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Cover of Lesbian Resistance

Sinister Wisdom

Lesbian Resistance

Sinister Wisdom

€7.00

Sinister Wisdom 48: Lesbian Resistance's writers envision taking power in many ways: some advocate armed struggle, others believe in challenging systems from within, some speak for coalition politics, some for separatism, still others imagine resistance as changing the processes between us. This issue admires and encourages this fantastic lesbian resilience.

Creative Work By

Kathleen O'Donnell
Janice Gutman
Naomi Guilbert
Amber L. Katherine
Sauda Burch
Lisa kenney
Susan Rosenberg
Laura Whitehorn
Jo Ann Starr
Sheila Gilhooly and barbara findlay
L.A. Dyer
Lenore Baeli Wang
Jasmine Marah

And More!

recommendations

Cover of Sister Love: The Letters of Audre Lorde and Pat Parker 1974-1989

Sinister Wisdom

Sister Love: The Letters of Audre Lorde and Pat Parker 1974-1989

Julie R. Enszer

Poets Audre Lorde and Pat Parker first met in 1969; they began exchanging letters regularly five years later. Over the next fifteen years, Lorde and Parker shared ideas, advice, and confidences through the mail. They sent each other handwritten and typewritten letters and postcards often with inserted items including articles, money, and video tapes.

Sister Love: The Letters of Audre Lorde and Pat Parker 1974-1989 gathers this correspondence for readers to eavesdrop on Lorde and Parker. They discuss their work as writers as well as intimate details of their lives, including periods when each lived with cancer. Sister Love is a rare opportunity to glimpse inside the minds and friendship of two great twentieth century poets.

Cover of Celebrating the Michigan Womyn's Music Festival

Sinister Wisdom

Celebrating the Michigan Womyn's Music Festival

Sinister Wisdom

Periodicals €10.00

Sinister Wisdom 103: Celebrating the Michigan Womyn's Music Festival honors the forty-year legacy of the Michigan Womyn’s Music Festival (1976–2015). Sinister Wisdom 103: Celebrating the Michigan Womyn's Music Festival celebrates this embodiment of radical feminist separatist collaboration, transformational self-defined autonomous spaces, a commitment to sisterhood and matriarchal culture, and a musical city sprung from the earth for one week in the woods.

A collective of five womyn each with a deep connection to Fest operated by consensus to create this issue. Striving to represent a range of womyn’s voices, values, traditions, and experiences of Fest, the collective highlighted what Fest has meant to generations of womyn, documented its chronology, and bore witness to the power of this community. Sinister Wisdom 103: Celebrating the Michigan Womyn's Music Festival includes womyn from multiple races, geographies, sexualities, generations, and gender and other social identities. Just as Fest brought together womyn from various backgrounds, our collection includes a range of artistic experience, from seasoned authors and photographers to those womyn new to publishing.
Sinister Wisdom 103: Celebrating the Michigan Womyn's Music Festival remembers the transformations, possibilities, and hopes for spaces cultivating the ongoing empowerment of womyn.

Cover of Radical Muses (Sinister Wisdom nr. 113)

Sinister Wisdom

Radical Muses (Sinister Wisdom nr. 113)

Julie R. Enszer

Periodicals €10.00

Sinister Wisdom 113: Radical Muses features an eclectic array of contemporary poetry, prose, and art by lesbians from around the world, including new work by: Andrea Assaf, Tara Shea Burke, Cheryl Clarke, Marina Chirkova, Estela González, Barbara Haas, Nancy E. Lake, Vi Khi Nao, H. Ní Aódagaín and much more!

Cover of How to Sleep Faster 1

Arcadia Missa

How to Sleep Faster 1

Various

Periodicals €10.00

How to Sleep Faster is published as part of the collaborative discussion that form the critical direction of the gallery. and sits alongside the first two exhibitions – Sleep Faster (February), and How to Carve Totem Poles (March). It has been put together as an open ended continuation of this dialogue through which we seek to understand the contradictions / complexities that define and form our experience, existence and participation in a contemporary digital-analogue creative environment.

