Stili Drama XIII-XXI / La Giostra di Lulu XLI-XLIV

Revue du Master de Textes et de Création Littéraire de la Cambre*

Avec les textes de: Sam Bouffandeau, Chloé Clemens, Chloé Delchini, Perrine Estienne, Robin Faymonville, Gabriel René Franjou, Justine Gensse, Adèle Goardet, Bastien Hauser, Giulia Lazzara, Cyprien Muth, Sephora Shebabo.

* Le Master en Textes et Création Littéraire de l’École Nationale Supérieure des Arts Visuels de La Cambre propose un programme de formation aux étudiants qui visent à faire des métiers du texte et de la création littéraire leur avenir professionnel. Il s’adresse principalement aux jeunes écrivains et, plus généralement, à l’étudiant qui souhaite professionnaliser sa démarche artistique en lien avec la pratique de l’écrit en la confrontant à d’autres écrivains, à des éditeurs et à des professionnels reconnus de la littérature, l’informer et l’enrichir de nouveaux savoirs et de nouvelles compétences. Considérant le travail du texte et ses différentes formes comme des expressions majeures de l’homme à travers l’histoire, et les littératures des différents continents comme un art à part entière dans le champ des pratiques artistiques contemporaines, ce Master s’inscrit dans une démarche ouverte de production, de réflexion et d’instruction de l’écrit dans un monde en devenir.

This zine is the result of the research residency "Plotting with the archive" that took place at Komplot between September 2025 and January 2026. The publication contains a subjective timeline of Komplot — its strategies, relations and projects — with the aim of organising them and at the same time speculating on possible future developments. The material was produced during a collective workshop in which the archive was explored and activated.

This publication is based on a project by Despina Vassiliadou that ran from 2015-16. It presents a collection of photographs taken during the period, accompanied by fictional short stories.

FUGUES is a study of objects. Elements repeat and imitate one another like a polyphonic canon of voices narrating stories of domestic confinement in looped time.

With images by photographer Nicole Maria Winkler & texts by artist Issy Wood, writer Ella Plevin, model Freja Beha Erichsen and curator Elaine Tam.

Culottes est une édition qui retrace l’histoire de ce sous-vêtement à travers différentes matières textuelles et visuelles. Elle interroge sa symbolique dans un milieu artistique et explore le rapport des femmes à cet objet de leur quotidien. Le tout est accompagné d’images emblématiques de pub et de goodies !! 

Culottes is a publication that traces the history of this underwear through different textual and visual materials. It questions its symbolism in an artistic context and explores women’s relationship to this everyday item. It comes with iconic images from advertisements and goodies!!

When he was prevented from guiding a writing workshop, Quim Pujol resorted to collecting exercises for the participants to work with by themselves, either alone or in small groups. These exercises, suggestions and scores draw on a wide variety of sources, such as poetry, experimental literature, dance, popular performance practices, visual art and all kinds of text populating everyday life. Now expanded into a book, they are invitations to read, write and daydream, to ‘complicate our relationship to language’ and imagine texts in multiple guises. Potential literatures that give pause, redirect the attention or, at times, simply ‘produce a comforting doodle in the volatile palimpsest of human flesh’.

Quim Pujol is an experimental artist and curator working at the crossroads of language and live arts.

A collection of Pauline Julier’s art that expands from the terrestrial to the cosmos to comment on our place in the universe. 

At the interface of documentary and fiction, the multimedia works collected in Pauline Julier take us on a dizzying journey through space and time. Julier’s art travels through the geological ages of planet Earth, through different histories, natural disasters, and the Anthropocene’s paradigm shifts and into outer space. Her background in political science and photography is reflected in her work: looking into the past and the future, she investigates topical questions about our unlimited use of natural resources, escapism, and the colonization of space. 

Conceived and designed as a work of art in its own right, this volume offers a comprehensive insight into Julier’s art and thought through a conversation with eminent scholar of science and technology studies Donna Haraway alongside contributions by curator Céline Eidenbenz, anthropologist, and writer Nastassja Martin, and art historian, curator, and author Chus Martínez. 

Edited by Céline Eidenbenz and Sarah Mühlebach.

With Contributions by Donna Haraway, Pauline Julier, Nastassja Martin, and Chus Martínez.

Published in conjunction with the exhibition For a Time Light Must Be Called Darkness. Lina Selander in collaboration with Oscar Mangione held at Argos, Centre for Art & Media, Brussels, 24.09.2017 - 17.12.2017.

About the exhibition:
For a Time Light Must Be Called Darkness features six video installations, most of them made in collaboration with Oscar Mangione. These works take us to Bredäng (a suburb in south-west Stockholm), Berlin, the West Bank, Pripyat and Chernobyl. All of these places are the occasion and the starting point for broader reflections about our present in relation to historical facts. Selander visits these sites and like an archaeologist digs in their past, their monuments, museums and archives. She looks for visual documents, focuses on details and analytically sketches new hypothesis. In this way, she tries to retrace hidden links between distant imageries, correspondences and analogies, in order to create new narratives. In her essayistic approach, Selander combines her own texts and footage along with still images, quotes and archive material. In this way a constant tension springs within these multiple-layered audiovisual works and reminds us that seeing is never an innocent act.