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Cover of Robida 10: Correspondences

Associazione Robida

Robida 10: Correspondences

Robida ed.

€25.00

Robida is a situated, multilingual cultural magazine published by Robida collective. Each issue explores a topic connected and generated by Topolò/Topolove, the village on the border between Italy and Slovenia where the collective is based.

The chosen topic is thrown into the world and interpreted by people who have never been to Topolò. What people send back after the open call is not only a contribution to the exploration of a defined theme but also a new interpretational tool to explore the collective’s relation to Topolò.

The tenth issue of Robida magazine, which celebrated its tenth year of existence, is made of correspondences, conversations, interviews and letter exchanges where the magazine becomes the pretext to establish new relationships or deepen existing ones. While writing and other creative activities can often be solitary endeavours, this year, Robida’s core purpose was decidedly tangible and hands-on: to go out there and talk, discuss, meet, write to each other, organise and create — together.

The issue contains correspondences about, among other things, fire, bread, dreams, wild tongues, public space, local architecture, community gardens, reading practices, sky, bees, postcards, type design, resistance, be-longings, regenerative agriculture, coding, radical equality and more.

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CONTRIBUTORS
Adele Dipasquale ↔︎ Madison Bycroft, Alice Alloggio ↔︎ Alia Mascia, Antônio Frederico Lasalvia ↔︎ Cécile Malaspina, Anya Jasbar ↔︎ Chris Rocchegiani
Caterina Santullo ↔︎ Neva Zidić, Lukas Horn, Chiara Pavolucci ↔︎ Enrico Malatesta, Else/Xun ↔︎ Ahed Al Kathiri, Emma Verhoeven, Erika Mayr ↔︎ Aljaž Škrlep, Erin Honeycutt ↔︎ Priyam Goswami Choudhury, Tara Habibzadeh, Eva Garibaldi ↔︎ Eva Bevec, Gaja Pegan-Nahtigal, Ana Laura Richter, Lea Topolovec, Francesca Lucchitta ↔︎ Teo Giovanni Poggi
Garance Maurer ↔︎ Elise Boutié, Tonì Casalonga, Alice Cuenot, Daniel Parnitzke, Club de Bridge, Alona Rodeh, Giorgia Maurovich, Giulia Soldati ↔︎ Eline Ex, Suzanne Bernhardt, Agnese Podgornik, Salvatore Ceccarelli, Alysha Aggarwal, Ingeborg van Houwelingen, Sara Vande Velde, Sasha van Aalst, Greta Biondi ↔︎ Vittoria Rubini, Hannah Segerkrantz ↔︎ Mia Tamme
How Melnyczuk, Janja Šušnjar ↔︎ Marjetica Potrč, Karin K. Bühler ↔︎ Raimundas Malašauskas, Kim Kleinert ↔︎ Polina Lobanova, Kirsten Spruit ↔︎ Benjamin Earl, Lalie Thébault Maviel, Laura Cull Ó Maoilearca ↔︎ Rajni Shah, Linsey Rendell ↔︎ Gemma Copeland, LinYee Yuan, Madeleine Reinhart ↔︎ Greta Veresani, Michael Minnis ↔︎ Áine Nic Giolla Coda, Nai-Syuan Ye ↔︎ Merle Findhammer, Nolwenn Vuillier, Ola Korbańska, Ola Lewczyk, Paula König ↔︎ Aida Fernandes, Rachele Daminelli, Rita Gaspar ↔︎ Shams, Rossella Famiglietti ↔︎ Rocco Pisilli, Giuseppe Defilippis, Daniele Pirozzi, Alessandro Bosco, Sarah Marlene Sammito ↔︎ Rūta Žemčugovaitė, Leonardo Sammito, Soph Boobyer ↔︎ Annie Box, Sophie Mak-Schram ↔︎ Katherine Marie Agard, Esyllt Angharad Lewis, Vida Rucli, Alejandra Santillana Ortiz, Jeanne van Heeswijk, Tadej Urh ↔︎ Eva Bevec, Teresa Frausin ↔︎ Anne Kaivo-oja, Vida Rucli ↔︎ Donatella Ruttar, Yiannis I. Andronikidis ↔︎ Mojca Radkovič

Published in 2024 ┊ 304 pages ┊ Language: English

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Cover of Robida 11 - on orchards

Associazione Robida

Robida 11 - on orchards

€25.00

The eleventh issue of Robida magazine, is collection of essays, photographic explorations, visual narratives, art projects, and poetic texts all centered on the orchard as landscape and fruit trees as powerful metaphors and living archives of stories and memories.

Robida is a situated, multilingual cultural magazine published by Robida collective. Each issue explores a topic connected and generated by Topolò/Topolove, the village on the border between Italy and Slovenia where the collective is based.
The chosen topic is thrown into the world and interpreted by people who have never been to Topolò. What people send back after the open call is not only a contribution to the exploration of a defined theme but also a new interpretational tool to explore the collective’s relation to Topolò.

