Quelle Aventure !

Contributions by: Nicole-Antonia Spagnola, Georgia Sagri, John Kelsey, Matthew Pang, Cathy Wilkes, Sarah Rapson, Nick Irvin, Gene Beery, Anne Dressen, Anne Pontégnie, Jacqueline Mesmaeker, Sara Deraedt, Anne Rorimer, Kari Rittenbach, Olga Balema, Maria Nordman, Louise Lawler, Julie Ault, Martin Beck, Adrian Morris, Matt Browning, John Miller, Envers Hadzijaj, Enzo Shalom, Bedros Yeretzian, Morag Keil, Helmut Draxler, Gianna Surangkanjanajai, Steve Cannon, Rae Armentrout, Zoe Hitzig, Pierre Guyotat, Lola Sinreich, Fanny Howe, Hélène Fauquet, Marie Angeletti, Richard Hawkins, Andy Robert, Alexander García Düttmann, Daniel Horn, El Hadji Sy, Henrik Olesen, Aurélien Potier, Richard John Jones, Stéphane Barbier Bouvet, Nora Schultz, Peter Fend, Megan Francis Sullivan, Jill Johnston, Sturtevant, Tonio Kröner, Bernard Bazile, Pierre Bal-Blanc, Jérome Pantalacci, Gérard Traquandi, Gladys Clover, Maria Wutz, Jimmie Durham, Richard Sides, Camilla Wills, Michael Callies, Steven Warwick, Matthew Langan-Peck, Dan Graham, Nina Könnemann, Hans Christian Dany, Valérie Knoll, Win McCarthy, Eleanor Ivory Weber, Anna Rubin, Heji Shin, Michèle Graf & Selina Grüter, Inka Meißner, Simone Forti, Morgan O’Hara, Angharad Williams, Ye Xe, Lily Van Der Stokker, Yuki Kimura, Peter Wächtler, Eva Steinmetz, Michael Van den Abeele, Marc Kokopeli, Bradley Kronz, Robert Grosvenor, Samuel Jeffery, Charlotte Houette, Adam Martin, Wade Guyton, Chloe Truong-Jones.

Edited by Marie Angeletti with Gianmaria Andreetta and Camilla Wills.

Printed in December 2022.
416 pages, Edition of 840.
© 2022 Claude Balls Int. / the author(s).

This publication coincides with Curtis Cuffie's New York City, an exhibition presenting Curtis Cuffie's work as captured in photographs by Katy Abel, Tom Warren, and Cuffie himself. Unlike the exhibition, this book exclusively features Cuffie's photographs. It is the eighth entry in a series of compact volumes featuring visual contributions,  correspondence,  responses, and conversations accompanying the Grazer Kunstverein exhibition program.

Curtis Cuffie (1955-2002) was an artist based in New York City's East Village. Originally from Hartsville, South Carolina, he moved to Brooklyn at the age of fifteen and eventually settled in Manhattan, first near Bryant Park and later around the Bowery where he lived unhoused for long stretches of his life. Cuffie was integral to a dynamic circle of artists and intellectuals, marking his place within New York's Black avant-garde. 

Skies is a practice that emerged when Edurne Rubio and María Jerez found themselves working in isolation during the creation process of their performance A Nublo in 2020. A dialogue in pictures capturing the skies above Madrid, Brussels and many other places, it is now a book and document of a particular time that invites others to reminisce as they read the clouds and ponder invisible worlds that haunt the aether. It comes with an essay by Augusto Corrieri on theatre and cosmos.

Edurne Rubio is a visual artist. Her work leans towards the documentary and starts out from orality and storytelling. 

María Jerez creates work at the intersection of choreo graphy, film and visual art. With her work, she wants to open up spaces of possibility through the encounter with what is foreign to us.

www.edurnerubio.org
www.mariajerez.com

Published by Varamo Press in the essay series Gestures
First edition October 2022
200 pages, 11 x 16.5 cm, sewn perfect binding
ISBN: 978-82-691492-6-5
Graphic design by Michaël Bussaer

Text by Eleanor Ivory Weber
Published by Forlaget emancipa(t/ss)ionsfrugten
Edited and produced by Eller med a △ Åbäke 
Edition: 200 ex. 
Format (b*h): 20 * 26,5 cm
Pages: 48 sider 
Print: Grafiche Veneziane
Paper: Munken Pure 170g
Typeface: Base12 by Zuzana Licko

More info at https://www.cecilieskov.com/Works/Wet-With-Dew

This publication is the fourth volume in a series that documents Tarek Atoui's project Waters' Witness. Created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, it is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia, from the research and recording in Sydney's Port Botany, La Perouse and Frenchmans Bay, to the installation as sculptural and sonic composition in the Museum's Macgregor Gallery.

Waters' Witness is an exhibition that combines elements of artist and composer Tarek Atoui's ongoing project dedicated to capturing the sounds of harbour cities, from Athens to Abu Dhabi, Singapore, Beirut, Porto, Istanbul and now Sydney. The project encompasses an installation, performances, an archive of sounds and publications, that continually evolve as each new harbour is added.

The Museum of Contemporary Art Australia publication Tarek Atoui: Waters' Witness is the fourth volume in an international series of photographic books that form part of the Waters' Witness project. Produced in partnership with Atoui's long-term collaborator, French photographer Alexandre Guirkinger, the publication captures and articulates the Sydney components of this dynamic contemporary artwork.

Texts by Suzanne Cotter, Tarek Atoui, Anna Davis.

Produced on the occasion of Leslie Thornton's major solo exhibition at the MIT List Visual Arts Center as well as a recent solo exhibition at Kunstverein Nurnberg, this richly illustrated volume is the first monograph on this important artist and filmmaker, offering essential, foundational scholarship on Thornton's influential work in film and video.

Since the mid-1970s, American avant-garde filmmaker and artist Leslie Thornton (born 1951) has produced an influential body of work in film and video. Thornton's early encounters with experimental, structuralist, and cinéma vérité traditions fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. In part through her forceful and dynamic use of sound, Thornton exposes the limits of language and vision in her works, while acknowledging the ways that language and vision nevertheless remain central to scientific discourse and narrative in general. Her work consistently interrogates modes of representation and the violence of looking, pushing beyond critiques of the gaze to consider biases in perception, or the way voice and sound can undermine an otherwise dominant visual narrative.