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Danae Theodoridou

Danae Theodoridou

Cover of PUBLICING: Practicing Democracy Through Performance

Nissos Academic Publishing

PUBLICING: Practicing Democracy Through Performance

Danae Theodoridou

Performance €18.00

The book draws on the performance project The Practice of Democracy/An Analogue Campaign, which ran from 2019-2021 in different European cities. It is written in two parts, interspersed with fragments from the project's performance score. The introduction sets the theoretical and critical ground for the book, discussing the current crises of politics, democracy, and social imagination across Europe and the Western world, and the way performance relates to these crises.

Part I introduces the newly proposed neologism publicing as a term and practice inflecting a new understanding of the relation of art to politics, marking a shift from "relational aesthetics" and "participatory art" to speculative artistic processes that construct public space in ways distinct from the dominant neoliberal ones. Part I further proposes some working principles through which performance might construct more affective experiences of publicness.

Part II hosts the voices of people who took part in The Practice of Democracy/An Analogue Campaign, and of other art workers exploring the relation between arts, politics, and democracy. Every contribution makes a concrete suggestion about the way artistic processes might assist the reactivation of democratic practices and the emergence of different social imaginaries. 

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Cover of and then the doors opened again

Onomatopee

and then the doors opened again

David Weber Krebs

Locked down at home during the first wave of Covid-19, David Weber-Krebs kept on thinking about the day when theatres would open their doors again. At that point, it was somehow difficult to even picture that moment.

On the 8th of April, 2020, in the middle of the lockdown, David sent an e-mail to his peers: artists, scholars, curators, and spectators belonging to different art communities. In this e-mail, there was a simple question: What will happen on your first theatre visit after the lockdown?

It was an invitation to imagine the future of theatre from this very specific moment when theatres were all closed and when it was not clear how and when and if they would open again.

With contributions by: Paula Almiron, Kristof van Baarle, Sven Age Birkeland, Antonia Baehr, Caroline Barneaud, Nicole Beutler, Maaike Bleeker, Julien Bruneau, Pieter De Buysser, Alondra Castellanos, Chloé Chignell, Amélie Coster, Jasper Delbecke, Zoë Demoustier, Wouter De Raeve, Charlotte De Somviele, Katja Dreyer, Jeroen Fabius, Silvia Fanti, Far, Nicolas Galeazzi, Emilie Gallier, Nada Gambier, Melih Gencboyaci, Konstantina Georgelou, Kristof van Gestel, Matthieu Goeury, Maximilian Haas, Ant Hampton, David Helbich, Marijke Hoogenboom, Rita Hofwijk, Breg Horemans, Asa Horvitz, Dolores Hulan, Mette Ingvartsen, Myriam Van Imschoot and Marcus Bergner (MM), Stefan Kaegi, Edyta Kozak, Bojana Kunst, Rudi Laermans, Sarah van Lamsweerde, Heike Langsdorf, Mylène Lauzon, André Lepecki, Kopano Maroga, Ivana Müller, Phoebe Osborne, Leonie Persyn, Julie Pfleiderer, Antoine Pickels, Amanda Piña, Jan-Philipp Possmann, Fransien van der Putt, Irena Radmanovic, Anna Rispoli, Martina Ruhsam, Jonas Rutgeerts, Nienke Scholts, Ula Sickle, Michael Simon, Karoline Skuseth, Lara Staal, Christel Stalpaert, Danae Theodoridou, Pankaj Tiwari, Vera Tussing, Marie Urban, Michiel Vandevelde, Hidde Aans Verkade, Mathilde Villeneuve, Georg Weinand, Stefanie Wenner, Siegmar Zacharias, Andros Zins-Browne.