Rosa Barba

Employing the concept of an anarchic organization of cinematic spaces, the author embarks in this volume on a journey toward an imaginary political trope for the cinema of the present – a working principle that aims to form a new way of thinking by destabilizing outdated structures of cinema.

ROSA BARBA (*1972, Agrigento, Italy) is an acclaimed artist who works with film. She is the recipient of numerous awards, including the renowned Calder Prize. Her work has been exhibited at the Museo Nacional Centro de Arte Reina Sofía, Madrid, the Schirn Kunsthalle, Frankfurt, and the MIT List Visual Arts Center, Cambridge, MA, among others.

Fieldnotes is a biannual print journal publishing new writing and artworks with a focus on practices that work between disciplines and against type. There is always a third thing between two things that are known; we are interested in whatever there is between translations/transitions, things-in-progress, converging genres, methods of excavation and formal innovation. The purpose of the journal is to provide a test site for ideas and research; a space for experimental modes and new prototypes. 

The third issue of FIELDNOTES contains new work by:

CAConrad & George Finlay Ramsay 
Charlie Hawksfield 
Yvonne 
Angus McCrum 
Peter Gizzi 
McKenzie Wark 
Kate Paul 
Michelle Williams Gamaker 
Georges Bataille & Rachelle Rahmé 
Declan Wiffen 
Rosa Barba 
Travis Jeppesen 
Robert Glück & Arnold Kemp 
Cecilia Pavón & Jacob Steinberg 
George Lynch 
Yuhan Shen