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Cover of Le Soleil et l’Acier

Self-Published

Le Soleil et l’Acier

Laurianne Bixhain ed.

€14.00

Le Soleil et l’Acier est un recueil de textes assemblé par Laurianne Bixhain lors de clubs de lecture qui se sont tenus pendant sa résidence au Musée de l’imprimerie et de la carte à jouer de Grevenmacher (Luxembourg). Pour faire écho au travail de Monique Wittig, Roxanne Maillet a dessiné de nouvelles ligatures pour la Baskervvol, notamment une ligature « je ».

Published in 2023 ┊ 32 pages ┊ Language: French

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Cover of Person with the last name Universe

Self-Published

Person with the last name Universe

Jelena Glazova

Poetry €10.00

This book has been self-published for Latvian artist and poet Jelena Glazova's solo exhibition “Person with the last name Universe” at Riga contemporary art space (July - August 2026).  The exhibition is the artist’s act of feminist guerrilla resistance within the symbolic territory of contemporary phallocracy. The source and central figure of the post-gender universe conjured by Glazova is the Person with the last name Universe, whose creative strategy the artist unpretentiously calls Glazovism. 

Jelena Glazova (Belgium/Latvia) is a poet and multimedia artist who combines visual elements, experimental sound, installation and poetic text in her projects. As an artist, she has participated in international festivals and projects in Latvia, Estonia, Lithuania, Sweden, Austria, Belgium, Germany, the Netherlands, Turkey and other countries. Among the most notable exhibitions are "Identification of a Woman" at the Latvian Museum of Photography (2010) and "Elements of a Puzzle" at the Latvian Centre for Contemporary Art (2011). She is the author of four poetry collections. Glazova's poetry has been translated into 12 languages. Since 2012, she has given more than 200 performances in 18 countries. She is the co-founder of two poetry festivals in Riga: "Blood of a Poet" (2014–2016) and "Poetry without Borders" (2017–2022). https://www.jelena-glazova.com/

Cover of Suckcess Magazine 1 — Winter 2021-22

Self-Published

Suckcess Magazine 1 — Winter 2021-22

Kevin Desbouis

Poetry €10.00

Drama, careers, sabotage, compromises... The first issue of Suckcess Magazine begins with a selection of poems by the flamboyant Rene Ricard, edited with the help of Editions Lutanie, and continues with contributions from Miriam Laura Leonardi, Fabienne Audéoud, Camille Aleña, Gabi Losoncy, David Lieske, Sylvie Fanchon, Won Jin Choi, Estelle Hoy, and Bunny Rogers. Cartoons and tennis players are also on the program.

Cover of Koreografi

Self-Published

Koreografi

Ann-Christin Berg Kongsness

Performance €14.00

Koreografi / Choreography is a magazine initiated and edited by Solveig Styve Holte, Runa Borch Skolseg and Ann-Christin Berg Kongsness. The magazine consists of texts written by Nordic artists within the field of dance and choreography.

Cover of Inhabiting the 0.6%: The reality of Seoul's Black Hole

Self-Published

Inhabiting the 0.6%: The reality of Seoul's Black Hole

Sanggyu Choi

Cette édition documente la surpopulation de Séoul et les statistiques tragiques qui s'y rapportent. Elle rassemble les voix de ceux qui y vivent, de ceux qui y ont vécu, de ceux qui doivent s'y rendre et de ceux qui l'ont quittée. La production suit les principes écologiques énoncés par la graphiste, Sara de Bondt en 2014. Pour éviter le gaspillage, des formats standard (A4) et du papier 100% recyclé ont été choisis, avec une impression en risographie. Pourquoi cet exode massif vers Séoul ? Comment Séoul est-elle devenue un trou noir ? 

This edition documents Seoul’s overpopulation and the tragic statistics associated with it. It gathers the voices of those who live there, those who have lived there, those who must travel there, and those who have left. The production follows the ecological principles set forth by the graphic designer Sara de Bondt in 2014. To avoid waste, standard formats (A4) and 100% recycled paper were chosen, with an impression in risography. Why this massive exodus toward Seoul? How has Seoul become a black hole? 

