Jennifer Lucy Allan
Jennifer Lucy Allan
Slip-Syncs Collapse and Strange Unrealities in the films of Sogo/Gakuryu Ishii
You can talk about Ishii and music and you can talk about Ishii and sound. I want to talk about both. I want to talk about him as a node in a network of musicians and bands that starts with punk but spider webs out to ensnare post-punk industrial and ambient music with a brief free jazz cameo. I also want to talk about the way he uses sound rhythm and silence. This is not just about soundtrack. A soundtrack tends towards telling you something about what’s happening. Soundtracks tell you what to feel whether there is dread or romance or sadness in a scene. Not so for Ishii. For Ishii a soundtrack stands alone is a bed and is a moment but it doesn’t tell you how to feel. It is in Ishii's hands dislocation silencing or distortion of the cause-effect connection between the punch thrown and the punch landing between moving image and the sound that constructs the conceits of the cinema. "He attempted to find a visual equivalent to punk music," wrote critic Tom Mes. "A way to express the same philosophy and spirit with a camera instead of a guitar.”
— Jennifer Lucy Allan
This is the 3rd publication in the Echoes of Dissent series, devoted to the politics of the soundtrack.
Mentioned in
Bodies of Sound: Becoming a Feminist Ear
‘I am concerned with the power of sound! and what it can do to the body and the mind,’ wrote composer Pauline Oliveros. In the body, histories and politics come together with sound and listening, memory and feeling. Bodies of Sound offers a resonant exploration of feminist sonic cultures and radical listening in over fifty contributions. In this book of echoes, a variety of forms – from essays to text scores to art, fiction and memoir – speak across gender, ways of knowing, witnessing, sounding and voicing, translation, displacement, violence and peace.
With contributions from:
Sara Ahmed, Ximena Alarcón, Svetlana Alexievich, Ain Bailey & Frances Morgan, Anna Barham, Xenia Benivolski, Leanne Betasamosake Simpson & Kite, Elena Biserna, Karen Barad & Black Quantum Futurism, Anne Bourne, Daniela Cascella, Theresa Hak Kyung Cha, Maria Chávez, Don Mee Choi, Carson Cole Arthur, Petero Kalulé & AM Kanngieser, Lindsay Cooper, Julia Eckhardt, Lucia Farinati & Claudia Firth, Ella Finer, Annie Goh, Louise Gray, Christina Hazboun, Johanna Hedva, Sarah Hennies, Tomoko Hojo, IONE, Lee Ingleton, Hannah Catherine Jones, Christine Sun Kim, Nat Lall, Cathy Lane, Jeanne Lee & Lona Foote, Marysia Lewandowska, Annea Lockwood & Jennifer Lucy Allan, Cannach MacBride, Elaine Mitchener & Hannah Kendall, Alison O'Daniel, Naomi Okabe, Pauline Oliveros, Daphne Oram, Gascia Ouzounian, Holly Pester, Roy Claire Potter, Anna Raimondo, Tara Rodgers, Aura Satz & Barbara London, Shortwave Collective, Sisters of the Order of Celestial Nephology, Sop, Syma Tariq, Marie Thompson, Trinh T. Minh-ha & Stoffel Debuysere, Salomé Voegelin