Collecting and expanding pieces from her seminal newsletter detailing the inner and outer sexual life of a grocery store cashier, LA WARMAN'S WHORE FOODS is a guaranteed feast for sore thighs. Now available in raw pulp paperback form for the first time. Cleanup in Aisle 4.
"She made fun of the construction workers for not being white, for not knowing time like she knows time and I can’t say “That’s racist” because I am on the job. I am getting paid not to speak. I am getting paid to open up my body to you but not reveal it. The way I put my eyes down when you fight with your husband in line. To shit my pants only a little so you can’t see. The smell of watercress, pineapple, rice, and shit. She’s in my line again asking me if I eat ass.
Saw a good ass, saw a real good ass."
LA Warman is a poet and performer. She is the founder of GLASS PRESS, a publisher of art and poetry on flash drives. Warman has had work in shows at MOCA Cleveland, ICA Philadelphia, Time-Based Art Festival, General Public Collective, Flying Object, A.T.M. Gallery, and Open Engagement. Her chapbooks How to Become a Lesbian and THE CAVE THE CHURCH THE BEDROOM THE MALL were published by Inpatient Press and After Hours Ltd. Warman wrote and directed a 12 hour text and movement performance piece, Break, that premiered at Deli Gallery in 2018. She teaches Erotica classes online at LAWarman.com and in Brooklyn.
In the 2090s, Earth is somehow still here. Drones and clones are big business and Henries Ickles, debonair New Los Angeles infoarchitect, wants in on the action. Metaphysical theories are put into practice, invisible art is critiqued, quasicrystals are crafted, yogurt is spilled. From diplomatic misadventures with metallic herds in RealSweden to an underwater rendezvous in the free domes of MiamiVII, Ickles, ad Infinitum is a compendium of the exuberant and the abject, a refracted hologram of the absurdities of cultural production that swerves between incisive ode and knowing lampoon.
Mark von Schlegell has been pushing the envelope with independently-published experimental fiction and theory since the 1990s. He was born in New York, moved to L.A. in 2000, and currently lives in Cologne. His first novel, Venusia (Semiotext(e), 2005) was honor's listed for the Otherwise Award in Science Fiction.
Finally collected in a signature single standalone edition, Clark Ashton Smith's Averoigne is a testament of temptation and transcendence: corrupt sellswords, vengeful sorceresses, and time-warping dissident priests all play a part in these tales set in the louche groves of Smith's decadent imagination.
Printed in the style of the erstwhile Ballantine Books Adult Fantasy Series, Averoigne concludes the iconic five-book cycle begun by editor Lin Carter in 1970 and left unfinished until now.
"No other world [of Smith's] feels so bound to actual human endeavors, to the concrete ruins of landscape and lore, to humanity groping toward a sense of itself. What Averoigne offers us is an affective history, a surrender of the imagination not to history’s facts, but to its ambience, its desires." - Kit Schlüter
Some thirty years ago, the artist Peggy Ahwesh began to cultivate a fascination with the films of Doris Wishman, the prolific director behind grindhouse gems like Nude on the Moon (1961), Bad Girls Go to Hell (1965), and Let Me Die a Woman (1977), among many others. By that time, a number of Wishman titles had been released by VHS label Something Weird, and she had been profiled by Andrea Juno in the RE/Search compendium Incredibly Strange Films, granting her a small but fervent cult following. In the early ’90s, Ahwesh heard from musician Tom Smith that the elusive auteur was working at a sex shop in Florida. Determined to meet the doyenne of the skin flick in the flesh, Ahwesh flew down from New York with fellow filmmaker M.M. Serra in 1994 to surprise Wishman at the Pink Pussycat Boutique in Coconut Grove, Miami.
The fruits of this encounter would go into the making of The Films of Doris Wishman, a one-issue zine produced by Ahwesh in 1995, featuring collages drawn from Wishman ephemera given to Ahwesh in Florida, and writings on Wishman by Blossom Lefcourt, programmer Joel Shepard, filmmaker Keith Sanborn, and Ahwesh herself. “The films,” Ahwesh notes “offer the prerequisite weirdness of the genre, but they have a seedy underlying resonance of the fear of and hostility toward women in our world, which Doris describes in her own profound and tawdry way.”
Inpatient Press and Light Industry's new publication includes a complete facsimile of the original zine—long unavailable—as well as the heretofore unpublished transcript of Ahwesh, Serra, and Smith’s 1994 video interview with Wishman at the Pink Pussycat, plus a brief essay on Wishman by Ahwesh, which first appeared in the Village Voice. Experimental cinema and exploitation pictures would seem to exist at opposite ends of film's outer reaches, but every so often, as with Ahwesh and Wishman, their stars align.
NEVER SETTLE! is an activity booklet for minds young and old who are curious about the exciting growing field of SAVAGE PHILOSOPHY. Prepare for a career as an accomplice in the New Red Order with fun games, puzzles, and plenty of brain teasers . NEVER SETTLE! will get you ready to capture culture and commit crimes against reality
NEVER SETTLE! is an ongoing, collaborative educational effort between Inpatient Press and filmmakers Adam and Zack Khalil.
咸濕 (Salty Wet) - an anti-travelogue essay on distance and desire within and without Hong Kong
“There is no Hong Kong anymore.” These four words have been on the lips of my colleagues, friends and family. Even if you have never been, every Chinatown is a facsimile of Hong Kong. The city’s specter also lives in pop culture, movies and cantopop and video games, and in these projections, we live its simulacrum. In history, dead cities have their morbid enigma and mythology from Pompeii to Rome. But if I could find coherence in living through political decay, outside of the frameworks of news journalism or historiography, then perhaps I would be able to find a more human way to mourn Hong Kong."
is an independent film producer based between Hong Kong and New York and the founder of Speculative Place. She was the Executive Producer of Adam Khalil and Bayley Sweitzer’s feature debut film Empty Metal, and the forthcoming documentary film, Ancestors in the Archives, directed by Adam and Zack Khalil. 謝 is pronounced SHä (as in Shanghainese).
rile* is a bookshop and project space for publication and performance. rile* is into poetry, theory, choreography, artist writing and various other text based experiments. rile* organizes performances, meetings, launches, readings... rile* is the base word for silence in Láadan, a feminist constructed language developed by Suzette Haden Elgin in 1982. The language was included in her science fiction Native Tongue series. Láadan contains a number of words that are used to make unambiguous statements that include how one feels about what one is saying. According to Elgin, this is designed to counter language's limitations to those who are forced to respond I know I said that, but I meant this.
Our bookshop is open on Wednesday and Thursday from 11h to 17h, and from Friday to Sunday from 11h to 19h.
If you are interested to stock with us, get in touch, we are open for conversation and new friendships.
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contact : firstname.lastname@example.org
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