[KO] 이 책은 서울의 인구 과밀화와 이와 관련된 비극적인 통계들을 기록한다. 서울 거주자, 과거의 거주자, 가야만 하는 자, 그리고 이방인까지. 이들의 목소리를 인터뷰로 담았다. 2014년 그래픽 디자이너 사라 드 본트가 제시한 생태적 원칙을 따라 A4 규격 사이즈의 100% 재생용지 위에 리소그래피로 인쇄되었다. 왜 모두가 이토록 서울로 몰려드는 것일까? 서울은 어쩌다 블랙홀이 되었을까?

Cover of NIGHTNIGHT

Self-Published

NIGHTNIGHT

Aïda Bruyère

In collaboration with Laurent Poleo-Garnier, NIGHTNIGHT is an archive of images and texts from different sources addressing the theme of the night. Over the book as a party that degenerates with fatigue, alcohol and other stimulants, images and layout deteriorate, the subjects get tired, the vision is cloudy...

Cover of A Book Knot Book

Body Text

A Book Knot Book

Sara Kaaman

Performance €20.00

A Book Knot Book is a 208 pages long performance, the first from the research and publishing initiative Body Text. In this study of language in action systems of meaning-making crash, sparkle and swoon. In a playful voice over A Book Knot Book self-reflects on the materialities and choreographies of publishing, reading and writing. With guest stars in fragments; Monique Wittig, Yvonne Rainer, Cristina Rivera Garza, Amiri Baraka, Will Rawls, David Abram, Thich Nhat Hanh and more. 

Edited and designed by Sara Kaaman. Published with the support of Stockholm University of the Arts.

Cover of L'Écriture de Monique Wittig À La Couleur De Sappho

Éditions de Ixe

L'Écriture de Monique Wittig À La Couleur De Sappho

Catherine Écarnot

Invitation au voyage à travers l’œuvre littéraire de Monique Wittig, ce livre nous embarque dans une passionnante exploration de ses textes de fiction, de L’opponax à Virgile, non. Il rend compte de la lutte amoureuse qu’elle livre au langage – matériau brut qu’elle travaille au corps pour faire advenir dans la réalité ce qui n’y a pas (encore) droit de cité. La convocation malicieuse et grave des grands récits du passé, les nombreux emprunts aux auteurs anciens, la pratique de la citation font des Guérillères une formidable épopée féministe, du Corps lesbien un Évangile selon Sappho, du Voyage sans fin le combat drôle et tragique d’une Quichotte féministe et lesbienne.

En soulignant la cohérence des textes et leur fragmentation, Catherine Écarnot met en évidence la passion poétique qui habite ces livres que Wittig concevait comme des « chevaux de Troie » : des machines de guerre destinées à fissurer la réalité pour y inscrire une subjectivité mouvante, échappée du continent noir de la féminité, rétive aux assignations de genre. Uniques et radicalement disruptives, les fictions ainsi créées ouvrent grands les chemins qui relient littérature et lesbianisme.

Publié pour la première fois en 2002, cet ouvrage, le premier consacré en Europe à l’œuvre witigienne, reparaît dans une nouvelle édition remaniée, actualisée et enrichie de nombreuses références aux études publiées depuis sa parution.

Cover of Tout geste est renversement – Every gesture is reversal

Gevaert Editions

Tout geste est renversement – Every gesture is reversal

Chloe Chignell, Laurianne Bixhain

Tout geste est renversement – Every gesture is reversal is a publication by artist Laurianne Bixhain comprising an imahe captured and silkscreen printed by Bixhain and a text written by Chloe Chignell. The work addresses the potential for mutual transformation between language and materials, whether human or non human. How does language traverse the body? What are its resonances? How does it shape physical presence, gestures or thoughts? 

A2 silkscreen printed poster
Designed by Morgane Le Ferec.
Printed in 300 Copies. 

Cover of Up Your Ass

Sternberg Press

Up Your Ass

Valerie Solanas

Valerie Solanas's rarely published, legendary play, Up Your Ass, explodes social and sexual mores and the hypocritical, patriarchal culture that produces them through her signature irreverence and wit, incisiveness and camp.

