by Montez Press

The Ginny Suite
Stacy Skolnik
Montez Press - 18.00€ -

A mysterious global syndrome is affecting women, causing symptoms of submissiveness and aphasia. While the number of sufferers grows, so does our protagonist’s paranoia—of the media, her doctors, and her husband. In the age of misinformation, AI, and surveillance technology, The Ginny Suite asks how much—and who—we’re willing to sacrifice in the name of progress.

The Ginny Suite is formally innovative, a great read. Stacy Skolnik recasts the subject of the internet into telling particulars in her affecting choreography of memes/screens/women/men. — Constance DeJong, author of Modern Love

The Ginny Suite is a perfect hell of a book: a gossipy stylish mystery that’s both petty and profound. I love how its paranoias and insecurities tip lushly into plot: is the lyric condition of poetry a pathology? Is dissociation a radical response to the lived conditions of patriarchy, or is it patriarchy hacking your brain into submission? What if, instead of self-diagnosing through google, your search history was used to diagnose you, and form the basis of covert treatment? Anyone who’s ever suffered the malady of writing poems will recognise The Ginny Suite’s inability to stop picking these scabs. Its prose moves seamlessly from the lush to the blunt, awash with glitching pronouns, horny ennui, sci-fi intrigue and tender girlish digital fantasies—like if the author of Malina had a dormant Neopets account. I adored it. — Daisy Lafarge, author of Lovebug

Perversely brilliant, fearlessly inventive, The Ginny Suite beautifully illustrates the horror of being a thinking person inside of a body and culture rushing toward the graveyard. — Brad Phillips, author of Essays and Fictions

The Ginny Suite proves that Stacy Skolnik is one of the most timely and original voices in post-pandemic New York. — Joshua Citarella, author of Politigram and the Post-left

A Handmaid’s Tale for the Post-Truth-AI-Surveillance Era. — Suzanne Treister, author of Hexen 2.0

Stacy Skolnik is the author of the poetry collection mrsblueeyes123.com (self-released, 2019), the chapbook Sparrows (Belladonna* Collaborative, 2023), the workbook From the Punitive to the Ludic: Prompts for Writing Public Apologies (with Thomas Laprade for Montez Press Radio, KAJE, 2022), and the chapbook Rat Park (with Katie Della-Valle, Montez Press, 2018). She is a co-founder and co-director of Montez Press Radio, the Lower East Side-based broadcast and performance platform. The Ginny Suite is her debut novel.

This Is Not a Memoir
Janette Parris
Montez Press - 25.00€ -

What do you call a memoir that isn’t? In This Is Not a Memoir, Janette Parris incisively narrates a journey through lost high street landmarks of East and South London in a series of detailed artworks blending map, archive and anecdote with deadpan humour. Part graphic novel, part recollection, and accompanied by an in-conversation between Janette Parris and Gilane Tawadros, this is an intimate exploration of what it means to have ownership of public space, from Wimpy to Woolworth’s via Canning Town. And somewhere in the gaps, in absent moments caught gazing at the sky or a kerbside, an impression of a life emerges–or is that just what she wants you to think?

“This book by Janette Parris tells a deflationary yet expressive coming-of-age story in the East End of London. While it may seem fun and superficial, its considerable power lies in how it moves through memories and moments in a witty and light-footed way presented as a roman-à-clef. This Is Not a Memoir is particular in the way it conjures a world of the 1970s and 1980s that is lost to most of London, yet still resonates with what it means to grow up as a working class young woman who ends up at art school and becomes an artist. It is a brave book to make, but one that will be remembered.”
— Rachel Garfield, artist, Professor of Fine Art at the Royal College of Art and author of Experimental Filmmaking and Punk: Feminist Audio Visual Culture in the 1970s and 1980s (2021)

Janette Parris is an artist who investigates the contemporary urban experience, using narrative, humour and popular formats including soap opera, stand-up comedy, musical theatre, pop mu-sic, cartoons, comics and animation. Parris has exhibited widely nationally and internationally for 25 years at spaces including TATE, The New Art Gallery Walsall, ICA, Kunsthaus Zürich, Hay-ward Gallery Touring, Art on the Underground and Royal Academy of Arts.

Sinkhole: Three Crimes
Rosanna McLaughlin
Montez Press - 16.00€ -  out of stock

A novel in three parts, Sinkhole: Three Crimes submerges readers in a grotesque and comical world on the edge of collapse – much like our own. Britain is immersed in a toxic swamp, and sinkholes are opening up in the ground with alarming frequency. Amid the mayhem, three crimes take place: Stonehenge has been stolen, a porn-addicted ghost writer faces the phantoms of her past, and a murder takes place among ex-pats in a Goan village. 

