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Cover of Act Like You Know Me

Bierke

Act Like You Know Me

Pippa Garner

€39.00

The first comprehensive monograph and critical survey of American artist Pippa Garner, Act Like You Know Me surveys fifty years of her radical and transdisciplinary art practice, from the late 1960s to the early 2010s, through ca. 400 photographs, illustration, ephemera, and original writings.

Encompassing Garner's most iconic works, from the Backwards Car to the Half-Suit, alongside never-before-seen photographs and ephemera, Act Like You Know Me serves to introduce a highly-influential, under-recognized artist whose uncompromising approach to life and practice has allowed her to interact with the worlds of illustration, editorial, television, and art without ever becoming beholden to them.

Published on the occasion of Pippa Garner's travelling exhibition at Kunstverein Munich, Kunsthalle Zurich, Frac Lorraine (Metz) and White Columns (NYC).

Born in the suburbs of Chicago in 1942, Pippa Garner (formerly known as Philip Garner) has satirized American-style consumerism for decades, reifying the joys of everyday life and personal liberation along her way. With her prankish sense of humour and conceptual dedication to experimental engineering, she has altered materials of mass production—from Fordism through the pharmacopornographic era—subverting commercial binaries to reveal the transitory nature of material life and her own transpersonal identity.

Edited by Fiona Alison Duncan and Maurin Dietrich.
Texts by Pippa Garner, Shola von Reinhold, Dodie Bellamy, Fiona Alison Duncan.

Published in 2023 ┊ 320 pages ┊ Language: English

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Cover of Atelier E.B 2026 Calendar

Bierke

Atelier E.B 2026 Calendar

Atelier E.B

Atelier E.B's 2026 calendar is dedicated to the duo's spectacular window displays (2019-2025). These exhibitions feature garments from their fashion label arranged by professional window dressers—integrating the shopping experience into the exhibition context.

Atelier E.B (Edinburgh Bruxelles) is the company name under which designer Beca Lipscombe and artist Lucy McKenzie develop their joint projects.

Cover of The Educational Web: Reader

Bierke

The Educational Web: Reader

Milan Ther, Martin Karcher

Non-fiction €18.00

A reader documenting the exhibition and symposium on eight schools, educational organisations and independent, self-organised educational programmes which see themselves as alternatives to traditional art academies and currently occupy central positions in the field of contemporary art.

The Educational Web: Reader brought together eight schools, educational organisations and independent, self-organised educational programmes at the Kunstverein in Hamburg. Often with a strong theoretical orientation, each of the programmes can be understood as a space for learning, a network and a community that does not rely on traditional curricula, but is organised around a form of immediacy and the relationship between artistic practice and local context. The programmes were invited to exhibit their own pedagogical approaches, resulting in an exploration of the interface between pedagogy, artistic practice and curatorial work.

Artists, researchers, and educators came together for the symposium on 1 and 2 July 2023 to articulate and reflect on recent developments in artist-initiated pedagogy and institutional practice. The symposium continued the questions raised by the exhibition and was expanded by a series of contributions, which are now collected for the first time in revised form in this volume, The Educational Web: Reader.

Texts by Luis Camnitzer, Feza Kayungu Ramazani, Maria Lind, Ghislaine Leung, Christian Nyampeta, Sofía Olascoaga, Emily Pethick, Laurence Rassel, Anja Steidinger, Nora Sternfeld, Prodige Kevin Tumba Makonga, Marina Vishmidt, Mi You.

Cover of On Dangerous Ground

Bierke

On Dangerous Ground

Vaginal Davis

Performance €10.00

Vaginal Davis offers insights into her collaborative practice of making music in art-punk bands in Los Angles and Berlin.

