has blighted most of the continent. In their possession is the gift of the Vapors, a mystical substance which allows them to transcend death. Yet as they explore the desert realm and each other, they cannot help but wonder if their entwined destiny resides somewhere beyond transcendence.

LA Warman is a poet, performer, and teacher currently based in New York City. Warman is the author of Whore Foods, an erotic novella which recieved a Lambda Literary Award in 2020. She is the founder of Warman School, a non-accredited and body based learning center. The Warman School has taught over 500 students online and in person. She teaches topics such as erotics, death, depression, and god. Pitchfork named her piece ADMSDP one of the top 100 songs of 2020. She has had performance and installation work in shows at MOCA Cleveland, ICA Philadelphia, Time-Based Art Festival, Poetry Project, and Open Engagement. Warman has presented performative poetics research at Brown University, Hamilton College, Reed College, Hampshire College, and others. She is a founding organizer of the Free Ashley Now survivor defense campaign.

"This book is an instant waypoint on my return to the revelation: if nothing else, my tears have a place where they belong—mixed into the dust of others." — Wilmer Wilson IV

TIME by Spencer Longo is a collection of printed work depicting government raids, religious visions, environmental catastrophe, and extremist fundamentalism tangled together in a narrative web of salvation, annihilation, and transcendence. Using pen plotter graphics directly on uncollated pages of Time magazine, Longo explores the conspiratorial trope that messages are secretly embedded in mass media, coaxing our millenarian anxieties out through an additive printing process using graphics from survivalist publications, end-times evangelical cartoons, and marginalia from the borders of underground occult material, all sprinkled with ecstatic bursts of star-spangled clipart. A must-have for your fallout shelter's library.

A chance encounter with two older fellows at the movie theater has the young vagabond Ligie on his way to Lot-8, a trailer park down the road with an unconventional local reputation. There, Ligie meets Big Joe and his extended Lot-8-family: a tight-knit community of freaks all sectioned together by the landlord at the outskirts of town.

Weaving together colorful characters and outright carnal debauchery, BIG JOE is a radical pastoral of community, desire, and the strangeness of knowing one another.

Featuring color illustrations by Drake Carr and Sabrina Bockler.

Cover illustration by Drake Carr

Samuel R. Delany is the author of numerous books and novels, including the Nebula Award-winning Babel-17 and The Einstein Intersection, as well as Nova (now in a Library of America anthology) and Dhalgren. His 2007 novel Dark Reflections won the Stonewall Book Award. Other erotic novels include Equinox, Hogg, The Mad Man, Throu gh the Valley of the Nest of Spiders, and Shoat Rumblin. Delany was the subject of a 2007 documentary, The Polymath, by Fred Barney Taylor, and he has written a popular creative writing textbook, About Writing. He is the author of the widely taught Times Square Red/Times Square Blue and numerous books of essays; his book-length autobiographical essay, The Motion of Light in Water, won a Hugo Award in 1989. As e-books, paperbacks, or audiobooks, his works are available through his website at: www.samueldelany.com

Desiderata is a collection of Lizzy Mercier Descloux's poetry, photos, and diaristic fragments from her visit to New York City in the winter of 1977. Only eighteen at the time, Descloux fell into the orbits of the nascent No Wave scene festering in Lower Manhattan, where she befriended Richard Hell, Patti Smith, and ZE Records founder Michel Esteban. Desideratacharts the musician's early ambitions as a writer, revealing a potent poetic voice that careens from acid-tinged social observations to outright Dadaist semantic revelry, interspersed with collages and hand-written notes. Originally composed entirely in French, this is the first time these works have ever appeared in English and this edition includes the original French facsimile bound tête-bêche with the new English translation.

Martine-Elisabeth "Lizzy" Mercier Descloux (16 December 1956 – 20 April 2004) was a French musician, singer-songwriter, composer, actress, writer and painter. She collaborated with a wide range of musicians including Wally Badarou and Chet Baker.

