Essays

Conflicted Embodiment
Caterina Daniela Mora Jara
a.pass - 5.00€ -

Hello readers,

In the essay "Conflict Embodiment. Notes from dancing on both sides of Atlantic" you are holding in your hands, I delve into the research project I am busy with, which departs from the dancing experience in processes of migration.

Frictioning different dance traditions understood as "folkloric", "popular" and "academic" from the souths and norths, these lines inquire about the potential of translation in dances and what mother tongues could be in dancing/performing. By trying to embrace the complexity of the untranslatable, I aim to unfold Conflicted Embodiment as a research device from the question: How does a body navigate migration, colonialism and dancing?

You are warmly welcome to move desacatadamente with me.

cate

Artless: Stories 2019-2023
Natasha Stagg
Semiotext(e) - 17.00€ -  out of stock

Composed of stories, fragmentary essays, and even press releases Stagg has been commissioned to write, Artless captures the media landscape lived and generated in New York during the past half decade. Since the 2016 publication of her debut novel Surveys, Stagg has positioned herself as an in-demand expert on, and critic of, the psychic experience of self-mythology within the cruelly optimistic metaverse of infinite branding. Part voyeur and part participant, Stagg continues her exploration of the branded identity and its elusive, bottomless desire for authenticity.

Natasha Stagg is the author of a novel, Surveys, and a collection, Sleeveless: Fashion, Image, Media, New York 2011-2019. Her essays have appeared in the books Excellences and Perfections, Link in Bio: Art After Social Media, You Had To Be There: Rape Jokes, Intersubjectivity Vol. II: Scripting the Human, and 9th Berlin Biennale for Contemporary Art: The Present in Drag, among others.

Limn the Distance
Rose Higham-Stainton
Joan Publishing - 14.00€ -  out of stock

Limn the Distance imagines decentralisation through the poetics of Bernadette Mayer and the concentric communities of one mountain. From major cities to art worlds, godheads to bodies and the spaces they inhabit, it asks what happens when we move away from the assumed nuclei of these knowledge and value systems. Orbiting around one mountain in upstate New York, Limn the Distance speaks of and through the communities that have resided there—from the radical sectarian shakers, and efforts towards communitarian living and small-scale farming that have happened in their wake, as well as the life and legacy of Bernadette Mayer who lived nearby. Through personal narrative and lyrical essay, the book draws on communitarian and artistic traditions of decentralised practice and resists the easy binarisms of solitude and sociality, ruralism and urbanism.

After hours in the dry heat of the polytunnel with its blue tarp and the warm and hopeless rotational pull of its fan system, we enter delirium—at the edges of our bodies—skin slick and supple with allium dust and sweat.

To know one’s place, to lose one’s place—

Years have unfurled—entire pandemics—since I began; began to depart from the original conception of my place, my writing, my body and began to know the edges of them—as limits, as possibilities—the lip, brink, shores of them; their fringes. 

‘In her exquisite essay Rose searches for utopias and circles the Mountain. Home to the abstinent Shakers with their visions as gifts; farming (also a gift) and the relationship between Rosemary and Bernadette Mayer (double gift). The utopias here are all approximate, the quest personal, the Mountain real. Limn The Distance is glittering and beautifully stitched as Rose seeks alternative economies (of friendship and feminism, for how to live now). Her first book is an awakening borne of art and agriculture, theory and poetry-- all on the border of this Mountain.’ - Jennifer Kabat

Rose Higham-Stainton is a writer and critic interested in gender and art-making, material culture and resistance. Her work is held in the Women’s Art Library at Goldsmiths College and has been published by LA Review of Books, Texte Zur Kunst, Artforum, The White Review, Art Monthly, X-Tra, Bricks from the Kiln, Apollo, MAP Magazine, and Worms. She has written several chapbooks. Limn the Distance is her first book.

From Troubled Dreams Under A Glare Of Sky
Michael Pattison (ed.)
Edinburgh International Film Festival - 8.00€ -

From under the luminous glare of the laptop and cinema screen, From Troubled Dreams Under A Glare Of Sky gathers newly commissioned essays from nine writers in Scotland, exploring ideas of cinema and metamorphosis.

Considering films in the programme of the 76th Edinburgh International Film Festival (EIFF) and beyond, the texts ranging in style, form and focus-encompass dreams and awakenings, the fatigue of cultural production, queerness and transness, Blackness and sacred spaces, and depictions of the immigrant. Each text creates space to understand, to make sense of what is on screen and what is out of frame.

