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Cover of CHOREOGRAPHY / KOREOGRAFI (2021)

Self-Published

CHOREOGRAPHY / KOREOGRAFI (2021)

Ann-Christin Berg Kongsness

€18.00

CHOREOGRAPHY/KOREOGRAFI is an anthology published in three editions, consisting of texts written by artists active within the field of dance and choreography in the Nordic countries.

With the anthology we wish to build a rich and complex understanding of what choreography is and can be. We approach choreography as its own field of knowledge, and try to reach out and contribute to a larger Nordic disciplinary community. Our ambition is to protect a space for reflection that we experience as threatened, that is to say the thinking from and around the artistic works and practices.

Each contribution is build around a specific issue requested by the editors and developed in dialogue with the contributors, there are independent texts as well as conversations and interviews. All texts exist in both Scandinavian and English versions. We have curated the texts we’ve been missing and the conversations we have dreamt of reading.

The anthology is edited and published independently by artists based in Oslo. The first edition was launched in May 2016 and edited by Solveig Styve Holte, Ann-Christin Kongsness and writer Runa Borch Skolseg. The second edition was launched in October 2018 and edited by Solveig Styve Holte, Ann-Christin Kongsness and Venke Marie Sortland. The third edition was launched in September 2021, and edited by Holte, Kongsness and Sortland as well, all three of us work as dancers, choreographers and writers. Helge Hjort Bentsen is behind the graphic design for the first and second edition, Kim Hiorthøy did the graphic design for the third edition.

The third and last edition of CHOREOGRAPHY consists of eight newly written texts. The anthology still has a Nordic focus, but this time we have decided to go deeper into certain issues, regardless of geographical context. In this edition we also have a stronger interdisciplinary focus, in addition to following up some threads from the two former editions; marginal perspectives with a base in feminist, queer and post-colonial traditions, form experiments that explore text as an extended choreographic practice, texts by and about and as collectives, how to make artistic research available and how the infrastructures that we depend on influences our artistic practices and vice versa.

The contributors for the third edition are Sigrid Øvreås Svendal, Ingri Midgard Fiksdal, Kristine, Tjøgersen, Chloe Chignell, Hanna Järvinen, Goro Tronsmo, Solveig Styve Holte, Roza Moshtaghi and Karen Eide Bøen.

CHOREOGRAPHY (2021) is supported by Arts Council Norway.

Language: English

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Cover of Taming a Wild Tongue

Self-Published

Taming a Wild Tongue

Laura Cemin, Bianca Hisse and 1 more

Referring to Gloria Anzaldúa's notion of 'wild tongue' (Borderlands/ La Frontera, 1987), the publication departs from the questions: How to tame a wild tongue? How to carry language? The verbs 'taming' and 'carrying' imply certain dynamics of permission and restriction of movement, and suggest the entanglement between language and the body. The project delves into the notion  of 'tonuge' as an archive: the 'tongue' as a muscle shaped by the physical practice of moving/ talking, having memory; the 'tongue' as a 'cultured' part of the body. It addresses accent as part of our linguistic identity, but also something that defines access or restriction. (From Monika Charkowska's preface to the publication)

Artists: Bianca Hisse, Laura Cemin
Curated by: Monika Charkowska

Texts by: Monika Charkowska, Claire Goodall, Kübra Gümüsay, Bianca Hisse, Laura Cemin
Edited by: Monika Charkowska

Translations: Epp Aareleid (ENG to EST), Ksenia Krimer (ENG to RUS), Keiu Krikmann (ENG to EST), Anita Kodanik (ENG to RUS)
English Proof-Reading: Epp Aareleid
Graphic Design: Kersti Heile

Edition of 200.

Cover of Teenage Lightning: Cinematic Apparatus On Humanly Perception

Self-Published

Teenage Lightning: Cinematic Apparatus On Humanly Perception

Yelim Ki

Essays €18.00

The book explores how we experience perceptual dissociation and deep immersion when engaging with screen media. Drawing from perspectives such as media criticism, psychological states, and the evolution of visual technology in cinema, it examines how our senses respond to screens. A central theme is the reconsideration of animism—the belief that objects or images possess life—as a fundamental, primitive form of cinema. The work also reflects on the relationship between light and the screen, integrating my own artistic practice in film, light, and interactive media.

Cover of In Perpetuity

Self-Published

In Perpetuity

Ivey Wawn

In Perpetuity is part of Ivey Wawn’s project of the same name. With contributions from those involved in the making of what would have been the live performance, it is an accumulation of thoughts, reflections and associated pieces of work that give some idea of what the work could, would, or may in the future come to be. 

In Perpetuity is an ongoing project that has taken a variety of forms, from publication, through video and into live performance.

Cover of Why I Failed in Porn

Self-Published

Why I Failed in Porn

Maria Bettina

Non-fiction €16.00

This book follows my journey of launching, growing, and ultimately failing in the adult entertainment industry. It explores society’s complex relationship with porn and sex education, the challenges of entrepreneurship, and the struggles of working in a deeply stigmatized space. Sometimes funny, often dramatic, and always surprising, it offers an unfiltered look at the business side of porn and what it really takes to challenge the status quo.

Cover of Economy as Intimacy (vol.2)

Self-Published

Economy as Intimacy (vol.2)

Eric Peter

Poetry €8.00
I I C / The Contract / Ellipsis / Delbaram / Booos / U OK?
Cover of Koreografi

Self-Published

Koreografi

Ann-Christin Berg Kongsness

Performance €14.00

Koreografi / Choreography is a magazine initiated and edited by Solveig Styve Holte, Runa Borch Skolseg and Ann-Christin Berg Kongsness. The magazine consists of texts written by Nordic artists within the field of dance and choreography.

Cover of MW Collected Texts (Bootleg)

Self-Published

MW Collected Texts (Bootleg)

Monique Wittig

This bootleg edition collects scanned copies of Monique Wittig's writing. It includes; The Lesbian Body, Les Guérillères, The Opoponax, and Lesbian Peoples: material for a dictionary— In true bootleg style, punk enough to carry the truly radical words of Wittig: scans, a little grainy, with marginalia of unknown origins. Now, we can dress ourselves in the ravishingly erotic, violent splendorous brilliance to become baby Wittigs.  

This edition was assembled out of a deep love of Wittig's work by Chloe Chignell.

Monique Wittig was a French author and feminist theorist particularly interested in overcoming gender and the heterosexual contract. She published her first novel, L'opoponax, in 1964. Her second novel, Les Guérillères (1969), was a landmark in lesbian feminism.

Cover of Tout geste est renversement – Every gesture is reversal

Gevaert Editions

Tout geste est renversement – Every gesture is reversal

Chloe Chignell, Laurianne Bixhain

Tout geste est renversement – Every gesture is reversal is a publication by artist Laurianne Bixhain comprising an imahe captured and silkscreen printed by Bixhain and a text written by Chloe Chignell. The work addresses the potential for mutual transformation between language and materials, whether human or non human. How does language traverse the body? What are its resonances? How does it shape physical presence, gestures or thoughts? 

A2 silkscreen printed poster
Designed by Morgane Le Ferec.
Printed in 300 Copies.