sex and place vol 1

For the very first time, the newspaper Font News, published together with the supplement Font Menu, showcases the typographic work of Erkin Karamemet from his own label as printed matter. The large format of the newspaper invites the viewer to appreciate the typefaces in large, poster-like sizes. The curated texts by Gerrit Kotsivos reference pop-cultural curiosities and are further enhanced by overlaid spreads with amusing illustrations by the London-based artist Why Ebay. This limited issue, produced as a special artist edition of only 300 copies, is something for typography enthusiasts to collect, explore, and celebrate contemporary type design.

It goes like this: lower and lower and lower and... Bring down all these towers! You're sinking into this. I'm alone and we don't care. Am I just passing time?

This collection of 20 poems by young poets Holly Miles and Joseph Dunkerley sheds a glimpse into the bizarre journey of two isolated souls in a time of global crisis. Read along in this 24 page zine as they chart their unique perspectives of the worldwide COVID-19 pandemic!

"Considering their practice within the art world addresses the issue of how art is (re)presented or how art can be seen, I asked Yves Gevaert,Tom Engels, Raimundas Malašauskas, Kasper Bosmans, Felipe Dmab, Dirk Snauwaert, Olivier Vandervliet, Bas Hendrikx and HC (Friedemann Heckel & Lukas Müller) in this second series of the portraits. The profile of these men is very diverse. They work as publisher, curator, critic, gallerist, or artist, thus each of them is dealing in a different and sometimes personal way within the system of the art world. 

The portrayed are sitting in front of a black velour background, a light absorbing surface. High-quality equipment and professional lighting, bring life to the smallest detail in the razor-sharp photographs. The portrait series expresses the objectification of and the fascination for the other, two aspects that are historically linked with portrait photography."

In ‘Teeth Surrounding a Flower in the Meanings’ a compilation of texts from the critical discourse surrounding his work, written by various authors between 2016 and 2023, serves as source material for a series of erasures.

Through retro- and introspectively reading into the works and the practice at large from poetic angles, these poems investigate the relation between art and its discourse, the words used, and their edges.

The first comprehensive monograph on the work of Krõõt Juurak

In the past fifteen years, Krõõt Juurak has developed a series of practices and performances that do not necessarily take place in a theatre or a gallery, at a predictable time or space, but rather come to existence as performative conditions through certain other triggers. This volume is both a record and a performative expansion of Juurak’s practice. Through four themed chapters (Animal, Family, Bad Mood Audience and Sleeping Bad Mood), the publication features a rich array of text-based works, essays, interviews, documentation and ephemera that will provide an insight into Juurak’s singular body of work including Internal Conflict, Sleeping Performance, Autodomestication, Performances for Pets and Bad Mood.

Edited by Galerie / Adriano Wilfert Jensen and Simon Asencio

Text contributions by Krõõt Juurak, Alex Bailey, Kate Strain, Noor Mertens, Suzan D. Polat, Jessica Ullrich, Guendalina Pirelli, Donny Mahonney, Simon Asencio and Adriano Wilfert Jensen.

Published October 2020

Afternoon Editions no. 2: text and drawings by Chrysa Parkinson titled Weaknesses. Between January and March 2019 Time has fallen asleep in the afternoon sunshine was presented as a solo-exhibition at Index Foundation in Stockholm. During this period Chrysa Parkinson was invited as a guest writer for Afternoon Editions. Weaknesses is a leap in memory.

A collection of essays, fictions, and interviews exploring the weird temporalities of finance and catastrophe. 

Once, financial practitioners plied a hybrid trade as hydrologists, star-gazers, and weather-watchers who sought to discover the natural laws of value and exchange as they did the divine order of an unchanging nature. Today, corporate firms hire trend forecasters and scenario planners to play out strategic fictions in virtual worlds. Hurricane insurance markets simulate a turbulent climate to offer investment instruments to hedge against the risks of the stock market. And for financial astrologers operating in the city of London, celestial motions provide a cosmic map that orients the mood of terrestrial markets.  

Bringing together artists, researchers, and interstitial practitioners, Catastrophe Time! pays attention to the conditions of speculative knowledge on an increasingly volatile planet. Traversing a gray zone between rigorous research and operative science fictions, its contributors question how practices of speculation may transform, undermine, and at times exceed, the worlds they set out to model.  

Edited by artist Gary Zhexi Zhang, Catastrophe Time! explores the power of temporal technologies—whether currencies, conspiracies, or simulation models—to shape reality through fiction. By bringing together researchers and writers working at the boundaries of temporal practices, including Diann Bauer, Philip Grant, Bahar Noorizadeh, Habib William Kherbek, Klara Kofen, Kei Kreutler, Suhail Malik, Bassem Saad and Gordon Woo, this urgent volume seeks to make sense of the unraveling times in which we live.