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Cover of If Not, Winter

Vintage

If Not, Winter

Anne Carson

€18.00

Of the nine books of lyrics the ancient Greek poet Sappho is said to have composed, only one poem has survived complete. The rest are fragments. In this miraculous new translation, acclaimed poet and classicist Anne Carson presents all of Sappho's fragments, in Greek and in English, as if on the ragged scraps of papyrus that preserve them, inviting a thrill of discovery and conjecture that can be described only as electric, or, to use Sappho's words, as "thin fire . . . racing under skin."

By combining the ancient mysteries of Sappho with the contemporary wizardry of one of our most fearless and original poets, If Not, Winter provides a tantalizing window onto the genius of a woman whose lyric power spans millennia.

Published in 2003 ┊ 416 pages ┊ Paperback ┊ Language: English

recommendations

Cover of Selected Writings of Gertrude Stein

Vintage

Selected Writings of Gertrude Stein

Gertrude Stein

Fiction €28.00

This collection, a retrospective exhibit of the work of a woman who created a unique place for herself in the world of letters, contains a sample of practically every period and every manner in Gertrude Stein’s career. It includes The Autobiography of Alice B. Toklas in its entirety; selected passages from The Making of Americans; "Melanctha"from Three Lives; portraits of the painters Cezanne, Matisse, and Picasso; Tender Buttons; the opera Four Saints in Three Acts; and poem, plays, lectures, articles, sketches, and a generous portion of her famous book on the Occupation of France, Wars I Have Seen.

Cover of The History of Sexuality, Volume 1: An Introduction

Vintage

The History of Sexuality, Volume 1: An Introduction

Michel Foucault

Philosophy €17.00

Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is.

Cover of Beloved

Vintage

Beloved

Toni Morrison

Fiction €18.00

Staring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby. 

Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe's new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement by Nobel Prize laureate Toni Morrison.

Cover of The Gender of Sound

Silver Press

The Gender of Sound

Anne Carson

Human history is filled with unacceptable sounds: high-pitched voices, gossip, talkativeness, hysteria, wailing and ritual shouts. Who makes them? Those deviant from or deficient in the masculine ideal of self-control: women, catamites, eunuchs and androgynes all fall into this category. 

From the myths of antiquity to Margaret Thatcher via Sigmund Freud and Gertrude Stein, The Gender of Sound charts the gendering of sound in Western culture. Carson invites us to listen again, and in doing so to reimagine our conceptions of human order, virtue and selfhood.

Putting a door on the female mouth has been an important project of patriarchal culture from antiquity to the present day. Its chief tactic is an ideological association of female sound with monstrosity, disorder and death.

Cover of Glass, Irony & God

New Directions Publishing

Glass, Irony & God

Anne Carson

Poetry €16.00

Known as a remarkable classicist, Anne Carson weaves contemporary and ancient poetic strands with stunning style in Glass, Irony and God. This collection includes: "The Glass Essay," a powerful poem about the end of a love affair, told in the context of Carson's reading of the Bronte sisters; "Book of Isaiah," a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome," about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.

Anne Carson was born in Canada and teaches ancient Greek for a living.

Cover of Short Talks

Brick Books

Short Talks

Anne Carson

Poetry €20.00

In Anne Carson's Short Talks the reader is bombarded with short prose poems that resound with the fullness of meditations on lyric sermons, riddle-poems that consist only of answers, Lou Reed meets Claude Monet and converts to Zen, the pure hilarious ache of ontology. SHORT TALKS, the first book-length collection by this accomplished, original voice, is elegiac, perceptive, and droll. 

Cover of New Infinity

Metatron Press

New Infinity

Bára Hladík

Fiction €15.00

New Infinity is an experimental novella that follows a woman as she lives and dreams her way through the philosophical implications of autoimmune disease. Met by a labyrinth of closing doors, she searches for meaning and connection among fragmented realities and failed relationships, finding infinitude in the healing process of bibliomancy.

