Tony Conrad

Essential writings from the downtown New York legend and polymath, pioneer of both structural film and drone music.

Tony Conrad (1940-2016) was a legendary multidisciplinary artist known for his groundbreaking contributions in experimental film, music, and video. Upon moving to New York City in 1962, he began making music with John Cale, La Monte Young and Marian Zazeela in the Theatre of Eternal Music, a group that helped shape what would come to be known as minimalist music. He later went on to perform with Lou Reed in a pre-Velvet Underground band called The Primitives and cut a classic 1972 record with the German Krautrock band Faust that set a new standard for drone music.

A new collection of writings by the composer and mathematician Spencer Gerhardt, considering among other topics the rich points of contact between minimalist musical aesthetics and intuitionistic mathematics.

Noted composer and mathematician Spencer Gerhardt presents Ticking Stripe, a groundbreaking collection of essays linking notions of continuity and construction across the boundaries of math, art, music and philosophy. Gerhardt offers new, and deeply informed interpretations of the 1960s New York avant-garde, viewed through the lens of trailblazing artists such as La Monte Young, Marian Zazeela, Catherine Christer Hennix, Henry Flynt and Tony Conrad.

Ticking Stripe pairs the spirit of L. E. J. Brouwer—a mathematician who brilliantly, and controversially, sought to reconstruct the continuum in his own philosophical terms called intuitionism—with the ambitions of pioneering minimalists who combined continued constructions, idealized processes of introspection, and conceptual world-building with a host of philosophical, scientific, and spiritual concerns. Informed by his own work as a professional mathematician and composer, Gerhardt explores the depths of these disparate traditions, finding unlikely areas of commonality. Spanning over two decades, these essays feature rich historical explorations of minimalist music, writing on contemporary art, and work in logic and algebraic groups, all approached with rare clarity and technical aplomb.

Spencer Gerhardt is a composer and mathematician. His music engages constructive, introspective and romantic traditions. Gerhardt has written solo piano music, piano based songs, and works of minimalism. He studied raga with La Monte Young and Marian Zazeela, piano performance with Sung-Hwa Park, and has collaborated with artists such as Thomas Ankersmit and Charles Curtis.

The collection of previously unpublished interviews and extended versions of Alan Licht's famous conversations with figures in the American art and musicscene.

For the past thirty years, Alan Licht has been a performer, programmer, and chronicler of New York's art and music scenes. His dry wit, deep erudition, and unique perspective—informed by decades of experience as a touring and recording guitarist in the worlds of experimental music and underground rock—have distinguished him as the go-to writer for profiles of adventurous artists across genres. A precocious scholar and improvisor, by the time he graduated from Vassar College in 1990 Licht had already authored important articles on minimalist composers La Monte Young, Tony Conrad, and Charlemagne Palestine, and recorded with luminaries such as Rashied Ali and Thurston Moore. In 1999 he became a regular contributor to the British experimental music magazine The Wirewhile continuing to publish in a wide array of periodicals, ranging from the artworld glossies to underground fanzines. 

Common Tones gathers a selection of never-beforepublished interviews, many conducted during the writing of Licht's groundbreaking profiles, alongside extended versions of his celebrated conversations with artists, previously untranscribed public exchanges, and new dialogues held on the occasion of this collection. Even Lou Reed, a notoriously difficult interviewee also included here, was suitably impressed.