F.R. David - "Erratum"

We begin with the image of an idea in ruin. A small field of assumptions disassembled. A question no longer in need of its mark. A thought not sure where it began. It starts from the body and language. The debris of these three words, crumbling already at and, did not break apart but congealed the separations once made. We start from a research (project) undone and just beginning. 

Typesetting and design: Will Holder
Produced by: A.pass

Chloe Chignell works across choreography and publication taking the body as the central problem, question and location of the research. She invests in writing as a body building practice, examining the ways in which language makes us up.

Eighty-page programme book score, and libretto, for performances by Indigenous musicians of in memoriam…Mary Cecil,Victoria Callihoo (née Belcourt), and Eleanor (Helene) Thomas Garneau and Robert Ashley’s in memoriam... Curated and edited by Ociciwan Contemporary Art Collective.

[from back cover] …in memoriam Mary Cecil,Victoria Callihoo (née Belcourt), and Eleanor (Helene) Thomas Garneau adds a new score and production by Postcommodity and Alex Waterman to a suite of four early scores by the American composer Robert Ashley. The fifth score honours the lives of Mary Cecil, Victoria Callihoo (née Belcourt), and Eleanor (Helene) Thomas Garneau, three Indigenous women from territory at the turn of the Century as it became the province of Alberta. This significant addition continues Ashley’s project investigating the connections between musical forms and constructs of historicization, opening a conversation regarding whom and how we memorialize individuals and inscribe their legacies.

[from essay by Candice Hopkins] What histories are remembered and who is doing the remembering? What form do these rememberings take? It is not as simple as taking down one monument and replacing it with another. We need to ask more questions, take note of the voids that stand in for the past, and actively make way for other voices, particularly those are trapped under the ‘sea ice of English’. “Listen for sounds”, writes the Tlingit poet and anthropologist Nora Marks Dauenhauer, “They are as important as voices. Listen. Listen. Listen. Listen.”

The Weight of the Concrete explores the legacy of the Turinese artist and publisher Ezio Gribaudo (1929–2022), examining his multifaceted oeuvre at the confluence of image and language. This publication, named after Il Peso del Concreto (1968)—a seminal work that featured Gribaudo’s early graphic creations alongside an anthology of concrete poetry edited by the poet Adriano Spatola (1941–88)—places Gribaudo’s work in conversation with approximately forty artists and poets from different generations, all of whom similarly engage with explorations of text, form, and visual expression.

Reflecting the editorial premise of Il Peso del Concreto, The Weight of the Concrete revisits the influential anthology, including archive material that documents its production, and reimagines it, pairing Gribaudo’s graphic work with a new selection of historical and contemporary concrete and experimental poetry.

At the heart of the volume is Gribaudo’s emblematic Logogrifi series, developed from the 1960s onward. The Logogrifi reveal his deep engagement with the art of bookmaking and fascination with industrial printing processes, relief matrices, typefaces, and language games.

In this new edition, the editors take the opportunity to revisit Gribaudo’s pioneering work, examining previously overlooked dimensions—gendered, geographical, and technological—and exploring contemporary associations beyond the original context. The book also includes essays that elucidate the poetic and political interplay between image, language, and materiality.

This publication is released following Ezio Gribaudo – The Weight of the Concrete, an exhibition held at the Grazer Kunstverein in Graz, Austria (2023–24), and at the Museion—Museum of Modern and Contemporary Art in Bolzano-Bozen, Italy (2024).

Edited by Tom Engels and Lilou Vidal
Published by Axis Axis and Grazer Kunstverein

Contributions by Anni Albers, Mirella Bentivoglio, Tomaso Binga, Irma Blank, Al Cartio, Paula Claire, CAConrad, Natalie Czech, Betty Danon, Constance DeJong, Mirtha Dermisache, Johanna Drucker, Bryana Fritz, Ilse Garnier, Liliane Giraudon, Susan Howe, Alison Knowles, Katalin Ladik, Liliane Lijn, Hanne Lippard, Sara Magenheimer, Françoise Mairey, Nadia Marcus, Giulia Niccolai, Alice Notley, Ewa Partum, sadé powell, N. H. Pritchard, Cia Rinne, Neide Dias de Sá, Giovanna Sandri, Mary Ellen Solt, Alice Theobald, Colleen Thibaudeau, Patrizia Vicinelli, Pascal Vonlanthen, Hannah Weiner, and Ruth Wolf-Rehfeldt

Essays by Alex Balgiu, Tom Engels, Nadia Marcus, Luca Lo Pinto, Mónica de la Torre, and Lilou Vidal

A New Program for Graphic Design is the first communication-design textbook expressly of and for the 21st century. Three courses—Typography, Gestalt and Interface—provide the foundation of this book.

Through a series of in-depth historical case studies (from Benjamin Franklin to the Macintosh computer) and assignments that progressively build in complexity, A New Program for Graphic Design serves as a practical guide both for designers and for undergraduate students coming from a range of other disciplines.

