The Pepsi Cola Addict

This newly expanded edition of England's Hidden Reverse, the classic exploration of the English esoteric musical underground that includes the first, and only, biographies of Coil, Current 93, and Nurse With Wound, is based on exclusive interviews and unprecedented access to all three bands' personal archives.

Together, these genre-defying bands and their circles represent the English underground in all its cultural, artistic, and sexual variety. Over four decades, the three intertwined groups have maintained a symbiotic, yet uneasy, relationship with the mainstream of popular culture, even as their music, beliefs, and practices have repelled them from it. Theirs was a clandestine scene whose work accents the many occulted peculiarities of Englishness that flow through generations of outsiders, channeling personalities as diverse as Aleister Crowley, Arthur Machen, Joe Orton, Shirley Collins, Björk, and Marc Almond. The story of this Hidden Reverse has, necessarily, remained a secret. Until now.  

This new volume contains almost 100 pages of extra material culled from Furfur, a collection of interviews with musicians and artists whose careers intersected with the bands', initially published alongside Strange Attractor's first limited edition of the book.

If winning can only occur in a competition between equal opponents, someone who isn’t equal will need to adopt a different strategy and let go of the promise, or the curse, of victory. Anna Zett takes up the challenge in this collection of personal science fiction, registering the traces systems of power leave in the body, in its locomotory, nervous and digestive systems. Zett’s voice appears in several textual guises, addressing authority, resistance, trauma and the physicality of language. Dedicated to the feminist revolution, the post-socialist subject of Artificial Gut Feeling questions logocentric and capitalist beliefs about the economy of meaning. This book gathers together fists, guts and brains to gain a deeper understanding of the non-verbal roots of dialogue.

"This being is able to transform movement into speech. It winds itself about inside me like a thick snake and I have to use all my strength to let it spin and do what it does. When I wilfully try to stop it, it begins to whisper words to me and that is even more unpleasant. If I were to associate this gut feeling with an emotion, I would say disgust. But this disgust is not directly linked to your name."—Anna Zett

MsHeresies 6 publishes an edited chapter from Caren Beilin’s forthcoming novel Sea, Poison (New Directions, 2025). It is typeset together with reworked material from the archive of the Neapolitan feminist artist collective Le Nemesiache, active between 1969 and 1995.

Everyone is asking about his identity. Gay? Muslim? French? Moroccan? Instead of choosing a side, he writes a book. A book about the forest and the city, Paris and Tangiers, shame and forgiveness, dating apps and spiritual discovery. A book about growing up as a diaspora kid in rural France, with desires that want to emerge at any cost. Told in mesmerising prose, How to Leave the World is a beautiful non-answer.

A rare book that depicts the isolation and poetry of rural life. — Annie Ernaux

What it takes to imagine social and physical freedom is what it meant to keep reading this incredible book. — Bhanu Kapil

Marouane Bakhti is a writer and arts journalist. Born in Nantes, France to a Moroccan father and a French mother, he studied history and journalism at the Sorbonne. He writes criticism for Mouvement magazine and lives in Paris. How to Leave the World is his first novel.

Lara Vergnaud is a literary translator of French and has translated over a dozen novels, including works by Zahia Rahmani, Fatima Daas, Mohamed Leftah and Mohamed Mbougar Sarr. Lara was born in Tunisia, grew up in the United States and currently lives in southern France.

978-1-7395161-3-0
21.6 x 13.9 cm
112 pp, paperback
September 2024

Mystique des rues vides et peu éclatantes des banlieues pavillonnaires, ce court poème en prose interpelle par sa langue sombre. Dans une parodie de messe noire – beigeasse comme le crépis des façades –, Théo Robine-Langlois dépeint le monde mystérieux des maisons individuelles, du repli sur soi démonique, et des vieilles qui marmonnent entre leurs gencives au retour du marché, le panier plein de gros sel et de radis noirs en guise d'hostie. Les mots occitans qui ponctuent le texte comme des conjurations en accroissent l’escur.

A young writer has his heart set on his aunt's large apartment. With this seemingly simple conceit, the characters of The Planetarium are set in orbit and a galaxy of argument, resentment, and bitterness erupts. Telling the story from various points of view, Sarraute focuses below the surface, on the emotional lives of the characters in a way that surpasses even Virginia Woolf. Always deeply engaging, The Planetarium reveals the deep disparity between the way we see ourselves and the way others see us.

The author of eleven novels, three works of criticism, a collection of plays, and an autobiography, Nathalie Sarraute (1900-1999) is well-known as one of the prime proponents of the New Novel, alongside Alain Robbe-Grillet, Robert Pinget, and Claude Simon. Among her books are Do You Hear Them?, Martereau, Portrait of a Man Unknown, Between Life and Death, and Tropisms.