Filmmakers discussed include Kelly Reichardt, Cauleen Smith, Celine Song, Paul B. Preciado, Babak Jalali, Liu Jian, Ng Choon Ping and Sam H. Freeman, Huw Lemmey and Onyeke Igwe. Expanding on an eclectic array of new and retrospective cinema, the collection seeks to introduce readers to a burgeoning Scottish scene of fresh voices in film and cultural criticism.

Métaphoriques Cannibales
non-a (eds.)
non-a - 18.00€ -

Métaphoriques Cannibales est un recueil transdisciplinaire, où le cannibalisme est pris comme métaphore, comme un concept ouvert aux analogies, comme anthropopoiésis et boîte noire, et comme fait social total.

Peuplent cet endroit des individus qui s’abreuvent de symboles, d’imaginaires, d’occulte, d’intime et ne craignent pas d’en recracher des images et idées d’une extrême violence, tout en constituant paradoxalement l’univers de leur production comme “safe space”.

Le cannibale est une spécialité belge, composée d’un toast recouvert de filet américain (une variante belge du steak tartare).

Transgressif et provocant, c’est ici un paroxysme de l’altérité et fantasme de l’Autre, qui permet par reflet de nous contempler nous-même.
La vie n’a de saveur que pour devenir viande.

La transgression, c’est aussi aller plus loin. Oser aller plus loin. Plus loin que les normes communément admises qui sont toutes relatives et violentes.
SUBSTANCE MOLLE ET SANGUINE

Nous cherchons des outils spéculatifs pour pænser notre monde.STIMULI VISUELS HOMOGÉNÉISÉS PAR LE ROUGE

C’est d’un brouillard polysémique empli de chimères, d’un tabou lardé de malaise et d’angoisse, bien au chaud dans un ventre plein de plasma, que ɴon-ᴀ émet ce recueil transdisciplinaire.

Dans la large brèche que nous propose l’ouverture de notre thématique, s’engouffre une multitude d’approches : de la chansonnette, au récit spéculatif, de la définition critique, à la BD vorarephile, du reportage photo, à la poésie expérimentale, de la théorie d’écologie spéculatif, à la performance eroticocculte.

Explorons les obscures profondeurs de nos éthiques pour y trouver les fondations de nos ontologies... se mordre d’une balle dans le pied.

Contributeur·rice·x·s
aariel136, Maurane-Amel Arbouz, Nina Bigot,Mathilde Block, Juliano Caldeira, Rémi Calmont, Rouge Cendre, Chloé Clemen, Sam Ectoplasm, Robin Faymonville, Gabriel René Franjou, Tristan Gac, Léo Gillet, Charlotte Guerlus, Théophile Gürtin, KarenDK, Olga Mathey, Louise Mervelet, Jean-Baptiste Molina, Hélène Alix Mourrier, Carole Mousset, Lucy Ozon, Angel Raymond, Andres Komatsu & Camila Roriz, Paradoc sale, Manon Schaefle, Yan Tomaszewski, Tom Valckenaere, Chloé Viton, xX-Sukuba-Xx, Zelig, Janna Zhiri

Artists' Survival Kit
Andrea Bellini, Göksu Kunak (eds.)
Nero Editions - 20.00€ -  out of stock

A collection of essays and a critical attempt to rethink and improve the relationship between artists and art institutions and to give visibility to the precarious, complex, and very often existential reality of the art workers.

"Beneath the glamorous surface of the art world—the openings and dinner parties, the record-breaking auction prices, the media attention—lies a reality that is precarious, complex, and very often existential: only a tiny minority of artists support themselves with their work and fewer still manage to do so throughout their lives. This book tells those other stories, for example of artistic practices grounded in performance, research, and political activism. These practices are not necessarily oriented toward producing marketable objects. Thousands of artists around the world, at all latitudes, struggle every day under precarious work conditions, in the absence of shared rules, and with a debilitating sense of insecurity caused not only by the threat of global pandemics but also by war and political oppression, resurgent nuclear threat, competition for dwindling resources, and perhaps most pressing of all, the climate crisis.The economic challenge of supporting oneself as an artist immediately turns into an ethical one." — Andrea Bellini

Curating the Complex & The Open Strike
Terry Smith
Sternberg Press - 16.00€ -

A visionary analysis of what Terry Smith identifies as the "visual arts exhibitionary complex."