Emma Ramadan was initiated into the mystery of Bastet at the age of thirteen and rose to the station of High Scioness. After leaving the temple she hopped freight across the Maghreb, where she began translating esoterica carved into the boxcar walls. She has independently discovered numerous uncatalogued cave systems and varietals of nightshade tea. Her name appears on the underside of stones and in various magazines whose pages seem to turn on their own.

Translated by Emma Ramadan.
Bilingual edition: FR/ENG

Rip It Up is the first ever English translation of Kou Machida's award-winning novel, an undertaking over five years in the making and the inaugural title of Inpatient Press's new translation imprint Mercurial Editions.

Set in a kaleidoscopic hyperreal Japan circa Y2K, Rip It Up catalogues the misdeeds and misgivings of a down-and-out wannabe debonair who ekes out a meager living at the fringes of the art world, wracked by jealousy at his friend's success and despondency of his own creative (and moral) bankruptcy. In turn hilarious and also horrifying, Machida's pyrotechnic prose plumbs the discursive depths of the creative spirit, a head-spinning survey of degeneration and self-sabotage.

Kou Machida is a punk singer, actor, and author, who turned to poetry and fiction after releasing one of the seminal Japanese punk albums with his band INU, 1981’s Meshi kuuna! (Fuck Eating!). He has won the Akutagawa and Tanizaki prizes among many others, and his 2005 novel Kokuhaku (Confession) was named one of the three best books of the last thirty years by the Asahi Newspaper.

Daniel Joseph is a translator, editor, and musician who spent his salad days shouting in dank basements before getting a master’s degree in medieval Japanese literature. Recent translation projects include contributions to Terminal Boredom (Verso, 2021), a collection of stories by science fiction pioneer Izumi Suzuki; and the memoir Try Saying You’re Alive! (Blank Forms, 2021) by outsider folk maniac Kazuki Tomokawa.

Winner of the 2000 Akutagawa Prize for Fiction

Collecting and expanding pieces from her seminal newsletter detailing the inner and outer sexual life of a grocery store cashier, LA WARMAN'S WHORE FOODS is a guaranteed feast for sore thighs. Now available in raw pulp paperback form for the first time. Cleanup in Aisle 4.

"She made fun of the construction workers for not being white, for not knowing time like she knows time and I can’t say “That’s racist” because I am on the job. I am getting paid not to speak. I am getting paid to open up my body to you but not reveal it. The way I put my eyes down when you fight with your husband in line. To shit my pants only a little so you can’t see. The smell of watercress, pineapple, rice, and shit. She’s in my line again asking me if I eat ass.

Yes, sometimes.

Saw a good ass, saw a real good ass."

LA Warman is a poet and performer. She is the founder of GLASS PRESS, a publisher of art and poetry on flash drives. Warman has had work in shows at MOCA Cleveland, ICA Philadelphia, Time-Based Art Festival, General Public Collective, Flying Object, A.T.M. Gallery, and Open Engagement. Her chapbooks How to Become a Lesbian and THE CAVE THE CHURCH THE BEDROOM THE MALL were published by Inpatient Press and After Hours Ltd. Warman wrote and directed a 12 hour text and movement performance piece, Break, that premiered at Deli Gallery in 2018. She teaches Erotica classes online at LAWarman.com and in Brooklyn.

In the 2090s, Earth is somehow still here. Drones and clones are big business and Henries Ickles, debonair New Los Angeles infoarchitect, wants in on the action. Metaphysical theories are put into practice, invisible art is critiqued, quasicrystals are crafted, yogurt is spilled. From diplomatic misadventures with metallic herds in RealSweden to an underwater rendezvous in the free domes of MiamiVII, Ickles, ad Infinitum is a compendium of the exuberant and the abject, a refracted hologram of the absurdities of cultural production that swerves between incisive ode and knowing lampoon.

Mark von Schlegell has been pushing the envelope with independently-published experimental fiction and theory since the 1990s. He was born in New York, moved to L.A. in 2000, and currently lives in Cologne. His first novel, Venusia (Semiotext(e), 2005) was honor's listed for the Otherwise Award in Science Fiction.