Bára Hladík’s New Infinity is a glittering cross-genre debut. Weaving surrealist stories with meditative poetics, Hladík invites you into a dream world of degenerative illness, left disordered by the failures of ableism, medical professionals, and late-stage capitalism. Here, everything runs on sick time. Where physical health and financial resources grow scarce, the restorative possibilities of queer love, divination, and self-reclamation grant a defiant, yet often tenuous, abundance. Alive with Hladík’s boundless insight and wit, New Infinity is a powerful addition to the collective body of disability literature.

“I have been waiting for a book like New Infinity for years: a story of disability that oozes over the edges of ‘personal narrative’ into the surreal logics of bodies that will not be made useful under capitalism. Bára Hladík’s prose delights me with its 21st-century metamorphoses, its waiting-room dream logics, and its mystical invocations of a body in pain. Her poetry is a channel to another dimension, but one that is grounded inside our everyday sensoria—’cracking, pushing, pulsing’ like a spine writhing with snakes. Here, embodiment is never extractable from the institutions and economies whose profits are predicated on the question ‘do I matter if / I am only a pulse’? New Infinity insists upon a different kind of mattering, in which missed connections, improper fusions, and fleeting moments command the careful, caring attention that is too often denied them.” – Liz Bowen, author of Compassion Fountain (Trembling Pillow Press) and Sugarblood (Metatron Press)

“New Infinity is the most incredible fiction. It explodes the boundaries of this form so as to get to the heart of important truths about the phenomenon of physical pain and of human existence itself. While Bára Hladík’s story draws from a personal experience of survival through a struggle unlike any other, it is an entirely universal tale. In taking us into the most intimate spaces of suffering and narrating a story of a woman navigating a true labyrinth, Hladík shows us a way to face life, with the uncertainties it presents to us all. This novel is at once a profoundly moving story, a brilliant act of creativity, and an existential philosophy. It’s a book I will keep close, so as to revisit— for the thrilling inspiration of its liberated uses of form and style, as well as to learn from Hladík’s honest language, her resilient sense of humour, and her ability to capture the surreal beauty of being alive at all. I felt like I was reading Franz Kafka crossed with a fully unconstrained Anne Carson. I haven’t been so impacted by a book in a long time. It has changed my ways of seeing, feeling, and thinking about what it means to be alive.” – Molly Lynch, author of The Forbidden Territory of a Terrifying Woman (Catapult Books, 2023)

“Bára Hladík’s debut book is a blend of poetry and prose that seeks to make sense of a world that is flagrantly hostile and impatient with bodies that neither perform nor conform to the manic impatience of capitalist acceleration. An honest, vibrant, and very real account of a young writer finding a voice.” – Sina Queyras, writer, editor, professor, curator

“Bára Hladík’s New Infinity is a stirring pedagogy, philosophy, and witness. This offering of sick hybridity coils in a long, calm, and exhilarating breath while asking, ‘Do the doctors know how to breathe?’ Yes, Hladík’s prose and poems prompt, pain cosmologies are at once funny and incantatory. Each of New Infinity’s oneiric turns reads the body as an oracle and mirror, reminds us we are atmospheric. I would rather live here in this book, relearn how to breathe, than return to the ‘impossible crank’ of normal.” – Jane Shi, writer, poet, editor, organizer

Bára Hladík is a Czech-Canadian writer, editor and multimedia artist. Born in Ktunaxa Territory, she began her literary studies in the Creative Writing program at Capilano University in 2011. After studying Technical Writing at the British Columbia Institute of Technology, she received her Bachelor of Arts in Literature and Communications from the University of British Columbia in 2016. Her work can be found in Briarpatch Magazine, THIS Magazine, Contemporary Verse 2, Carte Blanche, EVENT Mag, Hamilton Arts and Letters, Bed Zine, Empty Mirror, Cosmonauts Avenue and elsewhere. Bára’s microchapbook Book of Mirrors was selected for the 2019 Ghost City Press Summer Micro-Chap Series and her collaborative artist book Behind the Curtain (Publication Studio, 2018) was an honourable mention for the Scorpion and Felix Prize (2017). New Infinity is Bára’s first book. She is now a guest in Esquimalt, BC.

