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Cover of Spatial Folders #1

MIARD

Spatial Folders #1

Kris Dittel ed. , Golnar Abbasi ed.

€18.00

This publication is the first issue of ‘Spatial Folders’, a thematic periodical that is produced by the faculty of Master Interior Architecture: Research and Design (MIARD) program at Piet Zwart Institute, Willem de Kooning Academy in Rotterdam. It is composed of a selection of graduation theses alongside contributions by guest authors that focus on urgent socio-cultural, socio-political, and ecological issues that affect the (built) environment and its representation regimes.

This first issue focuses on extraction and extractivism that characterises the power structures that make our worlds and their historicities. Across time extraction processes have been making and changing the spaces of the world through displacement of bodies and matter, from within and across the earth. At the same time, these processes establish epistemologies and forms of representation that articulate extraction as natural or inevitable within the frameworks of anthropocentrism, capitalism, colonialism, racism, or hetero-reproductivism.

This collection of texts approaches the question of extraction from a variety of spatial perspectives. The contributions zoom in to specific sites, cases, and areas of interest while providing a critical analysis of various networks of power and influence across time and space. These works do not turn away from the material aspect of extraction but rather closely trace the spatial and material conditions and consequences of extraction in the case of oil, hormones, milk, wood, and water, among others.

With Kris Dittel, Golnar Abbasi, Eva Garibaldi, Shiila Infriccioli, Natasha Marie Llorens, Jane Rendell, Shonali Shetty, Alex Augusto, Suárez Agnes Tatzber, Elien Vermoortel, Dominique Willis, Clementine Edwards, Zoraïma Hupkes

Design by Dongyoung Lee

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Cover of A Book for Disappearance

cthulhu books

A Book for Disappearance

Yuri Tuma, Gabriel Alonso and 2 more

Essays €24.00

A Book for Disappearance explores themes of extinction and ecology through the lens of contemporary technology and using AI and image-generation platforms as collective tools. It grapples with the contradictions of living in this world full of worlds and full of crises, while revindicating processes of nomadic becoming, transcending fixed identities, and collective emergence. While disappearance may seem abstract or esoteric, it has tangible implications for both individual and collective action. In this book, the concept of disappearance emerges as an alternative, including a variety of short poetic and experimental texts on the multiple possibilities that surface from our engagement with AI alter-egos and a collective artistic exercise with image generation technologies.

Texts by Laura Tripaldi, Institute of Queer Ecologies, and Stacy Alaimo provide further food for thought, and invite readers into recondite explorations—of parasitic spaces and ghost bodies through materialist feminisms; of oak archives and the previous lives that forests can narrate to us; of acid oceans and the psychedelic trips they might afford.

Cover of Protoplasmic Flow

Samara Editions

Protoplasmic Flow

Jenna Sutela

Ecology €27.00

One of artist Jenna Sutela's regular collaborators, Physarum polycephalum, is often referred to as a natural computer. This yellow, ‘many-headed’ slime mold is an ancient, decentralized, autonomous organism that processes data without a nervous system, operating via communities of coordinated nuclei that demonstrate advanced spatial intelligence. If the slime mold cannot find the resources it needs, it hibernates until better conditions arise; theoretically, it is immortal. Over the years, Sutela has, for example, ingested the slime mold in her performances as a form of artificial intelligence, letting its hive-like behavior program her own.

Sutela's work for Samara reactivates this line of work, delivering co-existence with the slime mold to people's homes in the form of a dried sample of Physarum polycephalum as well as related performative instructions. Inside the box, the audience receives everything necessary to grow slime mold at home, and witness the behaviour of this fascinating organism. With the set of performative instructions, Jenna Sutela proposes the ways of co-existing and engaging with Physarum polycephalum.

Jenna Sutela works with words, sounds, and other living media, such as Bacillus subtilis nattō bacteria and the “many-headed” slime mold Physarum polycephalum. Her audiovisual pieces, sculptures, and performances seek to identify and react to precarious social and material moments, often in relation to technology. Sutela's work has been presented at museums and art contexts internationally, including Guggenheim Bilbao, Moderna Museet, and Serpentine Galleries. She is a Visiting Artist at The MIT Center for Art, Science & Technology (CAST) in 2019-21.

Protoplasmic Flow contains everything required to activate the slime mold in a location of your choosing.

Duration: take all the time that you need
Language: Instructions are in English and Italian.

Cover of How to Die – Inopiné

Archive Books

How to Die – Inopiné

Ashkan Sepahvand

Ecology €28.00

A transdisciplinary investigation and a choreographic performance, between Umeå and Oslo, about ecological grief, cultural panic, and a feeling of collapse.

How to Die – Inopiné is a performance and a practice. It thinks through, in an embodied manner, the prevailing contemporary moods of ecological grief, cultural panic, and collapse. As a performance in a theater or outdoors, an audience encounters five dancers who are constantly building, unbuilding, and rebuilding. Afterwards, stories are told around a bonfire. As a practice in the studio, school, or street, a group of dancers, artists, writers, and architects meet for a year of residencies between Oslo and Umeå. They host a working process and encounter external informants. The goal is to displace oneself into the unexpected. This publication, two years in the making, engages with the challenges of translating a choreographic process into the space of a book. It both documents the project's development as well as offering the reader-doer different modes of thinking-doing, from somatic practices to proposals for a curriculum. Experiments in writing, mapping, and moving are played with, all engaging with the question, "what is the future of displaced thinking?"

Published following the series of eponymous events held in Umeå, Oslo, Bergen, Trondheim and Reykjavik in 2019-2020.

Contributions by Harald Becharie, Mia Habib, Jassem Hindi, Asher Lev, Marie Kraft Selze, Namik Mačkić, Ingeborg Olerud, Anna Pehrsson, Ashkan Sepahvand, Nina Wollny.

Cover of OEI #94-95 Geografier [Geographies]

OEI editör

OEI #94-95 Geografier [Geographies]

Jonas J. Magnusson, Cecilia Grönberg and 1 more

Periodicals €32.00

The new publication triangulates between geopoetics, geopolitics, and cultural geography; a 464 page issue with some 50 contributors as well as a large section on Swedish philosophical geographer Gunnar Olsson.