Alexis Pauline Gumbs

A bold, innovative biography that offers a new understanding of the life, work, and enduring impact of Audre Lorde.

We remember Audre Lorde as an iconic writer, a quotable teacher whose words and face grace T-shirts, nonprofit annual reports, and campus diversity center walls. But even those who are inspired by Lorde’s teachings on “the creative power of difference” may be missing something fundamental about her life and work, and what they can mean for us today.

Lorde’s understanding of survival was not simply about getting through to the other side of oppression or being resilient in the face of cancer. It was about the total stakes of what it means to be in relationship with a planet in transformation. Possibly the focus on Lorde’s quotable essays, to the neglect of her complex poems, has led us to ignore her deep engagement with the natural world, the planetary dynamics of geology, meteorology, and biology. For her, ecological images are not simply metaphors but rather literal guides to how to be of earth on earth, and how to survive―to live the ethics that a Black feminist lesbian warrior poetics demands.

In Survival Is a Promise , Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde’s manuscript archives, illuminates the eternal life of Lorde. Her life and work become more than a sound bite; they become a cosmic force, teaching us the grand contingency of life together on earth.

Revolutionary Mothering: Love on the Frontlines is an anthology that centers mothers of color and marginalized mothers' voices, women who are in a world of necessary transformation. The challenges faced by movements working for antiviolence, anti-imperialist, and queer liberation, as well as racial, economic, reproductive, gender, and food justice are the same challenges that marginalized mothers face every day.

Motivated to create spaces for this discourse because of the authors' passionate belief in the power of a radical conversation about mothering, they have become the go-to people for cutting-edge inspired work on this topic for an overlapping committed audience of activists, scholars, and writers. Revolutionary Mothering is a movement-shifting anthology committed to birthing new worlds, full of faith and hope for what we can raise up together.

Contributors include alba onofrio, Alexis Pauline Gumbs, Ariel Gore, Arielle Julia Brown, Autumn Brown, Cheryl Boyce-Taylor, China Martens, Christy NaMee Eriksen, Claire Barrera, Cynthia Dewi Oka, Esteli Juarez Boyd, Fabielle Georges, Fabiola Sandoval, Gabriela Sandoval, H. Bindy K. Kang, Irene Lara, June Jordan, Karen Su, Katie Kaput, Layne Russell, Lindsey Campbell, Lisa Factora-Borchers, Loretta J. Ross, Mai'a Williams, Malkia A. Cyril, Mamas of Color Rising, Micaela Cadena, Noemi Martinez, Norma A. Marrun, Panquetzani, Rachel Broadwater, Sumayyah Talibah, Tara CC Villaba, Terri Nilliasca, tk karakashian tunchez, Victoria Law, and Vivian Chin.

Undrowned is a book-length meditation for social movements and our whole species based on the subversive and transformative guidance of marine mammals. Our aquatic cousins are queer, fierce, protective of each other, complex, shaped by conflict, and struggling to survive the extractive and militarized conditions our species has imposed on the ocean. Gumbs employs a brilliant mix of poetic sensibility and naturalist observation to show what they might teach us, producing not a specific agenda but an unfolding space for wondering and questioning. From the relationship between the endangered North Atlantic Right Whale and Gumbs's Shinnecock and enslaved ancestors to the ways echolocation changes our understandings of "vision" and visionary action, this is a masterful use of metaphor and natural models in the service of social justice.

With Foreword by Adrienne Maree Brown

Alexis Pauline Gumbs is a poet, independent scholar, and activist. She is the author of Spill: Scenes of Black Feminist Fugitivity, M Archive: After the End of the World, and Dub: Finding Ceremony; coeditor of Revolutionary Mothering: Love on the Front Lines; and the founder of Brilliance Remastered, an online network and series of retreats and online intensives serving community accountable intellectuals and artists.

Published Nov 2020

In Spill, self-described queer Black troublemaker and Black feminist love evangelist Alexis Pauline Gumbs presents a commanding collection of scenes depicting fugitive Black women and girls seeking freedom from gendered violence and racism. In this poetic work inspired by Hortense Spillers, Gumbs offers an alternative approach to Black feminist literary criticism, historiography, and the interactive practice of relating to the words of Black feminist thinkers. Gumbs not only speaks to the spiritual, bodily, and otherworldly experience of Black women but also allows readers to imagine new possibilities for poetry as a portal for understanding and deepening feminist theory.

Alexis Pauline Gumbs is a poet, independent scholar, and activist. She is coeditor of Revolutionary Mothering: Love on the Front Lines and the Founder and Director of Eternal Summer of the Black Feminist Mind, an educational program based in Durham, North Carolina.