The play, whose full title is Up Your Ass Or From the Cradle to the Boat Or The Big Suck Or Up from the Slime, marches out a cast of screwy stereotypes: the unknowing john, the frothy career girl, the boring male narcissist, two catty drag queens, the sex-depraved housewife, and a pair of racialized pickup artists, among others. At the center is protagonist Bongi Perez—a thinly veiled Solanas—a sardonic, gender-bending hustler who escorts us through the back alleys of her street life. The fictionalized predecessor to SCUM Manifesto, the play shares the same grand, subversive, implicative language, equally spitting and winking, embracing the margins, the scum, and selling a trick along the way.

Valerie Solanas (1936-1988) is an American radical feminist intellectual, known for her SCUM Manifesto—a pamphlet with which she declares the power of women and imagines a political future through the margin—, and for having tried to assassinate Andy Warhol.

Edited by Leah Whitman-Salkin.
With a contribution by Paul B. Preciado.
Graphic design: Roxanne Maillet.

Cover of Across the Acheron

Winter Editions

Across the Acheron

Monique Wittig

Fiction €20.00

In her darkly funny 1985 take on Dante’s Divine Comedy, acclaimed French writer and activist Monique Wittig restages the journey through the circles of hell, limbo, paradise from a lesbian feminist perspective. 

Never-before published in the US, Across the Acheron follows the adventures of “Wittig” and her anti-Virgilian guide through laundromats, billiard parlors, dyke bars, and picnic grounds of a 1980s San Francisco populated by hunters and their prey, lost souls, and fantastical beasts, including a robotic eagle and angelic bikers. Wittig reimagines Dante’s epic poem through a feminist and queer lens, subverting his cosmological order and upending gender identities and literary traditions. This edition brings the English translation of Wittig’s final novel back into print for the first time since the early-1990s, revised according to the author's notes, and with a new introduction by Sophie Lewis.

Across the Acheron is a work of lesbian struggle and triumph across two kinds of hell. The hell of the classic western literary canon—and the hell of San Francisco. Monique Wittig brings all of her writerly powers and political experience to bear here, as witness to the horrors of heterosexual patriarchy and also to the possibility of another world for another life. Her work is a rare combination of deeply felt materialism and radical linguistic freedom. If we're to have another world, we'll need to create another language. She knew that, and she lived it.” McKenzie Wark

“Even in fiction Monique Wittig’s writing is critical, prescient, brilliant, satirical, searing, and way ahead of its time. I’m so glad this work is back in circulation to revisit and revel in.” Pamela Sneed

“In this unendurable yet compelling journey through the circles of patriarchal hell, Wittig encounters hordes of tortured women who do not struggle against their oppressors. Their brainwashing is as difficult to witness as their bloodied flesh. Only through communal activism does the seeker’s soul becomes tough enough to enter Paradise, where bare-breasted angels dismount motorcycles and offer baskets of 'cherries, strawberries, raspberries, apricots, peaches, plums, tomatoes, avocados, green melons, cantaloupes, watermelons, lemons, pawpaws, pineapples and coconuts.’ The bounties of Across the Acheron are lush and many.” Dodie Bellamy

“A Guernica of the human (feminist) condition, a blacker, bleaker, more vengeful Alice’s tea party, this is a novel as graphic as a painting, whose brilliance its translators have creditably preserved.” Publishers Weekly

Introduction by Sophie Lewis
Translated by David Le Vay with Margaret Crosland

Cover of Fair Arts Almanac 2019

Self-Published

Fair Arts Almanac 2019

SOTA

Zines €10.00

In 2019 SOTA finished the first Fair Arts Almanac. The content of the book was generated during a week long summer camp in 2018 with about 70 contributors. The result was a bundling of tips & tricks, statements & demands, visions & ideas, dates & data, testimonies & voices, addresses & announcements on fairness within the complex relationships between the artistic, political and economic sphere. The compilation of various contributions in this first edition was deliberately associative and open for debate, full of contradictions, loose ends and inconsistencies.

Cover of Engagement Arts Zine #1

Self-Published

Engagement Arts Zine #1

Engagement Arts

First edition of the Engagement Arts Zine.

Published May 2019