The artist Vaginal Davis certainly moves on dangerous ground with her transgressive shuffling of gender and genre boundaries. The self-described "sexual repulsive" co-founded several art/punk bands in her expansive 40-year-plus career, namely Afro Sisters, ¡Cholita!, Pedro, Muriel & Esther (PME), black fag and Tenderloin. As a writer and "Whoracle et Delphi", Ms. Davis turns her quirky hairy eyeball to the collective practice of making music in the saucy underground scenes of Los Angeles and Berlin. In their contributions, longtime comrades and collaborators Bibbe Hansen (artist and Warhol Silver Factory habitué) and Felix Knoke (guest performer for The Hidden Cameras and band member of Tenderloin) rave about joint performances and rehearsals, divulging sacred secrets and rifts. Bruce "Judy" LaBruce, Glen Meadmore and Lisa "Suckdog" Carver make surprise guest appearances, along with images from live performance spectacles The White to Be Angry, Trust Fund, Interracial Dating Game, We're Taking Over, Afro De Sade and Camp/Anti-Camp: A Queer Guide to Everyday Life.

Edited by Jenny Schlenzka and Julia Grosse.
Texts and works by Vaginal Davis, Bibbe Hansen, Felix Knoke.

Published on the occasion of Vaginal Davis's exhibition at Gropius Bau, Berlin, in 2025.

Vaginal Davis is a Berlin-based American intersexed artist, queer icon of art and music. Vaginal Davis herself is a living work of art: a performer, writer and creator of iconic zines; a visual artist, experimental filmmaker; a self-proclaimed Blacktress and drag terrorist, a gossip columnist, influential socialite, educator and countercultural renegade. Since the late 1970s, her oeuvre has pushed the boundaries of art, music and performance. Inspired by the militancy of the Black Panthers’ pursuit of social justice in the United States, she named herself after feminist and Black Power activist Angela Davis.

Cover of Drawings/Zeichnungen

Bierke

Drawings/Zeichnungen

Amelie Von Wulffen

A new compilation of Amelie von Wulffen's intriguing, very truth hard drawings and comics.

Amelie von Wulffen's Drawings/Zeichnungen is a fulminant new book featuring works from the last ten years that are being shown here for the first time. They are not primarily intended to be works of art; they differ from her comics and watercolors.

To mark her exhibitions at the Kölner Kunstverein and HFKD Holkstebro, Bierke Verlag is now publishing this collection of very direct and heterogeneous drawings, driven by a need to stay as close to the truth as possible. They deal with dreams and inner experiences, depicting generational conflicts, sexuality, death, and strong emotions with unfiltered harshness.

Cover of Le Chauffage #3 - Day Job

Le Chauffage

Le Chauffage #3 - Day Job

Francesca Percival, Felix Rapp and 1 more

The third issue of Le Chauffage is an inquiry into the relationship between the practices of artists/ writers and their day jobs. This subject stems from a question fundamental to the existing mandate of Le Chauffage: 'how do you keep warm?' and subsequently, 'how do you pay the bills?' As these perennial concerns occupy our everyday lives, we ask artists/writers to consider the influence that their day jobs, side hustles, creative or non- creative forms of employment have on their respective practices.

This issue tries to account for the significant ways in which complex economic realities come to shape the art we produce, look at, and discuss. How do we deal with limited time and resources? How do we reclaim and steal time back? How do our day jobs shape and influence what we make? How do we subvert the means of production of the workplace? Can the constraint of a day job also be a way to alleviate the pressure of professionalising?

With contributions by Daniel Bozhkov, Nathan Crompton Pippa Garner, Chauncey Hare Marisa Kriangwiwat Holmes, Garrett Lockhart, Jannis Marwitz Reba Maybury, Tiziana La Melia, Dan Miller, Ragen Moss, Jean Luc Moulène, Jean Katambayi Mukendi Paul Niedermayer, Sophie Nys, Megan Plunkett, Chris Reinecke, Jacquelyn Zong Li Ross On Gabrielle L Hirondelle Hill Margaux Schwarz, Eleanor Ivory Weber James Welling, Werker, The Wig.

Cover of The TV Sutras

Ugly Duckling Presse

The TV Sutras

Dodie Bellamy

Fiction €24.00

Inspired by visionaries like Moses, William Blake, and Joseph Smith, Bellamy spent five months in 2009 receiving transmissions from her television set and writing brief commentaries on each. The sutras and commentaries in the present volume are the beginning of an intensive investigation into the nature of religious experience. What are cults? Are they limited to wacko marginal communities, or do we enter one every time we go to work or step into a polling place? What is charisma and why are we addicted to it? Bellamy speaks candidly and intimately to her own experience as a woman, a writer, and former cult member. This commingling of memoir, fiction, collage and essay makes room for horny gurus, visitors from outer space, the tenderness of group life, and maybe the beginnings of a hard-won individualism.