Following the innovative collection Spill, Alexis Pauline Gumbs's M Archive, the second book in a planned experimental triptych, is a series of poetic artifacts that speculatively documents the persistence of Black life following a worldwide cataclysm.

Engaging with the work of the foundational Black feminist theorist M. Jacqui Alexander, and following the trajectory of Gumbs's acclaimed visionary fiction short story "Evidence," M Archive is told from the perspective of a future researcher who uncovers evidence of the conditions of late capitalism, antiblackness, and environmental crisis while examining possibilities of being that exceed the human.

By exploring how Black feminist theory is already after the end of the world, Gumbs reinscribes the possibilities and potentials of scholarship while demonstrating the impossibility of demarcating the lines between art, science, spirit, scholarship, and politics.

Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise.

"In DUB Alexis Pauline Gumbs continues with the third book in her poetry series, the first two books being Spill, inspired by Hortense Spillers, and M Archive, inspired by Jacqui Alexander. Whereas Spill deals with the contemporary afterlives of slavery and M Archive describes the post-dated evidence of our imminent apocalypse, DUB destroys Gumbs' own origin story, as she questions the assumptions and histories she has held onto most of her life. This text, through engagement with Sylvia Wynter's rigor, reinvents language outside of personal histories.

DUB is organized into topical sections, where spacious prose poems animate the voice of an underwater chorus in ceremonies that flow into one another. Beginning a daily writing practice, Gumbs wrote DUB based on moments of emphasis in Sylvia Wynter's essays (and one interview over several decades).

This book is influenced by the promiscuity and prolificity of dub music, the confrontational home-grown intimacy of dub poetry, and the descendants of this work. Dub uses the impact of repetition and the incantatory power of the spoken broken word. Gumbs uses dub to emphasize that Sylvia Wynter learned every colonial language and came to the conclusion that the ways of thinking that made colonialism and slavery imaginable were constructed over time and heretical to the ways of thinking that came before them; and so it must be possible to construct ways to understand life and place differently now as well.

Gumbs goes back to the origin stories that precede her and turns the blood into paint, emphasizing that "then" is also "now" through the broken and intense voices of ancestors. Inspired by Wynter's heretical poetic action against our deepest beliefs, DUB is an artifact and tool for breath retraining and interspecies ancestral listening.

Throughout the text, listening includes speakers who have never been considered human: whales and algae. Gumbs is attentive to kindred beyond taxonomy, questioning kinship loyalty, and suggests that our perceived survival needs are responses to a story we made up and told ourselves was written by our genes, a story that can be changed. This book will be of interest to scholars of African-American studies, diaspora studies, feminism, queer theory, English, creative writing and poetry"

Spells are poems; poetry is spelling.

Spell-poems take us into a realm where words can influence the universe.

Spells brings together over forty contemporary voices exploring the territory where justice, selfhood and the imagination meet the transformative power of the occult. These poems unmake the world around them, so that it might be remade anew.

Kaveh Akbar, Rachael Allen, Nuar Alsadir, Khairani Barokka, Emily Berry, A.K. Blakemore, Jen Calleja, Anthony V. Capildeo, Elinor Cleghorn, CAConrad, Nia Davies, Paige Emery, Livia Franchini, Alexis Pauline Gumbs, Will Harris, Caspar Heinemann, Lucy Ives, Rebecca May Johnson, Bhanu Kapil, Amy Key, Daisy Lafarge, Dorothea Lasky, Francesca Lisette, Canisia Lubrin, Karen McCarthy Woolf, Lucy Mercer, Hoa Nguyen, Precious Okoyomon, Rebecca Perry, Nat Raha, Nisha Ramayya, Ariana Reines, Sophie Robinson, Erica Scourti, Sarah Shin, Himali Singh Soin, Tai Shani, Rebecca Tamás, Bones Tan Jones, Dolly Turing, Jane Yeh, Flora Yin Wong

Introduced by So Mayer
Afterword by Sarah Shin

A visionary anthology that examines and reimagines the archive as a form of collective record-keeping, featuring work by Alexis Pauline Gumbs, Douglas Kearney, Brenda Shaughnessy, Mahogany L. Brown, and many new and emerging voices. 

Inspired by Naima Yael Tokunow's research into the Black American record (and its purposeful scarceness), Permanent Record asks, what do we gain when we engage with our flawed cultural systems of remembrance? How does questioning and creating a deep relationship to the archive, and in some cases, spinning thread from air where there is none, allow us to prefigure the world that we want? Including reflections on identity and language, diasporic and first generation lived experiences, and responses to the ways the record upholds harm and provides incomplete understandings, Permanent Record hopes to reframe what gets to be a part of collective remembrance, exploring "possibilities for speculating beyond recorded multiplicity."

