rile* , books

A Forest Petrifies – Diamond Feedback
Félicia Atkinson

Shelter Press - 10.00€ - in stock

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

Inspired by the Petrified Forest in Arizona and its ability to change over time from an organic to a mineral state, the story was concieved by the musician and artist Félicia Atkisnon over the past five years, while its on-going writing has been the starting point of many of Atkinson's music lyrics and recent records and exhibitions.

A part of the book takes place in the middle of the desert in an indistinct future. Two men are having a discussion by a fire in a modernist house. The music they are listening to is not emitted by a device but by themselves, it's a new kind of technology. They look at the embers of the fire and it reminds them of a painting by Jeronemus Bosch. They suddenly wonder if those embers could be a republic of some kind.
A Forest Petrifies is a novel about the perception of time and how some places mark people's minds.

Félicia Atkinson (born 1981 in Paris, lives and works in Brussels) is graduated with Honors from l'Ecole Nationale Supérieure des Beaux-Arts de Paris and studied also anthropology and contemporary dance. She is a sound and visual artist, an experimental musician and the co-publisher of the independent imprint Shelter Press. Her paintings, drawings, sculptures and musical compositions are mostly abstract. Her work takes its sources from the American tradition of painting (Morris Louis, Cy TwomblyRichard Tuttle) and from avant-gardes figures who worked on chance and randomness (FluxusJohn Cage, La Monte Young...) as much as feminist figures in music and art.

Retrospective
Alberto García del Castillo

Shelter Press - 10.00€ - in stock

Retrospective is a comedy-science-fiction novelette about “faggotry” and the art world; depicting a retour-au-passé in contemporary painting and waving to some of the most beautiful homosexuals on Earth. Flaunting otherness, the alert reader can follow a clerk of The Land of Sculptures whilst he encounters the pretty faces of The Painter, The Foreign Painter, The Tyrolese Painter and other people doing art and drugs.

Retrospective includes “Thumbs-Up”, a superficial analysis of the normalisation of gayness; “Why Homos Are Better”, a masterpiece of investigative journalism in two parts, that originally appeared in Agony 2 (circa 1988–93), a zine edited by B. Boofy and William Bonifay; a drawing by Jurgen Ots; a photograph by César Segarra; and a poem by Lars Laumann.

Alberto García del Castillo writes genre fiction and nonfiction about communities and queer, performs his own and other people's writings, and collaborates in multiple configurations. He has published his writing in Girls Like Us, co-edited Midpoint (Théophile's Papers, 2016) and his two novels Merman (2017) and Retrospective (2014) were published by Shelter Press. Alongside Marnie Slater, is co-curator of Buenos Tiempos, Int.

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I. about
rile* is a bookshop and project space for publication and performance. rile* is into poetry, theory, choreography, artist writing and various other text based experiments. rile* organizes performances, meetings, launches, readings and workshops. rile* is the base word for silence in Laadan, a feminist constructed langauge developed by Suzette Haden Elgin in 1982. Laadan was designed specifically to determine if development of a language aimed at expressing the views of women would shape a culture; a subsidiary hypothesis was that Western natural languages may be better suited forexpressing the views of men than women. The language was included in her science fiction Native Tongue series. Láadan contains a number of words that are used to make unambiguous statements that include how one feels about what one is saying. According to Elgin, this is designed to counter male-centered language's limitations on women, who are forced to respond I know I said that, but I meant this.
II.


III. books LIST
→ ANY books

IV. publishers we stock

A Nos Amours
a.pass
After 8 Books
Afternoon Editions
Another Gaze Journal
Arcadia Missa
Archive Books
Art Paper Editions
Article Press
Atropos Press
Beacon Press
Belladonna*
BOEKS
Boiler House Press
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Book Works
BookThug
Brook
Burning Books
b_books
Cabinet Editions
ÇAVAQUOI PRODUCTIONS
Cesura_Acceso
Coach House Books
Crossing Press Berkeley
Cultural Democracy Editions
CVB
d-act magazine
Dear Queer
DIA Art
Dis Voir
Divided Publishing
Duke University Press
Eastside Projects
éditions ismael
Éditions Oparo
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Fence Books
Fivehundred places
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future
Futurepoem
Gender Fail
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Girls Like Us
Goldsmiths Press
Graywolf Press
Grove Press
Hauser & Wirth
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IICD
immixition books
Indiana University Press
information as material
iUniverse
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Koenig Books
Kunstverein Amsterdam
Lama Foundation
Les Presses du Reel
Ma Bibliotheque
Materials
Montez Press
Mophradat and Sternberg Press
Mousse Publishing
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Mute
NAME Publications
New Directions Books
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New York University Press
Nightboat Books
NXS World
Oberon Modern Plays
Occasional Papers
OCR
Onomatopee
Orchard Books
P-U-N-C-H
Paraguay Press
Peter Owen Ltd
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PM Press
Primary Information
Prospect Miranda
PUB & Sandberg Instituut
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Reaktion Books
Résidence la Verrerie
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Rowman & Littlefield International
saxpublishers
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Self-Published
Semiotext(e)
Serralves Foundation
Seven Stories Press
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Sinister Wisdom
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Sternberg Press
Suck Campari Dyke
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Test Centre
Théophile
Time has fallen asleep in the afternoon sunshine
Tin House Books
Tinted Window
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Ugly Duckling Press
uh books
University of California Press
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W. W. Norton & Company
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Wesleyan
ztscript

V. info
The bookshop is open from Friday to Sunday from 12:00 to 18:00, by appointment and during our events.

If you want to make an online order, you can contact us via the mail below. If you are interested to stock with us, get in touch, we are open for conversation and new friendships.



3, Rue Paul Devaux
1000 Brussels - BE




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