Synthesizing the pragmatic with the experimental, and drawing on the work of Max Bill, Beatrice Warde, Muriel Cooper and Stewart Brand (among many others), it builds upon mid-to-late 20th-century pedagogical models to convey contemporary design principles in an understandable form for students of all levels—treating graphic design as a liberal art that informs the dissemination of knowledge across all disciplines. For those seeking to understand and shape our increasingly networked world of information, this guide to visual literacy is an indispensable tool.

David Reinfurt (born 1971), a graphic designer, writer and educator, reestablished the Typography Studio at Princeton University and introduced the study of graphic design. Previously, he held positions at Columbia University Graduate School of Architecture, Planning and Preservation, Rhode Island School of Design and Yale University School of Art. As a cofounder of O-R-G inc. (2000), Dexter Sinister (2006) and the Serving Library (2012), Reinfurt has been involved in several studios that have reimagined graphic design, publishing and archiving in the 21st century. He was the lead designer for the New York City MTA Metrocard vending machine interface, still in use today. His work is included in the collections of the Walker Art Center, Whitney Museum of American Art, Cooper Hewitt National Design Museum and the Museum of Modern Art. He is the co-author of Muriel Cooper (MIT Press, 2017), a book about the pioneering designer.

PROVENCE UNCONSCIOUS deep dives into the cosmological pool that shapes the collective unconscious and takes a look at the relevance of Jung's ideas in relation to contemporary art and fashion.

PROVENCE UNCONSCIOUS draws inspiration from the Zurich-based office's proximity to the C.G. Jung Institute in Küsnacht—recently and notably visited by Pamela Anderson, who also appears in the publication. PROVENCE UNCONSCIOUS focuses on the work of three US-American artists—Mike Kelley, Matt Mullican, and Jason Rhoades—whose practices orbit around the themes of psychoanalysis and the unconscious. The issue also features collaged analog photographs of  Laura Langer's spiral paintings, and a manuscript-style dream archive: over 30 hand-written or drawn submissions by artists, curators, jungians, and writers. Additional sections include, among many other things, jewelry by Bernhard Schobinger, photographs by Calla Henkel and Max Pitegoff, and a curatorial exploration of Emma Jung—analyst and wife of C.G. Jung—shedding light on the often-overlooked feminine legacy within Jungian thought.

PROVENCE UNCONSCIOUS didn't include any cooking recipes. And no, PROVENCE is not a magazine—but if it were, it would probably be the most radical one among its contemporary art peers.

Edited by Tobias Kaspar, Paolo Baggi, Samuel Haitz, Nina Hollensteiner, Claire Shiying Li, Veronika Dorosheva, Tatjana Hub.

Contributions by Pamela Anderson, Nina Hollensteiner & Claire Shiying Li, Forrest Bess, Matt Mullican, Mike Kelley, Valerie Smith, Delcy Morelos, Jimmy Raskin, Petra von bechtolsheim, Elizabeth leuenberger, Laura Langer, Bernhard Schobinger, Sophie Gogl, Susan Hiller, Calla & Max Pitegoff, Emma Jung, Rebecca Ackroyd, Korakrit Arunanondchai, Claire Shiying Li, Séverine Heizmann, Olga Fröbe-Kapteyn, Raphael Gygax, Stefano Carpani, Sabrina Tarasoff lITeRaTURe, Leda Bourgogne, Olamiju Fajemisin, Veronika Dorosheva, Lera Polivanova, Edgars Gluhovs.

The eleventh issue of the journal-collection that brings together academic writings, interviews with artists, critical essays and artists' interventions in the form of inserts.

Featuring: Madalena Anjos, Zoe Beloff, Jean-Claude Biette, Vittoria Bonifati, Christine Burgin, Moyra Davey, Migle Dulskyte, Martha, Edelheit, Hélène Giannecchini, Donna Gottschalk, Birgit Hein, Gaëlle Hippolyte, Megan Hoetger, Jacques Julien, Sophie Lapalu, Sibylle de Laurens, Anne Lefebvre, Liz Magor, Andrea Mazzella, Marlene Monteiro Freitas, Zibuntas Miksys, Vali Myers, Gaspard Nectoux, Jeffrey Perkins, Elisa Pône, James Robert Baker, João dos Santos Martins, Giovanna Scotti, Samuel Steward, Billy Sullivan, Sabrina Tarasoff, Paul Thek, and a long previously unpublished conversation (50 pages) between Paul McCarthy and Sabrina Tarasoff.

Octopus notes is a journal that gathers critical essays, academic writing, interviews, archival documents and artists' projects since 2013. Each issue exists without a theme, but shapes echo through its content.

