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Cover of A Tone or Two

Vibrational Semantics

A Tone or Two

Marie Thams

€12.00

‘A Tone or Two’ comes in the form of a text score and a melodic voice work. Noticing a shift in her voice in recent years, Thams tracks how within the last decades female voices have lowered 23hz in pitch. Tuning into the shift toward more gender equality, vocal pitch is explored in relation to authority, electability, courage and rhythmicity.

With link to online sound work.

Language: English

recommendations

Cover of Words are my warders but don’t keep an I on me

Vibrational Semantics

Words are my warders but don’t keep an I on me

Daniela Cascella

Essays €8.00

An experimental essay on voice, narrative, literature and translation. In this text Daniela tunes into the hums of voices heard within books, to the recollected csitation, to singing with stitched lips.

Cover of Five Devours

Vibrational Semantics

Five Devours

Holly Pester

Essays €8.00

‘Five Devours’ is a short essay in five parts about need and food as a part of speech, about speech’s relationship to nourishment and hunger; the currency between eating and speaking, expending and consuming.

12 pages
150 x 200mm
risograph printed 
edition of 150

Cover of Tips of the sung

Vibrational Semantics

Tips of the sung

Samuel Brzeski

Tips of the Sung is a collection of interdisciplinary texts from Samuel Brzeski composed over the five years whilst he was Associate Artist at Lydgalleriet. The collection brings together performance scripts for voice and video with newly composed texts for the page. Centring on the vibrations of the voice, the texts exist somewhere between signification and delirium, at times making more sound than sense. 

The texts are full of bumbling mumbles, meandering hums, homophones, inner voices, affirmations, motivations, subvocalisations, resolutions, errors in speech production, peach seduction, car maintenance manuals, self-help fallacies, roomy echo chambers, overheard language lessons, morning meditations, and other forms of verbal rehearsal at the limits of language.

Cover of All you have to do is die

Vibrational Semantics

All you have to do is die

Mette Edvardsen

An artist text centring around the ghost lamp “like a sentinel an eerie outpost watching over the theatre.”

140x200mm
14 pages
edition of 150

Cover of addictive no an adjective

Vibrational Semantics

addictive no an adjective

Anna Barham

Essays €12.00

A text on speaking, listening and being understood made in conversation with iOS speech-to-text software.

Cover of Dante's Joynte: Lingua 1. [Poems and Other Theaters]

Lingua Press

Dante's Joynte: Lingua 1. [Poems and Other Theaters]

Kenneth Gaburo

Kenneth Gaburo (1926-1993) is renowned as a teacher, pioneer of electronics in music, jazz pianist, writer, ecologist, publisher, and proponent of compositional linguistics. Over the course of a dedicated career, his uncompromising work carved out its own patch in the territory of American experimentalism.

Lingua Press, 1976

Cover of This is NOT what i want to tell you

De Nieuwe Toneelbibliotheek

This is NOT what i want to tell you

Rimah Jabr

In This is NOT what I want to tell you: she looks at the many attacks carried out by teenagers in Palestine in 2015 and 2016. The teens, all children aged between 10 and 15, were shot dead or sentenced to years in prison. The series of almost daily knife attacks by these lone wolves reflected the hopelessness and despair among the young people of Palestine. They wanted to send a message to the world, but were unable to convey this in ordinary language.

In Two Ladybugs the fates of three characters, a Belgian woman, a Palestinian girl and an Israeli soldier, are closely intertwined. The players don't feel comfortable in this new, strange world and they don't hide that from the public.

Broken Shapes: A young woman in a city that has been occupied for decades, on the day of her father’s funeral, discovers his architectural drawings. Overcome with grief, she slips into the dream worlds and imagined places that he created.

Rimah Jabr Rimah Jabr (Nablus, Palestine, 1980) is a theatre director, playwright, screenwriter and Ph.D. candidate in Theatre and Performance Studies at York University. She completed a master’s degree in theatre-making from the RITCS in Brussels. She wrote and directed several plays produced in Belgium, Canada, and Palestine. She actively collaborates with visual artists to craft unique performances. Her doctoral research is a performance ethnography research-creation with Palestinian Designers from Hebron, examining the impact of confinement on the creative process involved in set design. Broken Shapes is a collaborative project co-created by Toronto-based theatremaker Rimah Jabr and Brussels-based visual artist Dareen Abbas.

Cover of I am Welton Santos.

Self-Published

I am Welton Santos.

Sofia Caesar

I am Welton Santos reenacts a dialogue between the Brazilian geo-bio-architect Welton Santos and an Interviewer. The book, which is always read collectively, is used in reading performances by groups of at least 3 people.

Printed on the occasion of an artist residency at PAV, Parco d’Arte Vivente, Turin, July 2016. Texts based on transcripts of interviews with Welton Santos.