In this book, the renowned art historian and writer maps the institutional and quasi-institutional framework for contemporary art that sprawls across the globe. He then delves into a powerful form of curatorial activism rising up in the exhibitionary complex: Open Strike. This is the inaugural volume of the series Thoughts on Curating, edited by Steven Henry Madoff.

Last Night A Beef Jerk Saved My Life
D Mortimer
Pilot Press - 16.00€ -

'Mortimer is one of the most talented writers of our generation and their debut collection proves this. Part essay, part poem, part memoir and part SOS, Last Night a Beef Jerk Saved My Life navigates its thematic scope—ranging from transness, queerness and naming to loving and losing—with sensitivity, insight, humour and bravado. Best thing I read this year.' - Isabel Waidner

'Last Night a Beef Jerk Saved My Life is a wonderful and thoughtful reflection on love and beauty and bodies and music and memories, and on the constellations of small things that make up modern queer life.' - Huw Lemmey

D Mortimer is a writer from London focussed on trans crip narratives. Their work (essays, poetry, prose, creative-criticism) has appeared in Granta and been performed at the Institute of Contemporary Art in London (Queers Read This, The Kathy Acker Reading Group). Their short story ‘Supermarket Revelations’ was published in Liberating the Canon: An Anthology of Innovative Fiction (ed. Waidner, Dostoyevsky Wannabe: 2018) and a poem-essay, 'How To Draw Hands', was published by Warm Yourself by My Trash Fire in 2020.

Sensing Earth: Cultural Quests Across a Heated Globe
Philipp Dietachmair, Pascal Gielen, Georgia Nicolau (eds.)
Valiz, Amsterdam - 22.50€ -

Sensing Earth states that our environmental issues are in the first place a matter of culture and aesthetics. Technology and science are not enough to solve these problems.

Our globe is facing an escalation of ecological problems, with no quick solutions in sight. We seem to be caught in a spiral of health issues, burnout, sensory overload, depression, and somatic deprivation. Artists faced with these crises are looking for ways to articulate the ongoing emergencies and explore possible ways out. However, the arts and culture are caught in a double bind. Artists and cultural initiatives need circulation to let ideas intersect and create meaningful connections. However, this globalized system also contributes to the planet’s ecological decline: by countless journeys from one biennale, international residency, touring exhibition and networking event to the next. After the Covid-19 pandemic ‘business as usual’ seems to prevail.

Sensing Earth includes essays, interviews, poetry, manifestos, choreographic prompts, speculative fiction, and case studies operating at the intersection of art and activism, culture and nature. All texts explore what sensorial foundations are necessary to address systemic failures, and what routes to take for keeping us moving on this planet, physically, emotionally and intellectually.

Contributors: Grégory Castéra, Center for Arts, Design and Social Research (Dalída Maria Benfield, Christopher Bratton, Luigi Coppola, Pelin Tan), Philipp Dietachmair, Futurefarmers, Pascal Gielen, Marina Guzzo, INLAND (Fernando García-Dory), Meander, Georgia Nicolau, Luciane Ramos Silva, Noel B. Salazar, Joy Mariama Smith, Naine Terena de Jesus, Dea Vidović, André Wilkens, Ana Žuvela

Is Now the Time for Joyous Rage? – (A Series of Open Questions, vol. 4)
Jeanne Gerrity and Jacqueline Francis (eds)
Sternberg Press - 12.00€ -  out of stock

The fourth book in the annual series A Series of Open Questions published by CCA Wattis Institute for Contemporary Arts and Sternberg Press is informed by themes found in the work of Lorraine O'Grady, including diaspora, Black female subjectivity, racial hybridity, translation, intersectional feminism, institutional critique, Black representation in the art world, archives, music, Conceptualism, and performance art.

The Wattis Institute's annual reader, A Series of Open Questions, provides an edited selection of perspectives, images, and references related to the Wattis's year-long "On our mind" research seasons. Each volume includes newly commissioned writing by members of the research season's core reading group, as well as text and visual contributions by a diverse range of other artists and writers. The title of each reader takes the form of a question and becomes, as new books are published, a gradually evolving series of open questions.

Contributions by The Allman Brothers Band, Charles Baudelaire, Selam Bekele, Martin Bernal, Linda Goode Bryant and Rujeko Hockley, Camille Chedda, Gabrielle Civil, Kathleen Collins, Erica Deeman, Jeanne Finley & John Muse, Jacqueline Francis, Edouard Glissant, E. Jane, Bec Imrich, Charles Lee, Darrell M. McNeil, Denise Murrell, Sawako Nakayasu, Lorraine O'Grady, Yétúndé Olagbaju, Hsu Peng & Allison Yasukawa, Lara Putnam, Trina Michelle Robinson, Legacy Russell, David Scott, Peter Simensky, Carrie Mae Weems, Judith Wilson, Alisha Wormsley.

Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene
Anna Tsing, Heather Swanson, Elaine Gan, Nils Bubandt (eds.)
University of Minnesota Press - 28.00€ -  out of stock

As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. 

Anna Lowenhaupt Tsing is professor of anthropology at the University of California, Santa Cruz, and a Niels Bohr Professor at Aarhus University in Denmark, where she codirects Aarhus University Research on the Anthropocene (AURA).

Heather Swanson is assistant professor of anthropology at Aarhus University.

Elaine Gan is art director of AURA and postdoctoral fellow at Aarhus University.

Nils Bubandt is professor of anthropology at Aarhus University, where he codirects AURA.

Great is the Power of the Name
Anne-Mette Schultz and Signe Frederiksen
Forlaget Emancipa(t/ss)ionsfrugten - 15.00€ -

Great is the Power of the Name considers the works of authors Elena Ferrante, Pauline Reáge, Karl Ove Knausgård, Colette and artist Lee Lozano. 

In 2016, when Anne-Mette had invited Signe to take on the role as editor of her text The Institute of Applied Speech, they both began reading Elena Ferrante's The Neapolitan Novels. They were specifically fascinated by the author’s use of pseudonym. Anne-Mette's Institute of Applied Speech was a tale of a fictive place, a pseudo-topos, and Elena Ferrante’s ideas about the pseudonym as a space for the writing itself was useful in thinking about fictive authorship. In a number of written interviews, Elena Ferrante unfolds the feminist perspective of her use of pseudonym. They were attracted by the idea that the author could avoid the biographical question; that she could disappear behind her own writing. 

To them, the artist Lee Lozano is the ghostly presence of hard-core moralist and humorous fuck-off art from another decade. During the course of her life, Lozano continuously reconfigured and gradually dissolved her own name, starting from Leonore Knaster ending up with E. Her work Boycott Women, in which she decides not to have any contact with women, expands the notion of feminist critique. 

Great is the Power of the Name publishes a readership interested in the position of the artist, and how it conditions the way we make art.

Gaia And Philosophy
Lynn Margulis and Dorion Sagan
Ignota Press - 11.00€ -

In the 1970s, microbiologist Lynn Margulis and atmospheric chemist James Lovelock developed the Gaia theory. Embracing the circular logic of life and engineering systems, the Gaia theory states that Earth is a self-regulating complex system in which life interacts with and eventually becomes its own environment.

Gaia describes a living Earth: a body in the form of a planet. For billions of years, life has created an environment conducive to its continuation, influencing the physical attributes of Earth on a planetary scale. An idea with precedents in natural science and philosophy for millennia, Gaia resonates with the ancient magico-religious understanding that all is one: as above, so below. 

Fusing science, mathematics, philosophy, ecology and mythology, Gaia and Philosophy, with a new introduction by Dorion Sagan, challenges Western anthropocentrism to propose a symbiotic planet. In its striking philosophical conclusion, the revolutionary Gaia paradigm holds important implications not only for understanding life's past but for shaping its future. 

Running feet, sharp noses
Nathan O’Donnell, Adrian Duncan, and Niamh Dunphy (ed.)
Paper Visual Art - 17.00€ -

Edited by Nathan O’Donnell, Adrian Duncan, and Niamh Dunphy, Running feet, sharp noses: Essays on the animal world is a collection of essays on the animal world. Each piece is a meditation on how animals affect our sense of self, our memories, our actions.

With contributions by Latifa Akay, Sara Baume, John Berger, June Caldwell, Niamh Campbell, Vona Groarke, Edward Hoagland, Sabrina Mandanici, Darragh McCausland, Tim MacGabhann, Honor Moore, Eileen Myles, Stephen Sexton, Jessica Traynor, Erica Van Horn, and Suzanne Walsh.

The Poetics of Wrongness
Rachel Zucker
Wave Books - 22.00€ -  out of stock

In her first book of critical non-fiction, The Poetics of Wrongness, poet Rachel Zucker explores wrongness as a foundational orientation of opposition and provocation.

Devastating in their revelations, yet hopeful in their commitment to perseverance, these lecture-essays of protest and reckoning resist the notion of being wrong as a stopping point on the road to being right, and insist on wrongness as an analytical lens and way of reading, writing, and living that might create openness, connection, humility, and engagement.

This book marks a turning point in Zucker's significant body of work, documenting her embrace of the multivocality of interview in her podcasting, and resisting the univocality of the lecture as a form of wrongness in and of itself.

Houses To Die In and Other Essays on Art
Ina Blom
Sternberg Press - 24.00€ -  out of stock

Art critical essays focusing on artworks that, in various ways, convey a sense of unheroic "trouble."

Stories of the undead of contemporary painting, the mediation of pain, photography courting stupidity, sculpture and architecture courting animism, populism in avant-garde art, fear of avant-garde territorialism, ambivalent networking, displaced abstractions and misplaced weather systems.

The essays assembled in this volume were all written over the past twenty years—a period in which Ina Blom pursued art critical writing alongside more academic work and when the boundaries between the two genres grew at times deliberately blurred. Dispersed as they were across a variety of publications with limited accessibility—out-of-print anthologies and artist's books, hard-to-find art catalogues, journals, and magazines protected by paywalls—Houses To Die In and Other Essays on Art at last brings them together, and not just for practical reasons. If the texts collected here have one thing in common, it is in a certain pull they display toward artistic projects that are not redemptive or exemplary, but which instead convey a sense of trouble: trouble actively sought by the artists or keenly felt by Blom. A distinctly unheroic trouble.

Born in Oslo in 1961, Ina Blom is an Associate Professor at the Department of Philosophy, Classics, History of Art and Ideas at the University of Oslo. She has written extensively on modern and contemporary art and is also active as an art critic.

Against Ageism: A Queer Manifesto
Simon(e) van Saarloos
Reflector - 18.00€ -  out of stock

Age! What is it good for? Absolutely nothing! (Apart from greasing the wheels of capitalist reproduction.) In this queer manifesto, Simon(e) van Saarloos weaves a wealth of militant sex-liberationist, afrofuturist, transfeminist and decolonial imaginaries into their anti-ageist sails, charting a confident course across contemporary society’s generational hang-ups as well as visiting, in some more personal moments, their own.
-Sophie Lewis, author of Abolish the Family: A Manifesto for Care and Liberation and Full Surrogacy Now: Feminism Against Family

Against Ageism: A Queer Manifesto starts with what it is not: it is not a socio-economic argument against ageism, celebrating “the elderly” as economically viable. Author Simon(e) van Saarloos is not interested in natural arguments about age, which portray different age groups as valuable because of assumed inherent qualities. Instead, this manifesto starts with an experience of childhood sexual abuse, and moves on to dissect the ways in which constructions of “age” and “youth” function to support and reproduce white supremacist patriarchy. The book includes two reproductions of works by painter Samantha Nye.

Simon(e) van Saarloos is the author of Take ‘em Down (Publication Studio Guelph) and Playing Monogamy (Publication Studio Rotterdam). They were the curator of the 2021 exhibition on Abundance (“We must bring about the end of the world as we know it” – Denise Ferreira da Silva) in Het HEM and are also the host of *The Asterisk Conversations podcast. Van Saarloos is currently a PhD candidate in the Rhetoric department at UC Berkeley.

Copiez ce livre – Un manuel sur le droit d'auteur et les communs culturels, par et pour les artistes
Eric Schrijver
Les commissaires anonymes - 17.00€ -

An artist's guide to copyright, written for makers.

Both practical and critical, this book will guide you through the concepts underlying copyright and how they apply in your practice.

How do you get copyright? For what work? And for how long? How does copyright move across mediums, and how can you go about integrating the work of others? Because they get copyright too!

Copy this Book will detail the concepts of authorship and original creation that underlie our legal system. This way, it will equip you with the conceptual keys to participate in the debate on intellectual property today.

Eric Schrijver is a Dutch interaction designer, artist and author, born in Amsterdam in 1984. He lives in Brussels, and works for the Belgian IT company ACSONE, designing and developing interfaces for clients in the public and private sector. Eric Schrijver directs a group blog called I like tight pants and mathematics, that aims to motivate designers and artists to get more involved in the world of computer programmers. From 2011 to 2017 he was a core member of the graphic design collective Open Source Publishing. Eric Schrijver has taught workshops at art schools around the world. He has been a teacher at the Masters Graphic Design at the École de Recherche Graphique (ERG), and as well as a faculty member at KABK (The Hague), where he taught coding and interaction design.