In response to surges of violent British nationalism and political paranoia around borders, and to related social and ethical crises, JT Welsch and Ágnes Lehóczky have assembled an anthology to mark the vital contribution of non-UK-born writers to this country’s poetry culture. Wretched Strangers brings together innovative writing from around the globe, celebrating the irreducible diversity such work brings to ‘British’ poetry. While documenting the challenges faced by writers from elsewhere, these pieces offer hopeful re-conceptions of ‘shared foreignness’ as Lila Matsumoto describes it, and the ‘peculiar state of exiled human,’ in Fawzi Karim’s words.

The book is published by Boiler House Press to commemorate the anniversary of the June 2016 EU Referendum and in solidarity through struggles ongoing and to come. Proceeds will be donated to charities fighting for the rights of refugees.

Alireza Abiz • Astrid Alben • Tim Atkins • Andre Bagoo • Veronica Barnsley • Khairani Barokka • Leire Barrera-Medrano • Katherine E. Bash • Áine Belton • Caroline Bergvall • Sujata Bhatt • Rachel Blau DuPlessis • Fióna Bolger • Ben Borek • Andrea Brady • Serena Braida • Wilson Bueno • James Byrne • Kimberly Campanello • J.R. Carpenter • Mary Jean Chan • che • Matthew Cheeseman • Iris Colomb • Giovanna Coppola • Anne Laure Coxam • Sara Crangle • Emily Critchley • Ailbhe Darcy • Nia Davies • Tim Dooley • Benjamin Dorey • Angelina D’Roza • Katherine Ebury • Dan Eltringham • Ruth Fainlight • Kit Fan • León Felipe • Alicia Fernández • Veronica Fibisan • Steven J Fowler • Livia Franchini • Ulli Freer • Anastasia Freygang • Kit Fryatt • Monika Genova • Geoff Gilbert • Peter Gizzi • Chris Gutkind • Cory Hanafin • Edmund Hardy • David Herd • Jeff Hilson • Áilbhe Hines • Alex Houen • Anthony Howell • Nasser Hussain • Zainab Ismail • Maria Jastrzębska • Lisa Jeschke • Evan Jones • Loma Sylvana Jones • Maria Kardel • Fawzi Karim • Kapka Kassabova • Özgecan Kesici • Mimi Khalvati • Robert Kiely • Michael Kindellan • Igor Klikovac • Ágnes Lehóczky • Éireann Lorsung • Patrick Loughnane • John McAuliffe • Aodán McCardle • Niall McDevitt • Luke McMullan • Christodoulos Makris • Ethel Maqeda • Lila Matsumoto • Luna Montenegro • Stephen Mooney • Ghazal Mosadeq • Erín Moure • Vivek Narayanan • Cristina Navazo-Eguía Newton • Alice Notley • Terry O’Connor • Wanda O’Connor • Gizem Okulu • Claire Orchard • Daniele Pantano • Astra Papachristodoulou • Fani Papageorgiou • Richard Parker • Sandeep Parmar • Albert Pellicer • Pascale Petit • Adam Piette • Jèssica Pujol Duran • Alonso Quesada • Ariadne Radi Cor • Nat Raha • Nisha Ramayya • Peter Robinson • William Rowe • Lisa Samuels • Jaya Savige • Ana Seferovic • Sophie Seita • Seni Seneviratne • Timea Sipos • Zoë Skoulding • Irene Solà • Samuel Solomon • Agnieszka Studzinska • James Sutherland-Smith • George Szirtes • Rebecca Tamás • Harriet Tarlo • Shirin Teifouri • Virna Teixeira • David Toms • Sara Torres • Kinga Toth • Claire Trévien • David Troupes • Arto Vaun • Juha Virtanen • J. T. Welsch • David Wheatley • Elżbieta Wójcik-Leese • Jennifer Wong • Isaac Xubín • Jane Yeh

Regions surface often in this issue—across arts, tales, and gatherings of individuals and meanings—as a possibility to bypass the borders of nation-states and the meta-geographies of colonial modernity.

Slavs and Tatars; Hera Chan on Stephanie Comilang; Stephanie Bailey on Ho Tzu Nyen; Drifting into the Atmospheric by Sohrab Mohebbi; Lauren Cook contributes nine newly commissioned note-like fiction pieces; Asad Raza on Édouard Glissant; Mira Dayal in conversation with Shanzhai Lyric, TJ Shin, and jina valentine; Temporary Communities, Four Points on Radically Public Institutions by Elvira Dyangani Ose; A Signature Truer Than the Name by Dani Blanga Gubbay; tidbits: Ruoru Mou by Amy Jones; Virginia Ariu by Brit Barton; Bagus Pandega by Harry Burke; Ceidra Moon Murphy by Alex Bennett; Oshay Green by Ikechúkwú Onyewuenyi; Shafei Xia in conversation with Danielle Shang; books by Christian Rattemeyer; Guest Design: Lamm & Kirch.

This issue comes with different covers, randomly distributed.

Mousse is a bimonthly contemporary art magazine. Established in 2006, Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format.