Cover of Better Living Catalog

Primary Information

Better Living Catalog

Pippa Garner

Monograph €19.00

Pippa Garner’s Better Living Catalog, originally published in 1982, takes the form of a mail order catalog featuring clever and whimsical inventions that parody consumer goods while simultaneously critiquing America’s obsession with ingenuity, efficiency, leisure, and comfort. These works, which were made as prototypes and photographed for the publication, take the form of improbable accessories, clothing, footwear, home appliances, and office gadgets.

For example, the “Reactiononometer,” a portable wristband, instantly measures social success, while the “Digital Diet Loafers” display the wearer’s weight with every step. If the “Munch-o-Matic” reduces deskwork interruptions by flinging a snack right into the user’s mouth, other items promise financial solvency (the controlled cash flow “Autowallet”), sustainable waste management, or mess-free companionship (the “Pet-a-Vision” TV console). The artist asserts that all of the products in the book are “absolute necessities for contemporary survival.”

The Better Living Catalog was a pop hit when it was published, earning Garner spots on nighttime TV talk shows and attention from magazines like Vogue and Rolling Stone. In a meme-filled culture, the works still resonate today, finding their analog in widely-circulating consumer products, and—in the case of the “High Heel Skates”—even appearing unattributed in the runway collection of a major luxury fashion brand.

A few years after the Better Living Catalog was published, Garner began her gender transition, which she has characterized as an artistic project that draws conceptual parallels to the altered consumer goods she has continued to create since the 1970s. The artist’s practice has always been about hacking—gender hacking, she stated, was “an excellent premise for maverick conceptual art and diametrically opposed to anything I’d ever done.”

Many of the prototypes Garner created for the publication were repurposed or recycled, making this previously rare gem of an artist book one of the artist’s few works to now be widely available.

Born in 1942 in Evanston, Illinois, Pippa Garner (formerly known as Philip Garner) began her practice in the late sixties as a member of the highly regarded Transportation Design department at ArtCenter, California, with plans to become a car stylist, and was drafted to Vietnam to serve as a combat illustrator. In the mid-80s, Garner began her gender transition, which she considers a conceptual artwork, marking an extension of her practice from twenty years of altering cars, garments, and consumer products to using her own body as raw material. Garner appeared on the Tonight Show Starring Johnny Carson and other talk shows, showcasing her satirical consumer product inventions, and her artwork has been featured in Car & Driver, Rolling Stone, Arts & Architecture, and Vogue, among other publications. In the 1980s, her performance, design, and video work was exhibited in institutions including the Los Angeles Institute of Contemporary Art; Whitney Museum of American Art; and Museum of Contemporary Art, Los Angeles; since 2015, she has had exhibitions at STARS, O-Town House, Redling Fine Art, and Parker gallery in Los Angeles; Jeffrey Stark in New York; JOAN, Los Angeles; Kunstverein München; 49 Nord 6 Est – Frac Lorraine, Metz; Kunsthalle Zurich; and Art Omi, Ghent, New York. She is the author of three other books: Utopia… or Bust! Products for the Perfect World (1984), Garner’s Gizmos & Gadgets (1987), and the zine Beauty 2000 (1992/2021).

Cover of +|'me'S-pace

Les Figues Press

+|'me'S-pace

Christine Wertheim

Poetry €20.00

+|`me'S-pace, doc. 001.b is book 1, volume 2 of a wider, ongoing project known as "For Love Alone" Christina'S-tead, a poetic enquiry into the current state of the English tongue.

"In a time when many are questioning if we still need formalism and feminism, Wertheim's +|`me'S-pace, doc. 001.b is a spirited and fun defense of both. Written in part as a didactic instructional manual that cannot keep itself from constantly going astray into beautiful and challenging language play, this is a book that asks crucial questions and reconfigures recent histories. It is essential for its arguments. But even more, it is fun to read for its word play"—Juliana Spahr.

Introduction by Dodie Bellamy and art by Lisa Darms.