CONTRIBUTORS
Alessandra Saviotti, Alja Piry, Aljaž Škrlep, Alessandra Faccini, Anastasia Kolas, Andrea Martinelli, Andreina Trusgnach, Angelica Calabrese, antonisotzu, Antônio Frederico Lasalvia, Cassidy McLeod McKenna, Companion–Platform, Danijel Losic, Derek Scott Russell, Dora Ciccone, Eda Aslan, Elena Braida, Elena Rucli, Emmy Elvira Wassén, ERBA, Francesca Farris, Francesca Battaglia, Francesca Lucchitta, Giovanni Aloi, Giulia Bertuletti, Gregor Božič, Greta Biondi, ife collective, Jana Kiesser, Jannete Mark, jean ni, Jennifer Shin, Jessica Hollis, Jip van Steenis, Julina Vanille Bezold, Kristína Mičová, Lalie Thébault Maviel, Laura Savina, Lina v. Jaruntowski, Lindsay Buchman, Luca Vettori, Luca Battista, Ludovica Battista, Luigi Coppola, Luisa Gastaldo, Maria Elena Vecchio, Marta Pagliuca Pelacani, Martina Havlová, Martina Motta, Mia Frances LaRocca, Michael Marder, Nataša Kramberger, Ola Korbańska, Paolo Bosca, Rachele Daminelli, Rosie Ellison-Balaam, Sasha Arutyunova, Serena Abbondanza, Silvia Mascheroni, Stephanie Rebonati-Cannizzo, Teresa Carretta, Terry Cueball, Vesna Liponik, Victoria King, Vida Rucli, Vittoria Rubini

Languages: English (mainly), Italian, Slovene, French, German + local, minoritarian lan(d)guages and dialects from the regions of Benečija, Valchiavenna, Abruzzi, Bari, su Logudoru, Corsica, Gorenjska, Cetuna and the White Carpatians region.

Cover of Dear Enheduanna,

Ugly Duckling Presse

Dear Enheduanna,

Erin Honeycutt

Poetry €14.00

Part prayer, part performance, part poetic treatise, Dear Enheduanna writes out to the high priestess and first known author then swallows whole the epistolary form. Pulp decay as publishing tactic. These are conjuring poems; poems coming after collaboration—entanglement as conceit, as kink, as communion pleasure tactic. Smuggle in a sexy mirror, smuggle in a double-headed dildo, smuggle in a sentence then feel it read back: the author is reader is author is reader.

Cover of Planning prévisionnel Printemps

Crossing

Planning prévisionnel Printemps

Clarissa Baumann

This publication presents research conducted by visual artist and choreographer Clarissa Bauman over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Here, writing becomes movement, a weaving of words, gestures, images, and drawings that rub against each other in a dialogue articulated from page to page.

"The choreography of small, overlooked gestures from moments of boredom, letting loose, detours. The finger sliding along the table, the arm coinciding with the back of this wooden chair. The coincidence of a gesture with an image, and the instantaneous disparition of this image in the body, as it transforms into the sketch of another movement. Contours, strokes, perspective lines, everything sinuous, asking at what moment does the image appear, emerge, and then become undone? The impossibility, within the body, of an image being fixed, still, one. (…) At this point in the writing, I perceive text less as a desire to organise, sediment, or give form to something, whatever it might be, but rather as a desire to find the outlines of connections between materials left hanging in the room I share with them, the tight space around the table, the images pinned to the walls in front of and behind me, the markings layered, scratched, or sketched in notebooks, the pages from books insistently revisited these last months, the memories that wane, escape, or insinuate themselves between these spaces. Developing a strategy for distracted observation."

Contributions by Anne Kerzerho, Christian Rizzo, Rostan Chentouf, Alix de Morant, Laurent Pichaud, Myrto Katsiki, Jocelyn Cottencin.

Cover of Bibliographic Performances & Surrogate Readings

The Everyday Press

Bibliographic Performances & Surrogate Readings

Janelle Rebel

Bibliographic Performances & Surrogate Readings delves into the imaginative realm of books and libraries and the interpretive structures of subject bibliographies.

It is the first monograph of its kind to historicize, theorize, and survey two decades of what the author refers to as contemporary visual bibliography or experimental subject bibliography—artistic and poetic projects that explore artifactual, intellectual, spatial, and design possibilities.

Ranging from artists’ books and web data-bases to stack interventions and reading room installations, Bibliographic Performances & Surrogate Readings reviews over fifty compelling visio-bibliographic examples created by diverse, international cultural workers.

Cover of Encounters – Embodied Practices

Archive Books

Encounters – Embodied Practices

Sandhya Daemgen, Raphael Hillebrandt and 2 more

Conversations about embodied strategies of knowledge production and knowledge transmission based on the choreographic and curatorial practices of about fifteen international choreographers, performers, dramaturges and curators.