‘An acidly funny vivisection of British mores and follies, delivered with razor wit and style. McLaughlin’s creative imagination is restless, wide-ranging and prescient, unveiling a terrifyingly plausible array of futures.’ – Leon Craig, author of Parallel Hells 

‘Sinkhole is a twisted dystopian satire that captures all the maladies of modern England – a sick and perverse nation – in hilarious, pin-sharp definition, as it slides back under the waves.’ – Huw Lemmey, author of Red Tory: My Corbyn Chemsex Hell

Rosanna McLaughlin is an author and cultural critic. Double-Tracking, her debut collection of satirical essays and short fiction on the subject of middle-class duplicities, was published by Carcanet in 2019. An original proposal for the book was shortlisted for the Fitzcarraldo Essay Prize in 2016. Rosanna has written on subjects including Ariana Grande, the legacy of Section 28, and the weaponisation of Ana Mendieta. In 2017, she was writer-in-residence for the British Council Caribbean, researching the political fallout following Mendieta’s death. Her reviews and essays have been published in frieze magazine, ArtReview and the Guardian, among other places. She is co-editor of The White Review.

New Mind Mapping Forms
Eva Ďurovec
Montez Press - 25.00€ -  out of stock

There is a story about a meatball which comes out of nowhere, hitting some people's heads and changing their lives forever. There is a mouse that gets caught while trying to find a cheesy snack. There has been a 100% increase in the cost of rent in Berlin in the past 10 years and no increase in my wages. A bag full of basmati rice. A teacher stuck at work waiting for students stuck at work. There is the price one pays to purchase organic underwear so that their intimate parts are not stifled from nine hours in the office chair. There are 10 missed calls from my mother. There are places to which one cannot return and cities where it is impossible to live. There are fertility treatments that send fish oil straight into the veins two days before and two days after ovulation. The feeling of a needle in the middle of the uterus, which could be due to pregnancy, or due to fear. There is a Master's thesis which is no Master's thesis. There is a book that was not intended to be published, that was not intended to be read.

Eva Ďurovec works as a software tester 40 hours per week and studies art at the same time. There are not enough hours in the day to complete everything, to comply with everything. And then there is also her desire to have children. The question: how can all of this be reconciled within the profession of artist? Ďurovec investigates the possibilities that arise from different class formats, and asks what we produce and reproduce—with our bodies, through our routines, trapped between the recurring desires and cruelties of daily life.

Eva Ďurovec (*1981 in Snina, former Czechoslovakia) studied Spatial Strategies at Kunsthochschule Berlin-Weiensee. Her work deals with living-space and life-fulfillment in the context of social, economic, and environmental crises, and with issues of corporate power and kleptocracy.

Pfeil Magazine #13 – Mother
Anja Dietmann, Tobias Peper (eds)
Montez Press - 13.50€ -  out of stock

The notion of a mother seems simple enough. But just one shy cut beneath the surface lies a multitude of facets, problems, questions, contradictions and wonders all connected to the idea of maternity. Biologically speaking, every person has a mother; perhaps it is the one fact we all have in common. Nevertheless this issue, dedicated to Mother, raises more questions than it is able to answer. Precisely because everyone appears to understand what a mother is, many crucial aspects of the topic are never questioned and are instead taken as a given. Is a mother defined by just having a child, or is it a child that defines the mother? Can we look at the mother without assuming womanhood? Can we untie the gendered attributes bound to the role of a mother? And what exactly are the notions of gender and sex that are connected to the common idea of motherhood? Where do they stem from? What kind of social, biological and economic pressure do mothers and potential mothers face?

In this issue, we explore alternative family structures and how responsibilities of parenting might be shared; prevailing working conditions for mothers in the arts; difficulties, challenges and prejudices mothers face in their professional lives, and what an ideal work environment might look like. Simultaneously, this issue deals with disappointments and unfulfilled expectations in the mother-child relationship, and again at that relationship in the social context. We picture the past and the present in the process of envisioning what maternity could look like in the future

Contributors 
Adrian Williams, A.L. Steiner, Alexander Rischer, A.M. Bang, Andrew Stone, Anne Döring, Axel Loytved, Burk Koller, Ceyenne Doroshow, Eva Ďurovec, Flaka Haliti, Hanne Lippard, Henrik Olesen, Johannes Sturm, Julie Béna, Katharina Bosse, Lauren Strom-Berg, Lena Greene, Lila de Magalhaes, Lili Reynaud Dewar, Matheus Rocha Pitta, Nadine Droste, Nicola Gördes, Nicolaas Schmidt, Patricia Gray, Penny Goring, Peter Piller, Raphaela Vogel, Stella Rossié, Ulla von Brandenburg, Vincent Ramos.