Cover of Appendix Project

Prototype Publishing

Appendix Project

Kate Zambreno

Essays €16.00

Written in the course of the year following the publication of Book of Mutter, and inspired by the lectures of Roland Barthes, Anne Carson, and Jorge Luis Borges, Appendix Project collects eleven talks and essays. These surprising and moving performances, underscored by the sleeplessness of the first year of their child’s life, contain their dazzling thinking through the work of On Kawara, Roland Barthes, W.G. Sebald, Bhanu Kapil, Walter Benjamin, Theresa Hak Kyung Cha, Marguerite Duras, Marlene Dumas, Louise Bourgeois, Doris Salcedo, Jenny Holzer, and more.

Cover of The Romance of Happy Workers

Coffee House Press

The Romance of Happy Workers

Anne Boyer

Poetry €16.00

The Romance of Happy Workers swaggers through a world of cowboys, conquistadors, comrades, and housewives with mock-Russian lyric sequences and Keatsian swoon. Political and iconoclastic, Anne Boyer’s poems dally in pastoral camp and a dizzying, delightful array of sights and sounds born from the dust of the Kansas plains where dinner for two is cooked in Fire King and served on depression ware, and where bawdy instructions for a modern “Home on the Range” read:

"Mix a drink of stock lot:
vermouth and the water table.
And the bar will smell of IBP.
And you will lick my Laura Ingalls."

In Boyer’s heartland, “Surfaces should be worn. Lamps should smolder. / Dahlias do bloom like tumors. The birds do rise like bombs.” And the once bright and now crumbling populism of Marxists, poets, and folksingers springs vividly back to life as realism, idealism, and nostalgia do battle amongst the silos and ditchweed.

Cover of Butterflies Come Out At Night

1080 Press

Butterflies Come Out At Night

Alex Patrick Dyck

Enchanted €35.00

A fullness of the erotic that pervades the entirety of the book to its edges, where a continual corruption of our often unexpressed desires overflows into forms both lyrical and traditional. "Butterflies Come Out At Night" continuously asks where the "you" stands, and if desire can empower one to reach a fullness of self. No othering, but flowing seamless from source to rapid source. The book explores this encompassing and embracing body of care and power through poetry, collage, enchantments, and spells and keeps an aura that constantly shifts where the erotic nature of both writer and reader bloom through out the reading.

Cover of Bewogen selfies

het balanseer

Bewogen selfies

Obe Alkema

Fiction €24.50

In Bewogen selfies onderzoekt Obe Alkema de verhouding tussen landschap en herinnering. Wat treft hij aan bij terugkeer naar belangrijke plaatsen uit zijn geheugen? Wat herinnert hij zich niet, maar Google wel? Is er een gedenkschrift te puren uit zijn metadata?

Memoires, rechtstreeks verteld en met omwegen, uit eerste hand en van horen zeggen. Archieven en herinneringen eisen spreektijd, houden het niet meer droog of worden tot spreken gebracht. Wat hebben ze eigenlijk te melden? Ze lopen helemaal leeg, net als Alkema zelf. Een leven zoals zovele, poedelnaakt en geretoucheerd, vol zin en onzin.

Cover of Autobiography of Death

And Other Stories

Autobiography of Death

Kim Hyesoon

Poetry €18.00

‘I thought to myself that I needed to sing death, perform a rite for death, write death, then bid farewell to it. The way to send death away was to sing with my own death all the death in the sky and on the ground.’

The title section of Kim Hyesoon’s visceral Autobiography of Death consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea’s violent contemporary history, but also unveil what Kim calls ‘the structure of death, that we remain living in’. Autobiography of Death at once re-enacts trauma and narrates death – how we die and how we survive within this cyclical structure. In this sea of mirrors, the plural ‘you’ speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with ‘Face of Rhythm’, a poem about individual pain, illness, and meditation.

Winner of the 2019 International Griffin Poetry Prize

Winner of the 2019 Lucien Stryk Asian Translation Prize