How do you trace death? What do you make of the useless objects left behind? Conjuring Cage, Stein, and Francesca Woodman, British poet Sophie Robinson documents the detritus of sudden loss. Layering word and image, object and subject, the said with the unsayable, A is as Caroline Bergvall writes, "[a] work of mourning. Angry, torn, hardly daring to remember", a textual performance of "love that dares to speak as queer."

A is published as part of the TrenchArt: Tracer Series, with a foreword by Caroline Bergvall, an afterword by Diane Ward, and collaborative visual art by Ken Erhlich and Susan Simpson.

The long-awaited third collection from one of the UK’s finest, most virtuosic of modern lyric poets. These poems take the reader on surprising journeys of healing, hard-won amid personal and social vicissitudes – including triumph over addiction, and alcoholism – and open spaces in which to share in emotional, quasi-spiritual transcendence despite. Who could ask for more? Rabbit was chosen for the PBS Wild Card Choice for Winter, 2018.

“When poetry is the centre of your life the strength of some poets will get fixed in the orbit of your day, their poems settled into the memory of mind and body. Sophie Robinson is one of my absolute favourites, her lines returning to me, visceral, unsettling, exacting, and stunning! If you read one book of poems this year, let it be this! She’s a gateway drug, keeping you wanting all books of poetry to be as genius to make part of your waking life.”
– CA Conrad, author of While Standing in Line for Death.

Sophie Robinson teaches Creative Writing at the University of East Anglia and is the author of A and The Institute of Our Love in Disrepair. Recent work has appeared in n+1, The White Review, Poetry Review, The Brooklyn Rail, Ploughshares, BOMB Magazine, and Granta.