Finally collected in a signature single standalone edition, Clark Ashton Smith's Averoigne is a testament of temptation and transcendence: corrupt sellswords, vengeful sorceresses, and time-warping dissident priests all play a part in these tales set in the louche groves of Smith's decadent imagination.

Printed in the style of the erstwhile Ballantine Books Adult Fantasy Series, Averoigne concludes the iconic five-book cycle begun by editor Lin Carter in 1970 and left unfinished until now.

"No other world [of Smith's] feels so bound to actual human endeavors, to the concrete ruins of landscape and lore, to humanity groping toward a sense of itself. What Averoigne offers us is an affective history, a surrender of the imagination not to history’s facts, but to its ambience, its desires." - Kit Schlüter

Some thirty years ago, the artist Peggy Ahwesh began to cultivate a fascination with the films of Doris Wishman, the prolific director behind grindhouse gems like Nude on the Moon (1961), Bad Girls Go to Hell (1965), and Let Me Die a Woman (1977), among many others. By that time, a number of Wishman titles had been released by VHS label Something Weird, and she had been profiled by Andrea Juno in the RE/Search compendium Incredibly Strange Films, granting her a small but fervent cult following. In the early ’90s, Ahwesh heard from musician Tom Smith that the elusive auteur was working at a sex shop in Florida. Determined to meet the doyenne of the skin flick in the flesh, Ahwesh flew down from New York with fellow filmmaker M.M. Serra in 1994 to surprise Wishman at the Pink Pussycat Boutique in Coconut Grove, Miami.

The fruits of this encounter would go into the making of The Films of Doris Wishman, a one-issue zine produced by Ahwesh in 1995, featuring collages drawn from Wishman ephemera given to Ahwesh in Florida, and writings on Wishman by Blossom Lefcourt, programmer Joel Shepard, filmmaker Keith Sanborn, and Ahwesh herself. “The films,” Ahwesh notes “offer the prerequisite weirdness of the genre, but they have a seedy underlying resonance of the fear of and hostility toward women in our world, which Doris describes in her own profound and tawdry way.”

Inpatient Press and Light Industry's new publication includes a complete facsimile of the original zine—long unavailable—as well as the heretofore unpublished transcript of Ahwesh, Serra, and Smith’s 1994 video interview with Wishman at the Pink Pussycat, plus a brief essay on Wishman by Ahwesh, which first appeared in the Village Voice. Experimental cinema and exploitation pictures would seem to exist at opposite ends of film's outer reaches, but every so often, as with Ahwesh and Wishman, their stars align.

NEVER SETTLE! is an activity booklet for minds young and old who are curious about the exciting growing field of SAVAGE PHILOSOPHY. Prepare for a career as an accomplice in the New Red Order with fun games, puzzles, and plenty of brain teasers . NEVER SETTLE! will get you ready to capture culture and commit crimes against reality.

NEVER SETTLE! is an ongoing, collaborative educational effort between Inpatient Press and filmmakers Adam and Zack Khalil.

咸濕 (Salty Wet) - an anti-travelogue essay on distance and desire within and without Hong Kong

“There is no Hong Kong anymore.” These four words have been on the lips of my colleagues, friends and family. Even if you have never been, every Chinatown is a facsimile of Hong Kong. The city’s specter also lives in pop culture, movies and cantopop and video games, and in these projections, we live its simulacrum. In history, dead cities have their morbid enigma and mythology from Pompeii to Rome. But if I could find coherence in living through political decay, outside of the frameworks of news journalism or historiography, then perhaps I would be able to find a more human way to mourn Hong Kong."

T▇▇ 謝▇ is an independent film producer based between Hong Kong and New York and the founder of Speculative Place. She was the Executive Producer of Adam Khalil and Bayley Sweitzer’s feature debut film Empty Metal, and the forthcoming documentary film, Ancestors in the Archives, directed by Adam and Zack Khalil. 謝 is pronounced SHä (as in Shanghainese).