In this special edition, double-cover issue of Worms, we bring you not one, but two cover stars. The  indelible Tyson Yunkaporta and the iconic Anne Waldman adorn both sides of Worms 8 which can also be thought of as ‘The Elements Issue’. It was dreamt up in a dreary and grey August in London, while the rest of the world suffered through the hottest days on record. As we witnessed, and continue to witness, such climate catastrophe, we turned to the literature we love to help us understand, to challenge us, and to offer us some comfort. 

The issue is split into four sections—earth, fire, air and water—but its roots and webs push beyond what we typically think of as ‘the natural’: tales from the kitchen from Rebecca May Johnson and Slutty Cheff, reflections on gardening and colonialism, writer's block and clogged pipes, how to blow up pipelines with Andreas Malm, grief and writing, recovery and nature with Octavia Bright, social mobility with Isabel Waidner, the wide range of issues raised by the underrepresentation of First Nations people in literature with Evelyn Araluen and much, much more. 

We hope that this issue can be a flame of hope, inspiration, or something that simply sustains in such turbulent times.

Featuring 
Tyson Yunkaporta, Isabel Waidner , Jamaica Kincaid, Melissa Broder , Evelyn Araluen, Bruce Pascoe, Octavia Bright, Nora Treatbaby , Nerea Calvillo , Anne Waldman , Alexis Pauline Gumbs , Léuli Eshrāghi, Madeline Cash , Andreas Malm, Rebecca May Johnson 

Contributors
Stella Murphy , Ben Redhead, Phoenix Yemi, Sam Moore, Devils Claws, Pierce Eldridge, Manon Mikolaitis, Caitlin McLoughlin, Isabel MacCarthy, Elodie Saint-Louis , Nettle Grellier, Amelia Abraham, Ryan Pfluger, Rose Higham-Stainton , Emma Crabtree, Ignota, Lydia Luke, Chloe Sheppard , Clem MacLeod , Carolyne Loreé Teston , Emma Cohen, Olive Couri, Raheela Suleman , No Land , Jacqueline Ennis-Cole , Sufia Ikbal-Doucet, Rhett Hammerton, Zara Joan Miller , Kate Morgan , Bug Shepherd-Barron, Zoe Freilich , Slutty Cheff , Clemmie Bache , Violet Conroy , Sarah White , Jemima Skala , Stephanie Francis-Shanahan

How do we make social justice the most pleasurable human experience? How can we awaken within ourselves desires that make it impossible to settle for anything less than a fulfilling life? Author and editor adrienne maree brown finds the answer in something she calls "pleasure activism," a politics of healing and happiness that explodes the dour myth that changing the world is just another form of work. Drawing on the black feminist tradition, she challenges us to rethink the ground rules of activism. Her mindset-altering essays are interwoven with conversations and insights from other feminist thinkers, including Audre Lorde, Joan Morgan, Cara Page, Sonya Renee Taylor, and Alexis Pauline Gumbs. Together they cover a wide array of subjects—from sex work to climate change, from race and gender to sex and drugs—building new narratives about how politics can feel good and how what feels good always has a complex politics of its own.

Building on the success of her popular Emergent Strategy, brown launches a new series of the same name with this volume, bringing readers books that explore experimental, expansive, and innovative ways to meet the challenges that face our world today. Books that find the opportunity in every crisis!

adrienne maree brown, author of Emergent Strategy and co-editor of Octavia's Brood, is a social justice facilitator focused on black liberation, a doula/healer, and a pleasure activist. She lives in Detroit.

A collective book that proposes to question human and non-human existence in the current social context, spanning different cosmogonic views.

The Vita Nova editorial project had its genesis in the Fórum do Futuro: a programme of debates, artist talks, and performances, held annually in the city of Porto, that brings together guests from different artistic and scientific practices to reflect on fundamental issues for contemporary societies. Given the impossibility of holding the 2020 edition, due to the challenges posed by the pandemic, the Fórum do Futuro is instead presenting a book that proposes to question human and non-human existence in the current social context, spanning different cosmogonic views. The book consists of four thematic sections that combine different artistic, scientific, philosophical and technological perspectives in written and visual essays, stories and interviews.

Texts by Sophia Al-Maria, K Allado-McDowell, Shumon Basar, Guilherme Blanc, Rosi Braidotti, Octavia Butler, Ted Chiang, GPT-3, Alexis Pauline Gumbs, Kirsten Keller, Filipa Ramos, Tabita Rezaire, Jenna Sutela, Denise Ferreira da Silva, Suzanne Treister, Aby Warburg, Chandra Wickramasinghe, Feifei Zhou.