Catherine Christer Hennix

The first comprehensive publication of the Swedish polymath Catherine Christer Hennix's written work in a two-volume set.

Volume one, Poësy Matters, is divided into two sections: poetry and drama, with each section also containing pieces of commentary by Hennix or her longtime collaborator Henry Flynt. Volume two, Other Matters, is divided into two sections: first, program notes and essays about a wide range of topics (including music, psychoanalysis, and mathematics), and second, a reproduction of Hennix's 1989 work The Yellow Book. The first comprehensive publication of Hennix's written work, Poësy Matters and Other Matters illustrates the singular depth and variety of her contributions to contemporary music, art, literature, and mathematics.

The texts in Poësy Matters and Other Matters reflect Hennix's diverse training as well as her long-standing personal interests in Lacanian psychoanalysis and Japanese and Middle Eastern poetic forms, resulting in a rich, diffuse collection of writings that reveal one of the avant-garde's most implacable, not to mention overlooked, creative minds.

Best known as a composer, Catherine Christer Hennix (1948, Stockholm – 2023, Istanbul) has, throughout her fifty-plus-year career, produced innovative work in the fields of not just minimal and computer music, but psychoanalytic theory, intuitionist mathematics, poetry, and prose as well. 

Edited and introduced by Lawrence Kumpf.

English edition
17 x 24 cm (2 individual books, packaged together)
311 + 448 pages (ill.)

A new collection of writings by the composer and mathematician Spencer Gerhardt, considering among other topics the rich points of contact between minimalist musical aesthetics and intuitionistic mathematics.

Noted composer and mathematician Spencer Gerhardt presents Ticking Stripe, a groundbreaking collection of essays linking notions of continuity and construction across the boundaries of math, art, music and philosophy. Gerhardt offers new, and deeply informed interpretations of the 1960s New York avant-garde, viewed through the lens of trailblazing artists such as La Monte Young, Marian Zazeela, Catherine Christer Hennix, Henry Flynt and Tony Conrad.

Ticking Stripe pairs the spirit of L. E. J. Brouwer—a mathematician who brilliantly, and controversially, sought to reconstruct the continuum in his own philosophical terms called intuitionism—with the ambitions of pioneering minimalists who combined continued constructions, idealized processes of introspection, and conceptual world-building with a host of philosophical, scientific, and spiritual concerns. Informed by his own work as a professional mathematician and composer, Gerhardt explores the depths of these disparate traditions, finding unlikely areas of commonality. Spanning over two decades, these essays feature rich historical explorations of minimalist music, writing on contemporary art, and work in logic and algebraic groups, all approached with rare clarity and technical aplomb.

Spencer Gerhardt is a composer and mathematician. His music engages constructive, introspective and romantic traditions. Gerhardt has written solo piano music, piano based songs, and works of minimalism. He studied raga with La Monte Young and Marian Zazeela, piano performance with Sung-Hwa Park, and has collaborated with artists such as Thomas Ankersmit and Charles Curtis.

The current crisis of museums and the future of Institutional Critique.

Faced with waning state support, declining revenue, and forced entrepreneurialism, museums have become a threatened public space. Simultaneously, they have assumed the role of institutional arbiter in issues of social justice and accountability. The canon of Institutional Critique has responded to the social embeddedness of art institutions by looking at the inner workings of such organizations. In After Institutions, Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art's sociopolitical entanglements, looking beyond what cultural institutions were to what they are and what they might become.

Karen Archey is curator of contemporary art at the Stedelijk Museum Amsterdam. She is a 2015 Creative Capital | Warhol Foundation Arts Writers Grant recipient for short-form writing. Since joining the Stedelijk Museum in April 2017, Archey has organized solo exhibitions by artists Rineke Dijkstra, Stefan Tcherepnin, Catherine Christer Hennix, Steffani Jemison, Metahaven, Jeff Preiss, Charlotte Prodger, and Hito Steyerl. She has written numerous catalogue essays and is a contributor to several art publications, including Artforum and Frieze.

Aspirations of Madness, Blank Forms' fifth collection of archival, unpublished, or newly translated texts, considers the work of Masayuki Takayanagi, the poet Louise Landes Levi, musician and writer Joseph Jarman, polymath Catherine Christer Hennix and her one-time student the poet Charles Stein, Russian musicologist Henry Orlov, and Maryanne Amacher—brilliant and overlooked artists whose work Blank Forms will continue to champion in a variety of contexts. Aspirations of Madness features additional contributions by Alan Cummings, Bill Dietz, Peter Kastakis, Art Lange, Leo Svirsky, Satoru Obara, and Tomoyuki Chida.