In the context of the numerous ethical-political challenges of the global present, actors from the dance and choreography scene both in Berlin and internationally talk about forms of knowledge production beyond the prevailing conception found in Western modernity. They counter the mind-body separation and the notion of a universality of knowledge with multiplicities of knowledge production that emerge with and from the reality of differently situated bodies.

What potential do embodied practices offer for emancipatory movements? How can community be created through these practices, and what responsibilities does this entail? What role does the body play in the preservation and transmission of knowledge?

In this publication, edited by the choreographers and curators Martha Hincapié Charry, Sandhya Daemgen, Raphael Moussa Hillebrand and Matthias Mohr; Lukas Avendaño, Wagner Carvalho, Sandhya Daemgen, Ismail Fayed, Alex Hennig, Raphael Moussa Hillebrand, Martha Hincapié Charry, Isabel Lewis, Matthias Mohr, Prince Ofori, Mother "Leo" Saint Laurent, Léna Szirmay-Kalos, Thiago Granato and July Weber conduct conversations about embodied strategies of knowledge production and knowledge transmission based on their respective choreographic and curatorial practices.

Cover of YouYou Group – A li'nuage

newpolyphonies

YouYou Group – A li'nuage

Justine Maxelon, Will Holder

Handmade artist's book combining drawings, photographs, and archival materials. This publication reflects on the YouYou Group's ten-year journey and its evolving relationship with space. It marks a transitional moment from the group's long-term engagement with public space toward a growing understanding of spatiality and collective presence.

YouYou Group is a Belgian choir that specializes in what is known in Arabic as zaghareed. This trilling cry is used by women at weddings and festive occasions, but also at funerals. Youyou is the French name for zaghareed. Depending on the regional origin, it is also called kululu, tsahalulim, or irrintzi. It is a long, shrill tone that is modulated (by the throat, glottis, or rapid tongue movements) and can be heard from far away. Brussels artist Myriam Van Imschoot was one of the founders of this singing group.

Cover of Jennifer Lacey & Nadia Lauro – Dispositifs chorégraphiques

Les Presses du Reel

Jennifer Lacey & Nadia Lauro – Dispositifs chorégraphiques

Alexandra Baudelot

Un essai consacré au travail de la chorégraphe et danseuse Jennifer Lacey et de la plasticienne et scénographe Nadia Lauro, qui rend compte de l'univers visuel des deux artistes au travers de nombreuses illustrations.

Dans cet essai, Alexandra Baudelot s'attache à saisir l'ensemble des œuvres co-écrites par la chorégraphe Jennifer Lacey et la plasticienne et scénographe Nadia Lauro, en observant de quelle manière elles s'architecturent les unes aux autres pour constituer des extensions inédites d'une forme artistique vers une autre.

Elle les observe à la manière de parcours envisagés comme des supports d'expériences cherchant à déborder constamment ses propres cadres de représentation. Ceci afin de saisir les politiques mises en jeu pour penser le corps, sa place dans un environnement fictif ou quotidien, son impact dans les enjeux chorégraphiques contemporains et ses liens avec notre époque.

L'espace de cet essai se prête également à l'univers visuel des deux artistes qui se livrent ici à un jeu de construction entre l'exploration d'images d'archive, de déclinaisons de projets inédits et périphériques aux pièces publiques, d'illustrations, et d'exposition d'un portfolio de dessins.

Originaire de New York, la chorégraphe et danseuse Jennifer Lacey est établie à Paris. Depuis 1991, elle a développé son propre travail chorégraphique qui a été présenté aux États-Unis (P.S. 122, The Kitchen) et en Europe (Klapstuk Festival, Vienna Festival, Danças na Cidade, Biennale d'art contemporain de Lyon, Big Torino). Depuis qu'elle réside en France, elle a créé et présenté plusieurs œuvres : $Shot (Lacey / Lauro / Parkins / Cornell), Châteaux of France no. 2 et no. 3, un projet conçu en collaboration avec Nadia Lauro, et Prodwhee!, une série de courts modules. En 2002, elle a été accueillie en résidence aux Laboratoires d'Aubervilliers. Jennifer Lacey a collaboré à différents projets avec de nombreux artistes : Loïc Touzé, Boris Charmatz, Emmanuelle Huynh, Benoît Lachambre, Catherine Contour et Latifa Laâbissi. Elle développe actuellement ses créations au sein de l'association Megagloss.

Nadia Lauro est artiste visuelle et scénographe basée à Paris. Elle développe son travail dans divers contextes et conçoit des environnements, des installations visuelles et des costumes pour différents projets chorégraphiques. Outre Jennifer Lacey, elle collabore notamment avec les chorégraphes Ami Garmon, Vera Montero, Benoît Lachambre, Frans Poelstra, Barbara Kraus, figures de la danse contemporaine en Europe. En 1998, elle fonde avec l'architecte paysagiste Laurence Crémel l'association Squash Cake Bureau – scénographie et paysage au sein de laquelle elle conçoit des installations paysagères et du mobilier urbain. Elle a également créé la scénographie de plusieurs défilés de mode.