Direct Into Chaos
Aleen Solari
Montez Press - 20.00€ -

Aleen Solari’s work is shaped profoundly by insights into various subcultures. These insights are partly drawn from her own experiences, partly borrowed from members of certain scenes who she invites to be part of her work. Her sculptural practice moves in and out of life within these groups, and is full of codes and quotations from antifa members, football hooligans, bored youth clubs or those embedded in neonazi networks. 

Direct Into Chaos is a book that dives deep into these worlds, shape-shifting between fiction, documentation and artwork. In ghost written texts, Solari fictionalises her own artistic biography, morphing interviews with football hooligans who had their phones tapped by the police, into a dream world where they receive generous compensation for years lived under surveillance. 

In this publication – in a chaotic, dreamlike state of mind – fiction and documentation, art and activism meld into something new.
Aleen Solari is an artist who lives in Hamburg, Germany

SPEED
Heike-Karin Föll
Montez Press - 54.00€ -  out of stock

Heike-Karin Föll’s foundational collection of works on paper refuses, in its totality, to be pinned down. SPEED exists in a sequence of autonomy, embracing simultaneity and resisting typical chronology or logic. A resource library for Foll’s more well known painted works, each page also stands on its own. The “writing” and “rewriting” of these pages is a rejection by the artist to rest on what has already been accomplished, and insists on constantly renewing modes of expression amidst the routine and expected.

SPEED takes the form of visual index, a micro structure of narrative, through the space of the page. Blank spaces (components of in-betweens and not-yets), textual elements, found images, and abstract icons are assembled from a daily stream of computational information and graphics to bring us into the temporal now. The pages slip from medium to medium, relying on short forms and small units as the bases for recontextualisation and variation. Montez Press is honoured to be able to offer an opening for these vast and untamable works by Heike-Karin Föll.

Heike-Karin Föll is painter who is currently based in Berlin. She works with the materiality and mechanics of painting and language, treating textuality as equally a vehicle of content, a visual motif and a material form.

Chubz: The Demonization of my Working Arse
Spitzenprodukte
Montez Press - 15.00€ -  out of stock

Andy ‘Chubz’ Wilson is just another NEET on the street, spending his summer days sucking dick and chilling in the park, one hand on his touchscreen, the other down his pants. That is, until he meets charming left-wing journalist and cute crypto-twink Owen whilst trawling Grindr for sex. But what starts as a quick, breathless hookup ends up changing Chubz — and London — forever. Whilst Owen battles poppers-mad PM Nigel ‘Nige’ Farage, our cock-hungry comrade wages his own 'ass war', and is left wondering: just what exactly is it he’s fighting for? Socialism? Barbarism? Or just cheap kicks?

YOUTH RAGE! YOUTH VIOLENCE! YOUTH ORGASMS! FEAR OF A GAY UNDERCLASS – ARMED – DANGEROUS - SICK FUCKS.

Oliver Reed
Hannah Regel
Montez Press - 16.00€ -  out of stock

In Hannah Regel’s brilliant collection, Oliver Reed, the figure of the horse becomes an object for language’s brutality and the all too familiar subjugation of women’s voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. ‘Kill the language. Kill it. Get the shovel. We’re making a belt.’ I would gladly do whatever she tells me to do and wouldn’t think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience.
– Cassandra Troyan, author of Blacken Me Blacken Me, Growled

Regel doesn’t really sound like anyone. Oliver Reed introduces a poetic sensibility that seems as at odds with convention as it is equal to the moment: fully formed, virtuosic, kind of lethal. These are pitiless, discomforting poems that explore our own creatureliness with a deadly curiosity. Each is a transformation: the actor becomes a strange muse and guiding presence, to ‘smoulder a mobile furnace’; the horse, another of the book’s recurring figures, becomes more than an emblem of eros, labour and suffering; the young girl’s bratty insolence turns defiant and stricken. The voice wills these changes into being even as she ‘wills herself barren’. As much as they trouble and seduce, the poems are also watchful, vigilant – they seem to offer a means of protection. Oliver Reed is an astonishing, masterful first book.
– Sam Riviere, author of 81 Austerities

The Interjection Calendar 003
Emily Pope (ed.)
Montez Press - 10.00€ -  out of stock

With contributions by: Georgia Patience Anderson, