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Cover of to enter the forest

Nero Editions

to enter the forest

Lucia Palladino

€16.00

to enter the forest is an invitation to suspend the acquired systems of knowledge, to look for other ways of “world making.” The book includes a revised and extended version of to err together with the unpublished correspondances.

to err gathers walking exercises and notes, created as instruments for choreographic composition, but practicable by anyone, to put one’s perspective about self and what is other to self, as well as the relations between things, even beyond the human, into question.

correspondances is an ensemble of writing exercises through which to investigate the system of consciousness around verbal language, asking ourselves what words mean from a slightly shifted perspective.

The publication is coproduced by a.pass, nadine, Buda Art Centre, Indisciplinarte, Flanders State of the Art.

lucia palladino is a transdisciplinary artist and researcher in the fields of performance, choreography, and dance. Her practices consist in the elaboration of forms of resistance to notions of identity and ownership naturalized by history and by culture, that define our knowledge and expectations and that need to be undone in order to make space for meeting.

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Cover of The Glover Group – A Los Angeles Story

Nero Editions

The Glover Group – A Los Angeles Story

The Glover Group

Monograph €30.00

A portrait of the cohesive community of women artists in Frogtown, Los Angeles, including Ruby Neri, Hilary Pecis, Megan Reed, Lily Stockman, and Austyn Weiner.

The Glover Group: A Los Angeles Story narrates the journey of an extraordinary group of artists who have nurtured their unique artistic voices within the same studio complex in Frogtown, Los Angeles. The Glover Group includes Ruby Neri, Hilary Pecis, Megan Reed, Lily Stockman, and Austyn Weiner, a coincidental yet cohesive community of women artists sharing a unique bond through their interconnected workspace.

This catalog, designed to document their collaborative exhibition held at MASSIMODECARLO in Milan during July and August 2023, features interviews to the artists by Cecilia Alemani, Alison M. Gingeras, Justine Ludwig, Marta Papini, and Heidi Zuckerman, together with photographs by Tracy Nguyen.

Contributions by Ruby Neri & Alison M. Gingeras, Hilary Pecis & Cecilia Alemani, Megan Reed & Marta Papini, Lily Stockman & Heidi Zuckerman, Austyn Weiner & Justine Ludwig.

Cover of WILL YOU MARRY ME?

Nero Editions

WILL YOU MARRY ME?

Sara Leghissa, Marzia Dalfini

The ultimate ambition of this book-tool is to “disappear on the street”. Its pages collect words and stories of people whose right to exist and be visible in public spaces was forced to confront the concepts of “legality” and “justice”.

Considering the assumption that the law is a fluid parameter, which changes depending on where we are in the world, the historical period in which we live and the sort of privileges we enjoy, the law defines what is considered moral, licit, in other words, what is right. It distributes power and the perception of power in society, defining, categorizing, dividing and controlling.

WILL YOU MARRY ME? is a public lecture and an artist’s book by Sara Leghissa and Marzia Dalfini, investigating a specific portion of the spectrum of illegality, namely the relationship between illegal acts and public space. It explores how we can act disobedience before everyone’s eyes, suggesting possible forms of complicity and public resistance.

All the content was collected by the artist during meetings and conversations that took place in Prato, Milan, Ramallah, Marseille, Madrid, Nyon and Lausanne and with this book-tool their words become manifestos that the reader is invited to detach and relocate into the public space.

Designed by Marzia Dalfini. Published by NERO with the support of L’Altra.

Format: 42 x 29,7 cm
Pages: 28
Language: IT / EN
Year: 2021

Cover of ROT ISSUE ONE 2023: IMMUNITY

Varamo Press

ROT ISSUE ONE 2023: IMMUNITY

Sara Manente

ROT is the catalogue for a community of practices.
ROT is a medicine and a ritual. The prescription for a new therapy.
ROT is a manual without instructions. A map. A party.
ROT touches upon sci-fi doomed scenarios.
ROT works within the ruins of the future.
ROT engages in weird beautification processes.
ROT uses mushrooming as a research method.
ROT hosts essays, stories, poetry, interviews, visuals, recipes, horoscopes and more.
ROT is mouldy.
ROT is glossy and asks to be touched.

With contributions by Adrijana Gvozdenović, Agnese Krivade, Alix Eynaudi, Anne Juren, Asli Hatipoglu, Carolina Mendonça, Cécile Tonizzo, Coline Gautier, Daniele Gasparinetti, Deborah Robbiano, Eleanor Ivory Weber, Elke Van Campenhout, Ēriks Ašmanis, Eve Gabriel Chabanon, Gary Farrelly, Goda Palekaitė, Günbike Erdemir, Jaime Llopis, Jennifer Russo, Jeroen Peeters, Jonas Palekas, Kristin Wiking, Lucia Palladino, Luciano Maggiore, Marko Gutić Mižimakov, Michelle Anay Woods, Muna Mussie, Muslin Brothers, Natasha Papadopoulou, Nina Janela, Norberto Llopis, Paloma Bouhana, Peggy Pierrot, Sandra Muteteri Heremans, Santiago Ribelles Zorita, Sara Manente, Sébastien Tripod, Sina Seifee, Sofie Durnez, Wilson Le Personnic

Sara Manente is a multidisciplinary artist and researcher who promotes collaborative situations in heterogeneous formats. Drawing on the imagery and matter of living cultures and mycelium brought into relation with live arts, her recent projects reflect on the possibility of contamination between pedagogy, research, performance and publication.

Published by Varamo Press
First edition, August 2023
136 pages, 22 x 30 cm, perfect binding
ISBN 978-82-693189-2-0
Graphic design by Deborah Robbiano

Cover of In Perpetuity

Self-Published

In Perpetuity

Ivey Wawn

Performance €11.00

In Perpetuity is part of Ivey Wawn’s project of the same name. With contributions from those involved in the making of what would have been the live performance, it is an accumulation of thoughts, reflections and associated pieces of work that give some idea of what the work could, would, or may in the future come to be. 

In Perpetuity is an ongoing project that has taken a variety of forms, from publication, through video and into live performance.

Cover of Kish, An Island Indecisive by Design

NAi Publishers

Kish, An Island Indecisive by Design

Babak Afrassiabi, Nasrin Tabatabai

In Kish, An Island Indecisive by Design, artists Nasrin Tabatabai and Babak Afrassiabi explore the modern development of an Iranian island in the Persian Gulf. Removed from mainland Iran, Kish is a place where extremes in politics, ideology and urban design intersect. The island's many years of infrastructural indecision is distinctly evident in its architecture, which lacks any trace of coherence or feel for locale. This volume gives an often moving account of the chaos of middle-eastern modernity.

Cover of Mycoscores / Choreospores

Self-Published

Mycoscores / Choreospores

Maija Hirvanen

Mycoscores / Choreospores is a set of artistic scores for exploring the connections between fungal and human ways of being, particularly through movement and dance. The scores propose starting points for dancing, weaving together social connections, composing and exploring performativity.

The publication consists of 31 cards, each presenting a single score, a booklet with a text entitled Fungi Feel, the introduction, instructions, a glossary and additional short text entries accompanying the scores.


Scores, writing and concept by Maija Hirvanen
Graphic design: Arja Karhumaa
Publisher: Friends of Physical Contemporary Art, in the frame of Performing Portals project. In collaboration with DAS Research/DAS Publishing, Academy of Theatre and Dance, Amsterdam. Published Jan. 2024

Cover of BFTK #6: Tentative — Incomplete — Inconsistent

Bricks from the Kiln

BFTK #6: Tentative — Incomplete — Inconsistent

Andrew Walsh‐Lister, Matthew Stuart

This instalment of Bricks from the Kiln doubles as issue #6 of the journal and as an exhibition catalogue for the thematic show ‘BFTK#6: Tentative — Incomplete — Inconsistent: A Catalogue of the Disappeared, Destroyed, Lost or Otherwise Inaccessible’. Presenting objects, artworks, artefacts, models, events and animals that no-longer — or never did — exist in physical form, the exhibition explores themes of death, destruction and reincarnation, examining persisting interests in notions of ephemerality and permanence, memory and record, preservation and erasure, creation and reconstruction.

How do we remember and memorialise? How is space given to the unrecorded? How do we experience the out of reach, concealed, unseen, undiscovered? How can the dematerialised be materialised again, through the mediation of writing, image and sound?

THE ALMOST HORSE
Helen Marten
(inside front / back cover)

‘STILL IN ALL HEARTS, IN ALL BELLIES, IN ALL TOES’:
A BELATED REVIEW OF FESTIVAL DE FORT BOYARD
Matthew Stuart & Andrew Walsh-Lister
(pp.6–8)

EDDYSTONE
Rachael Allen
(pp.11–18)

TO MAKE THE STONE STONY
Emily LaBarge
(pp.21–26)

WHEREFORE AM I NOW?
Lucy Mercer
(pp.29–40)

WESTON: THE TOWN THAT WAS, AND THEN WASN’T
Crystal Bennes
(pp.43–52)

NOTES TO ACCOMPANY VIOLENT INNOCENCE (2019)
Will Harris
(pp.55–64)

GHOST, POCKETS, TRACES, NECESSARY CLOUDS
Matthew Stuart
(pp.66–69)

CONNECTIVITY OF TOUCHING
Ali Na & Mindy Seu in conversation
(pp.71–76)

PEARL
Rose Higham-Stainton
(pp.79–84)

NOTES FROM NEW MEXICO
Jennifer Hodgson
(pp.87–98)

THE MOOG OF AHMEDABAD
Paul Purgas
(pp.101–108)

IN WHICH DECIBELLA ESCAPES AUDITION
Sarah Hayden
(pp.111–122)

D.C.B.: A PARTIAL RETROSPECTIVE
Juliet Jacques
(pp.125–136)

PINBALL REMAINS: ON THE PINBALL ISSUE OF THE SITUATIONIST TIMES
Ellef Prestsæter
(pp.139–150)

TOMB III – CADMIUM (2021)
Gilbert Again
(pp.152–154)

NON-DESCRIPT ANIMAL
David Hering
(pp.157–161)

Cover & Bookmark artwork by Helen Marten

Cover of The Imaginary Republic

Errant Bodies Press

The Imaginary Republic

Brandon LaBelle

The Imaginary Republic is an artistic research project focusing on questions of social practice. In particular, it considers the creative and restless imaginaries underpinning our political selves and argues for a deeper engagement with what Elena Loizidou terms “dream-action”: the figurative and poetic staging of world making activity.

The publication brings together participating artists Tatiana Fiodorova, Octavio Camargo / Brandon LaBelle, the Sala-Manca Group, and Joulia Strauss, whose practices engage situations of struggle and autonomous cultures through a range of methods and approaches. From social fictioning to camouflaged interventions, collaborative pedagogies to gestures of care, their works propose unlikely paths of mutuality. The publication includes documentation of an exhibition held at Kunsthall 3,14 in Bergen, as well as key essays and works by theorists and artists Rhiannon Firth, Hélène Frichot, Marysia Lewandowska, Gerald Raunig, Raimar Stange with Oliver Ressler, and Manuela Zechner.

published in June 2020