Animalia Paradoxa

of sirens, body & faultlines is a book of prophecy against this Brexit era, rising from a post-2008 London, where crisis and austerity meet the vanity projects of the super-rich. Committed to the immediacy of a present that is precarious and under surveillance, of sirens... attends to queer, transfeminist and people of colour counter-memories and histories. It seeks new expressions of desire and modes of breath, pushing against the gravities that would rather these lives and worlds disappear. 

While arguing with the radio may seem futile, syntax, punctuation, grammar and the page must still all be mobilised to help create new conditions of possibility – for collectivity, for poetry to speak. Raha’s exceptional, experimental, queer lyric mobilises all aspects of language to reveal contradictions of capitalism and defuse populist rhetoric. This is a writing of city life against the flows to capital; labouring bodies speaking back to the demands of work and the fictions of xenophobic politicians. It concerns herstory, transfeminism, collectivity; the everyday of South East London, transformation and decolonisation, through counter-memories, anti-memoir, and a trans poetics.

"Nat Raha has written some of the most exciting poetry of the last decade. Transfeminist, communist, revolutionary – with great quickness and nimble intensity, her syllables and survival codes dash through police-lines as high-level transmissions signalling absolute solidarity, insisting that other lives are still possible. Originally published as a series of home-made pamphlets that seemed to come as much from post-punk zine culture as from avant-garde poetics, it's good to see them gathered here in one place for the first time and as a body of evidence of a culture of struggle. These poems do not merely comment on that struggle, but emerge from within it. They are poems that break open a space in which to think through what has happened, who we have been, and what has been done to us. These are fearsome times. Raha writes poetry that acknowledges that fear and refuses to flinch in the face of it, which is in itself an act of the fiercest solidarity." – Sean Bonney

In response to surges of violent British nationalism and political paranoia around borders, and to related social and ethical crises, JT Welsch and Ágnes Lehóczky have assembled an anthology to mark the vital contribution of non-UK-born writers to this country’s poetry culture. Wretched Strangers brings together innovative writing from around the globe, celebrating the irreducible diversity such work brings to ‘British’ poetry. While documenting the challenges faced by writers from elsewhere, these pieces offer hopeful re-conceptions of ‘shared foreignness’ as Lila Matsumoto describes it, and the ‘peculiar state of exiled human,’ in Fawzi Karim’s words.

The book is published by Boiler House Press to commemorate the anniversary of the June 2016 EU Referendum and in solidarity through struggles ongoing and to come. Proceeds will be donated to charities fighting for the rights of refugees.

Alireza Abiz • Astrid Alben • Tim Atkins • Andre Bagoo • Veronica Barnsley • Khairani Barokka • Leire Barrera-Medrano • Katherine E. Bash • Áine Belton • Caroline Bergvall • Sujata Bhatt • Rachel Blau DuPlessis • Fióna Bolger • Ben Borek • Andrea Brady • Serena Braida • Wilson Bueno • James Byrne • Kimberly Campanello • J.R. Carpenter • Mary Jean Chan • che • Matthew Cheeseman • Iris Colomb • Giovanna Coppola • Anne Laure Coxam • Sara Crangle • Emily Critchley • Ailbhe Darcy • Nia Davies • Tim Dooley • Benjamin Dorey • Angelina D’Roza • Katherine Ebury • Dan Eltringham • Ruth Fainlight • Kit Fan • León Felipe • Alicia Fernández • Veronica Fibisan • Steven J Fowler • Livia Franchini • Ulli Freer • Anastasia Freygang • Kit Fryatt • Monika Genova • Geoff Gilbert • Peter Gizzi • Chris Gutkind • Cory Hanafin • Edmund Hardy • David Herd • Jeff Hilson • Áilbhe Hines • Alex Houen • Anthony Howell • Nasser Hussain • Zainab Ismail • Maria Jastrzębska • Lisa Jeschke • Evan Jones • Loma Sylvana Jones • Maria Kardel • Fawzi Karim • Kapka Kassabova • Özgecan Kesici • Mimi Khalvati • Robert Kiely • Michael Kindellan • Igor Klikovac • Ágnes Lehóczky • Éireann Lorsung • Patrick Loughnane • John McAuliffe • Aodán McCardle • Niall McDevitt • Luke McMullan • Christodoulos Makris • Ethel Maqeda • Lila Matsumoto • Luna Montenegro • Stephen Mooney • Ghazal Mosadeq • Erín Moure • Vivek Narayanan • Cristina Navazo-Eguía Newton • Alice Notley • Terry O’Connor • Wanda O’Connor • Gizem Okulu • Claire Orchard • Daniele Pantano • Astra Papachristodoulou • Fani Papageorgiou • Richard Parker • Sandeep Parmar • Albert Pellicer • Pascale Petit • Adam Piette • Jèssica Pujol Duran • Alonso Quesada • Ariadne Radi Cor • Nat Raha • Nisha Ramayya • Peter Robinson • William Rowe • Lisa Samuels • Jaya Savige • Ana Seferovic • Sophie Seita • Seni Seneviratne • Timea Sipos • Zoë Skoulding • Irene Solà • Samuel Solomon • Agnieszka Studzinska • James Sutherland-Smith • George Szirtes • Rebecca Tamás • Harriet Tarlo • Shirin Teifouri • Virna Teixeira • David Toms • Sara Torres • Kinga Toth • Claire Trévien • David Troupes • Arto Vaun • Juha Virtanen • J. T. Welsch • David Wheatley • Elżbieta Wójcik-Leese • Jennifer Wong • Isaac Xubín • Jane Yeh

