Word/World is a book of three registers. The collections Alphabet Poems, Apples and Origins, and then the Word/World poems themselves, comprise the contents of this book. These three constitute a progression, through language, from the unruly, abstracted language of trauma, into a more integrated and embodied approach to a language that inhabits an awakened body in the present tense.
The fabric of Word/World spans heirloom seeds, police murders, witch burning, Ayahuasca tourism, shamanism, the asteroid Chiron, soul mates, alchemical principles, plant medicine, tantric sex, gangster rap and the end of American Apparel. It is an attempt to heal divisions and static states, and looks towards a world that exists outside of duality.
Building on the work of Morris’ first book, Word/World firmly establishes poetry as its own language, a language which borrows from but is not like other language, and in which ideas can be held, examined, questioned from different angles, and exploded.
The long-awaited third collection from one of the UK’s finest, most virtuosic of modern lyric poets. These poems take the reader on surprising journeys of healing, hard-won amid personal and social vicissitudes – including triumph over addiction, and alcoholism – and open spaces in which to share in emotional, quasi-spiritual transcendence despite. Who could ask for more? Rabbit was chosen for the PBS Wild Card Choice for Winter, 2018.
“When poetry is the centre of your life the strength of some poets will get fixed in the orbit of your day, their poems settled into the memory of mind and body. Sophie Robinson is one of my absolute favourites, her lines returning to me, visceral, unsettling, exacting, and stunning! If you read one book of poems this year, let it be this! She’s a gateway drug, keeping you wanting all books of poetry to be as genius to make part of your waking life.”
– CA Conrad, author of While Standing in Line for Death.
Sophie Robinson teaches Creative Writing at the University of East Anglia and is the author of A and The Institute of Our Love in Disrepair. Recent work has appeared in n+1, The White Review, Poetry Review, The Brooklyn Rail, Ploughshares, BOMB Magazine, and Granta.
A family prepares for Assessment; an au pair in the Caribbean wrestles with duty as a hurricane makes landfall; a game designer aches with bodily longing. Amidst it all, twins, heroines, mothers and rebels play out their lives under the strange grips of technology, governments, corporations and the capricious planet on which we all, in our different ways, just about manage to live.
This Paradise is a rare and beautiful collection of stories about people fleeing towards places or times or situations they hope might be better – trying to outrun their nature, to deny the undeniable. Written with an arresting eye for detail, a rich sense of compassion and a darkly comic understanding of the human psyche, the stories in this volume propose a series of haphazard questions, not least of which is: where do we run to when there’s nowhere left to run?
In response to surges of violent British nationalism and political paranoia around borders, and to related social and ethical crises, JT Welsch and Ágnes Lehóczky have assembled an anthology to mark the vital contribution of non-UK-born writers to this country’s poetry culture. Wretched Strangers brings together innovative writing from around the globe, celebrating the irreducible diversity such work brings to ‘British’ poetry. While documenting the challenges faced by writers from elsewhere, these pieces offer hopeful re-conceptions of ‘shared foreignness’ as Lila Matsumoto describes it, and the ‘peculiar state of exiled human,’ in Fawzi Karim’s words.
The book is published by Boiler House Press to commemorate the anniversary of the June 2016 EU Referendum and in solidarity through struggles ongoing and to come. Proceeds will be donated to charities fighting for the rights of refugees.
Alireza Abiz • Astrid Alben • Tim Atkins • Andre Bagoo • Veronica Barnsley • Khairani Barokka • Leire Barrera-Medrano • Katherine E. Bash • Áine Belton • Caroline Bergvall • Sujata Bhatt • Rachel Blau DuPlessis • Fióna Bolger • Ben Borek • Andrea Brady • Serena Braida • Wilson Bueno • James Byrne • Kimberly Campanello • J.R. Carpenter • Mary Jean Chan • che • Matthew Cheeseman • Iris Colomb • Giovanna Coppola • Anne Laure Coxam • Sara Crangle • Emily Critchley • Ailbhe Darcy • Nia Davies • Tim Dooley • Benjamin Dorey • Angelina D’Roza • Katherine Ebury • Dan Eltringham • Ruth Fainlight • Kit Fan • León Felipe • Alicia Fernández • Veronica Fibisan • Steven J Fowler • Livia Franchini • Ulli Freer • Anastasia Freygang • Kit Fryatt • Monika Genova • Geoff Gilbert • Peter Gizzi • Chris Gutkind • Cory Hanafin • Edmund Hardy • David Herd • Jeff Hilson • Áilbhe Hines • Alex Houen • Anthony Howell • Nasser Hussain • Zainab Ismail • Maria Jastrzębska • Lisa Jeschke • Evan Jones • Loma Sylvana Jones • Maria Kardel • Fawzi Karim • Kapka Kassabova • Özgecan Kesici • Mimi Khalvati • Robert Kiely • Michael Kindellan • Igor Klikovac • Ágnes Lehóczky • Éireann Lorsung • Patrick Loughnane • John McAuliffe • Aodán McCardle • Niall McDevitt • Luke McMullan • Christodoulos Makris • Ethel Maqeda • Lila Matsumoto • Luna Montenegro • Stephen Mooney • Ghazal Mosadeq • Erín Moure • Vivek Narayanan • Cristina Navazo-Eguía Newton • Alice Notley • Terry O’Connor • Wanda O’Connor • Gizem Okulu • Claire Orchard • Daniele Pantano • Astra Papachristodoulou • Fani Papageorgiou • Richard Parker • Sandeep Parmar • Albert Pellicer • Pascale Petit • Adam Piette • Jèssica Pujol Duran • Alonso Quesada • Ariadne Radi Cor • Nat Raha • Nisha Ramayya • Peter Robinson • William Rowe • Lisa Samuels • Jaya Savige • Ana Seferovic • Sophie Seita • Seni Seneviratne • Timea Sipos • Zoë Skoulding • Irene Solà • Samuel Solomon • Agnieszka Studzinska • James Sutherland-Smith • George Szirtes • Rebecca Tamás • Harriet Tarlo • Shirin Teifouri • Virna Teixeira • David Toms • Sara Torres • Kinga Toth • Claire Trévien • David Troupes • Arto Vaun • Juha Virtanen • J. T. Welsch • David Wheatley • Elżbieta Wójcik-Leese • Jennifer Wong • Isaac Xubín • Jane Yeh
A virus inflames a woman with mortal desire; a colonial naturalist seeks an impossible specimen; invisible violence stalks a safari and a man out walking enters into a strange shadow dance with a prizefighter. Ranging from taut human drama to phantasmagoria, these stories make rich and strange connections – between ancient and new, human and animal, Africa and Europe, reality and dream. Taken together, in prose of great precision and beauty, the stories in Animalia Paradoxa map the complexities of the human specimen, in all its troubling glory. This is fiction of the highest quality, from one of South Africa’s foremost novelists.
Henrietta Rose-Innes is a South African novelist and short story writer. She is the author of four novels, including Nineveh and Green Lion, which was shortlisted for the 2016 Sunday Times Fiction Prize and won the 2015 Prix François Sommer. Homing, a short story collection, was published in South Africa in 2010. She was the 2008 winner of the Caine Prize for African Writing and runner–up in the BBC International Short Story Award in 2012.
sub rosa: The Book of Metaphysics is a three-part interrogation of love, gender, ritual and the body. It heralds a new kind of poetic thinking, one that seeks to articulate and enact a mode of resistance to the obstinacy of present conditions, but which focuses on embodiment, tenderness and optimism. It wants to break present paths and contribute to a collective imagining of a different future; a record of and a practice towards healing.
of sirens, body & faultlines is a book of prophecy against this Brexit era, rising from a post-2008 London, where crisis and austerity meet the vanity projects of the super-rich. Committed to the immediacy of a present that is precarious and under surveillance, of sirens... attends to queer, transfeminist and people of colour counter-memories and histories. It seeks new expressions of desire and modes of breath, pushing against the gravities that would rather these lives and worlds disappear.
While arguing with the radio may seem futile, syntax, punctuation, grammar and the page must still all be mobilised to help create new conditions of possibility – for collectivity, for poetry to speak. Raha’s exceptional, experimental, queer lyric mobilises all aspects of language to reveal contradictions of capitalism and defuse populist rhetoric. This is a writing of city life against the flows to capital; labouring bodies speaking back to the demands of work and the fictions of xenophobic politicians. It concerns herstory, transfeminism, collectivity; the everyday of South East London, transformation and decolonisation, through counter-memories, anti-memoir, and a trans poetics.
Self Heal brims with riotous and tender experimental lyrics on love, work, protest, and survival among haunted interiors and post-industrial landscapes. It explores processes of destruction and healing, testing the possibilities of self and collective care through meditations on poetic artifice and the architecture of identity, all with a thrilling linguistic strut and twinklings of mordant wit.
Samantha Walton co-runs Sad Press, which specialises in chapbooks and small press editions, and has previously published five pamphlets including Animal Pomes with Crater Press. This is her debut collection.
rile* is a bookshop and project space for publication and performance. rile* is into poetry, theory, choreography, artist writing and various other text based experiments. rile* organizes performances, meetings, launches, readings... rile* is the base word for silence in Láadan, a feminist constructed language developed by Suzette Haden Elgin in 1982. The language was included in her science fiction Native Tongue series. Láadan contains a number of words that are used to make unambiguous statements that include how one feels about what one is saying. According to Elgin, this is designed to counter language's limitations to those who are forced to respond I know I said that, but I meant this.
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