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Cover of Being Together. A Manual for Living

KRIEG

Being Together. A Manual for Living

Grace Ndiritu

€15.00

Being Together: A Manual For Living falls in the lineage of publications such as The Journal of the Society for Education Through Art, which throughout the 1960s provided Britisch art schools a window into experimental education. By contrast, Grace Ndritu's experience in creating radical pedagogies arose from a connected, yet unorthodox system of 'self education'.

In 2012, she decided to spend time living in cities only when necessary. She thus lived in rural, alternative and often spiritual communities, while expanding her research into nomadic lifestyles, and training in esoteric studies, which she began following graduating art school. This research led her to visit Thai and Tibetan Buddhist monasteries, permaculture communities in New Zealand, forest tree dwellers in Argentina, neo-tribal festivals such as Burning Man in Nevada, a Scottish Hare Krishna ashram, and the Findhorn Spiritual Community in Scotland.

Such lifestyles forever transformed her ideas of education and have proven critical for her art, whether conducting social practices or working with students, peers and the general public; some of whose voices appear in this publication. Ndiritu posits, "What does (art) education mean today?" and specifically, "What does an embodied (art) education mean in a time of pandemics and social unrest?". Being Together: A Manual For Living attempts to answer these complex questions.

This book is published on the occasion of Grace Ndiritu's solo show at KRIEG? in Hasselt, Belgium.

Contributors: Philippe Van Cauteren, Pieter Vermeulen, Grace Ndiritu, Rafaela Lopez, Roberto dell’Orco, Jana Haeckel, Katleen Vermeir & Ronny Heiremans, Nathalie Boobis, Shayla Perreault, Edward Ball, Guadalupe Martinez, Stacy Suy, Ezra Fieremans.

Editors: Pieter Vermeulen, Grace Ndiritu 
Copy editor: Sue Spaid
Design: Vrints-Kolsteren

Published in 2021 ┊ 167 pages ┊ Language: English

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Cover of Numbered Map

Goswell Road

Numbered Map

Archie Chekatouski

Goswell Road publishes ‘Numbered Map’ by Archie Chekatouski, to accompany his exhibition 'You can do so much more with a chair than you can with a painting?'. The publication is edited in 30 copies and focuses on Chekatouski’s Paint-by-numbers Series.

Bio: Archie Chekatouski (born 1996 in Minsk, Belarus) lives and works in Paris. His works are touchingly silly and beautifully simple.
 

Cover of sawing a plank is like going for a walk

Posture Editions

sawing a plank is like going for a walk

Kato Six

With texts by Phillip Van den Bossche, Filarowska and a conversation between Eva Wittocx and the artist (NL/EN)


Nº 48 / October 2022

sawing a plank is like going for a walk by Kato Six (b. 1986) is published on the occasion of Kato’s solo exhibition at M Leuven this autumn. This book encapsulates 10 years of her quest as an artist.


The work of Kato Six (b. 1986) balances between abstract and figurative art. She works on different themes which she develops into series or ensembles. Architecture, design, domesticity and utensils all act as important references. Starting there, she uses recognisable and everyday materials such as MDF, stone, plastic or textiles.
Kato wants to question certain affinities and let the viewer look at familiar objects or images from a different perspective. As a viewer, you feel connected to the object or image but the actual meaning or function no longer applies.

Some of my works refer to the domestic, especially the most recent ones, such as ‘Carpet Beater Carpet’ and ‘Striped Knitwear’. The invisible work done by “housewives”, but also by workers or maintenance staff, is certainly one of the themes addressed in ‘Carpet Beater Carpet’. The above works are textile works, created with so-called “soft skills”. In the arts, these “soft skills” are often attributed to female artists — women often being assigned a certain medium.
Kato Six in conversation with Eva Wittocx in “sawing a plank is like going for a walk”

Cover of Fous Moi La Paix

Goswell Road

Fous Moi La Paix

Vava Dudu

Goswell Road presents Fous Moi La Paix a book of drawings by multidisciplinary artist Vava Dudu. Vava made 37 exclusive drawings for the publication, which launched at Paris Ass Book Fair 2024 at Palais de Tokyo. The drawings are offset with her texts, poems and several images of her iconic clothing and accessories.

"The multidisciplinary artist Vava Dudu refuses to follow convention: she draws and writes poetry, makes clothes and accessories, and builds furniture and guitars. She asserts her position as an outsider in contemporary art by stating that she “prefers extremes to the middle ground.” Her work as an independent stylist goes hand in hand with her activity as a singer in La Chatte, an electro-zouk punk new wave band founded in 2013 with Stéphane Argillet and Nicolas Jorio, aka “Nikolu.” Her underground artistic world, which joyously combines text and image, is expressed through various media.

Vava Dudu was born in 1970 in Paris, where she lives and works."

Text from Lafayette Anticipations website

Cover of Een dag in 't jaar door Herman Gorter

Time has fallen asleep in the afternoon sunshine

Een dag in 't jaar door Herman Gorter

Johan Sonnenschein

For the project Time has fallen asleep in the afternoon sunshine a group of people/ performers memorize a book of their choice. Together they form a library collection consisting of living books. After years of learning by heart and reciting for readers, some of the books have now been written down from memory to create new editions, versions resulting from this process. This book is one of those books, chosen by one person, learned by heart and recited many times, and now written down again from memory. This edition is not a re-edition of the original text. It is a re-writing of the text after the process of reading, memorizing and reciting, with all the alterations that might have occured in the course of this process.

Cover of The Error is Regretted

The Green Box

The Error is Regretted

Anita Di Bianco

‘Corrections and Clarifications’ is an ongoing newsprint project by Anita Di Bianco, an edited compilation of daily revisions, retractions, re-wordings, distinctions, and apologies to print news from September 2001 to the present. In essence, a reverse chronological catalogue of lapses in naming and classification, tangled catchphrases, and patterns of misspeak and inflection.

Previous editions have examined the printed news media in the United States and United Kingdom, Germany, Austria and Switzerland, and other international press from Asia, Turkey, and the Balkans printed in English. The publication includes text contributions by Di Bianco and Francesco Gagliardi.

108 p, ills bw, 24 x 32 cm, hb, German/English