Narrative of the Life of Frederick Douglass is an 1845 memoir and treatise on abolition written by famous orator and former slave Frederick Douglass during his time in Lynn, Massachusetts. It is generally held to be the most famous of a number of narratives written by former slaves during the same period. In factual detail, the text describes the events of his life and is considered to be one of the most influential pieces of literature to fuel the abolitionist movement of the early 19th century in the United States. Narrative of the Life of Frederick Douglass encompasses eleven chapters that recount Douglass's life as a slave and his ambition to become a free man.

In the tradition of Suhrkamp Verlag and Penguin Classics, Domain offers a series of elegantly designed pocketbooks, conceived as a starter kit for radical liberatory thought. The pocketbooks are individually crafted with custom book jackets tailored to each individual buyer; every purchase receipt supplying the raw material for each design. The online fulfillment system leverages the graphic language of the US Postal Service for each cover and packaging design.

More info on domainbooks.org

In 2015, Jacob finds himself wandering the streets, swamps and cemeteries of New Orleans. Through his search for a man named Ignatius, 'O Fortuna' tells the story of his attempt to make a film. We discover the city’s unique atmosphere and meet a bizarre cast of characters who assist Jacob with his uncertain attempts at shooting scenes of DAT LIKWID LAND.

In The Book of Na, translation acts at the edge of perception. Tracing across projects in film, video, and performance, Na Mira reflects on the violent fragmentation of bodies while refusing the containment of geographic and corporeal borders. In 1977, a name is cut at an immigration office. This gap turns into an intergenerational score for becoming heat, hexagram, hologram. Using oracular and glitching technologies, Mira witnesses what escapes data: doppelgängers, dreams, endangered tigers, tesseracts, A. Turiyasangitananda Coltrane's stairs, Theresa Hak Kyung Cha in a theater, Korean shamanism, frozen ligaments, wildfires, borderlands, subatomic particles, and pink. Syncing to a clock with neither face nor hands, Mira’s hauntological permutations in time, death, and relation travel outside the symbolic order and draw energy from the void.

Na Mira’s autobody rites have been presented at sites including Seoul Museum of Art; Museum of Contemporary Art, Los Angeles; Portland Institute of Contemporary Art; Participant Inc., New York; and Whitney Museum of American Art, New York. She earned an MFA from the University of California, Los Angeles. She grew up between the US and East Asia and teaches outside.

"I am made and remade continually. Different people draw different words from me."

Innovative and deeply poetic, The Waves is often regarded as Virginia Woolf's masterpiece. It begins with six children—three boys and three girls—playing in a garden by the sea, and follows their lives as they grow up, experience friendship and love, and grapple with the death of their beloved friend Percival. Instead of describing their outward expressions of grief, Woolf draws her characters from the inside, revealing their inner lives: their aspirations, their triumphs and regrets, their awareness of unity and isolation.

Virginia Woolf (1882-1941) was one of the major literary figures of the twentieth century. An admired literary critic, she authored many essays, letters, journals, and short stories in addition to her groundbreaking novels, including Mrs. Dalloway, To The Lighthouse, and Orlando.

This bootleg edition collects scanned copies of Monique Wittig's writing. It includes; The Lesbian Body, Les Guérillères, The Opoponax, and Lesbian Peoples: material for a dictionary— In true bootleg style, punk enough to carry the truly radical words of Wittig: scans, a little grainy, with marginalia of unknown origins. Now, we can dress ourselves in the ravishingly erotic, violent splendorous brilliance to become baby Wittigs.  

This edition was assembled out of a deep love of Wittig's work by Chloe Chignell.

Monique Wittig was a French author and feminist theorist particularly interested in overcoming gender and the heterosexual contract. She published her first novel, L'opoponax, in 1964. Her second novel, Les Guérillères (1969), was a landmark in lesbian feminism.