Arcadia Missa Publications; Rozsa Farkas, Tom Clark, Jammie Nicholas, Laura Farley (eds).

Cover of Errant Journal 6: Debt

Errant Journal

Errant Journal 6: Debt

Irene de Craen

Periodicals €20.00

Errant Journal No. 6 takes up the topic of debt in order to challenge the idea that it is something rational, natural or inevitable.

The contributions in the issue address the ways in which debt and its language hold power over us and organize obedience; from its role in geopolitics to its associations with shame and guilt through moral and religious connotations. Together they reveal how the personal is always connected to the structural. Crucially, the issue also features contributions that address ways of thinking about debt outside Western/neoliberal hegemony and introduce instances of resistance to the violence and inequality inherent to debt. We’ve made additional space in this issue to address the intensified struggle for Palestinian liberation and its relations to debt/guilt and finance.

Contributors: Ian Beattie, W.E.B. Du Bois, Sultan Doughan, Toon Fibbe, Ibrahim Kombarji, Levi Masuli, Jamie McGhee, Kristina Millona, Bahar Noorizadeh, Falke Pisano, Taring Padi, Dalia Wahdan

Cover of This Container 08

Self-Published

This Container 08

Stefan Govaart, Maia Means and 1 more

Bringing together thirty authors variously invested in dance, performance and/or choreography; This Container is a zine for texts produced through and alongside dance, performance and choreography. Some write more than dance; others dance more than write. Some practice choreography explicitly; others implicitly. However varied the authors gathered here may be, the expansive field of performance produces all kinds of texts that deserve public recognition, a readership, and an infrastructure for feedback and editing. This issue is another attempt at making this possible.
 
With contributions by: Paula Almiron, Jani Anders Purhonen, Simon Asencio, Mélanie Blaison, Oda Brekke, Juan Pablo Cámara, Laura Cemin, Matt Cornell, Stina Ehn, Emma Fishwick, Lucija Grbic, Sara Gebran, Andreas Haglund, Hugo Hedberg, Alice Heyward, Madlen Hirtentreu, Eleanor Ivory Weber, Nikima Jagudajev, Sonjis Laine, Yoojin Lee, Denise Lim, Theo Livesey, Naya Moll, Caterina Mora, Rhiannon Newton, Zander Porter, Lena Schwingshandl and Stav Yeini.
 
Since its inception, This Container has hoped to contribute to a feminist lineage of textual production. What constitutes this lineage? This is a vast question. The beginning of an answer might start by saying something about genre. If , as Lauren Berlant writes, genre is an “aesthetic structure of affective expectation”, a “formalization of aesthetic or emotional conventionalities”, then genre crafts expectation by pointing to what is recognizable in form.1 If feminism is about wanting the world to be otherwise, the multiplication of genres inducing the multiplication of (imagined) stories helps to recraft expectation toward a less oppressive, less boring, and more just world. Feminist work includes genre work. Poetry, diary, diagram, notes, recipe, critique, the sound file, the epistolary, the essay, the art project: they have all found their way in, sculpting a diverse set of readerly structures of affective expectation. They are to shift your worldly expectations.

More info at http://www.thiscontainer.com

Cover of MsHeresies 6 — A Manager

Rietlanden Women's Office

MsHeresies 6 — A Manager

Caren Beilin

MsHeresies 6 publishes an edited chapter from Caren Beilin’s forthcoming novel Sea, Poison (New Directions, 2025). It is typeset together with reworked material from the archive of the Neapolitan feminist artist collective Le Nemesiache, active between 1969 and 1995.

Cover of How to Sleep Faster 5

Arcadia Missa

How to Sleep Faster 5

Various

Periodicals €12.00

What are our politics of refusal? Sleep? Catatonia? Hedonism? Transgression even? #hustle? 

[Can refusal can be performed as resistance and not operate as preemptively fucked. . .]

Arcadia Missa Publications; Rózsa Farkas, Holly Childs, Leila Kozma, Tom Clark (eds)