In the context of The Skin of the World program at Courtisane festival 2024, Morgan Quaintance was invited to reflect on the use of sound in Jia Zhangke’s Xiao Wu (Pickpocket).
This is the second publication in the Echoes of Dissent series, devoted to the politics of the soundtrack.
Published by Courtisane festival in collaboration with Open City Documentary Festival, Alia Syed: Imprints, Documents, Fictions (ed. María Palacios Cruz) is the first monograph to be devoted to Syed’s work and features new essays by Jemma Desai, Inga Fraser, Peter Gidal, Rahila Haque, Salima Hashmi, Anjana Janardhan, Ruth Noack and Henrietta Williams, as well as writing by Syed herself.
In the context of the Artist in focus Trinh T. Minh-ha program at Courtisane festival 2023, Courtisane invited musician, author and curator David Toop to reflect on the sound work in her films. The resulting publication, titled Breath, rhythm, silence, resonance: listening beyond seeing in the films of Trinh T. Minhha, is the first publication in the Echoes of Dissent series, devoted to the politics of the soundtrack.
Compiled on the occasion of a Sandra Lahire retrospective at Courtisane festival 2021. This cahier was developed in collaboration with Elías Querejeta Zine Eskola (San Sebastian). Edited by María Palacios Cruz and Charlotte Procter.
Living on air: the films and words of Sandra Lahire is the first monograph dedicated to the work of Sandra Lahire and brings together new and existing texts on Lahire as well as writing by herself, with contributions by Gill Addison, Jo Comino, Pam Cook, Laura Guy, Maud Jacquin, Julia Knight, Michael Mazière, Sarah Pucill, Irene Revell & Kerstin Schroedinger, Lis Rhodes, Selina Robertson & Ricardo Matos Cabo (with So Mayer), Vicky Smith, Sarah Turner and Ana Vaz.
Compiled by Courtisane and Sabzian on the occasion of the Out of the Shadows programme, originally conceived for Courtisane festival 2020 but rescheduled to Courtisane festival 2021.
This program and publication was developed with the support of The Arab Fund for Arts and Culture (AFAC), CINEMATEK and KASK / School of Arts, in collaboration with Reem Shilleh and Mohanad Yaqubi (Subversive Film).
Compiled on the occasion of new restorations of Michel Khleifi’s films by CINEMATEK and a retrospective film programme organized by CINEMATEK and Courtisane (26 September - 5 November 2019), this publication aims to provide a modest summary of the trajectory of Michel Khleifi on the basis of a series of texts and interviews that were produced between 1981 and 2019.
This publication aims to trace the trajectories of Ogawa Shinsuke and Tsuchimoto Noriaki, who film critic Hasumi Shigehiko respectively called “the filmmaker of the soil” and “the filmmaker of the sea”.
The publication has taken the form of a scrapbook which assembles a patchwork of writings, quotes and interviews that we were able to track down and translate, with the help of numerous other “amateurs” who admire and cherish the work of these two filmmakers. Developed on the occasion of the programs by Courtisane and CINEMATEK devoted to Tsuchimoto and Ogawa. In collaboration with Sabzian.
Developed on the occasion of a retrospective program of the work of Anne-Marie Miéville. Courtisane, CINEMATEK and Sabzian have collected a series of writings and interviews in a small-edition bilingual publication (French/English).
Published on the occasion of the program Soft Notes on A Sharp Scale — The Rambling Figures of Mani Kaul, produced as part of the Courtisane festival 2018, as well as the associated Mani Kaul programme organized by the Essay Film Festival 2018, in collaboration with the Otolith Group.
Developed on the occasion of a Hong Sang-soo retrospective at CINEMATEK in 2018. Infinite Worlds Possible is compiled, edited and published by Courtisane, CINEMATEK and Sabzian. It aims to trace the development of Hong’s remarkable body of work through a collection of essays and interviews.