Pidginization as Curatorial Method – Messing with Languages and Praxes of Curating
Bonaventure Soh Bejeng Ndikung
Sternberg Press - 12.00€ -

In this compelling rethinking of curatorial practice, renowned museum director, curator, and writer Bonaventure Soh Bejeng Ndikung proposes that Pidgin languages and pidginization as a mode of being and doing offer a decolonialized reinvention of communicative practices—a space in which the boundaries between disciplines of knowledge collapse and sociopolitical, economic, ethical, and spiritual concepts and questions are renegotiated.

Written as a series of powerful anecdotes, the book grounds its provocative ideas in personal, cultural, and political histories of challenge and improvisation, and argues, as Ndikung writes, that "pidginized curating is a curating that combines works, ideas, practices, and languages in resistance to canonical conventions, cultural stasis, ossified practices, dead rhythms, and singular forms."

Bonaventure Soh Bejeng Ndikung (born 1977 in Yaoundé, Cameroon, lives and works in Berlin) is an independent art curator, art critic, author and biotechnologist. He is founder and artistic director of SAVVY Contemporary Berlin and editor-in-chief of SAVVY Journal for critical texts on contemporary African art. He was associate professor at Muthesius University Kiel, and is currently guest professor in curatorial studies at the Städelschule in Frankfurt. He was curator-at-large for documenta 14, and was a guest curator of the 2018 Dak'Art Biennale in Senegal. As part of the Miracle Workers Collective, he curated the Finnish Pavilion at the Venice Biennale in 2019.

King Kong Theory (Uk edition)
Viriginie Despentes
Fitzcarraldo Editions - 17.00€ -  out of stock

Powerful, provocative and personal, King Kong Theory is a candid account of how the author of Baise-moi came to be Virginie Despentes. Drawing from personal experience, Despentes shatters received ideas about rape and prostitution, and explodes common attitudes towards sex and gender. King Kong Theory is a manifesto for a new punk feminism, reissued here in a brilliant new translation by Frank Wynne.

‘I write from the realms of the ugly, for the ugly, the frigid, the unfucked and the unfuckables, all those excluded from the great meat market of female flesh, and for all those guys who don’t want to be protectors, for those who would like to be but don’t know how, for those who are not ambitious, competitive, or well-endowed. Because this ideal of the seductive white woman constantly being waved under our noses – well, I’m pretty sure it doesn’t exist.’

Nicotine
Gregor Hens
Fitzcarraldo Editions - 19.50€ -  out of stock

The translation of this work was supported by a grant from the Goethe-Institut which is funded by the German Ministry of Foreign Affairs

Written with the passion of an obsessive, Nicotine addresses a life of addiction, from the epiphany of the first drag to the perennial last last cigarette. Reflecting on his experiences as a smoker from a young age, Gregor Hens investigates the irreversible effects of nicotine on thought and patterns of behaviours. He extends the conversation with other smokers to meditations on Mark Twain and Italo Svevo, the nature of habit, the validity of hypnosis, and the most insignificant city in the United States, where he lived for far too long. With comic insight and meticulous precision, Hens deconstructs every facet of the dependency and offers a brilliant disquisition on the psychopathology of addiction.

The Hatred Of Poetry
Ben Lerner
Fitzcarraldo Editions - 16.00€ -  out of stock

No art has been denounced as often as poetry. It’s even bemoaned by poets: ‘I, too, dislike it,’ wrote Marianne Moore. ‘Many more people agree they hate poetry,’ Ben Lerner writes, ‘than can agree what poetry is. I, too, dislike it and have largely organized my life around it and do not experience that as a contradiction because poetry and the hatred of poetry are inextricable in ways it is my purpose to explore.’

In this inventive and lucid essay, Lerner takes the hatred of poetry as the starting point of his defence of the art. He examines poetry's greatest haters (beginning with Plato’s famous claim that an ideal city had no place for poets, who would only corrupt and mislead the young) and both its greatest and worst practitioners, providing inspired close readings of Keats, Dickinson, McGonagall, Whitman, and others. Throughout, he attempts to explain the noble failure at the heart of every truly great and truly horrible poem: the impulse to launch the experience of an individual into a timeless communal existence. In The Hatred of Poetry, Lerner has crafted an entertaining, personal, and entirely original examination of a vocation no less essential for being impossible.

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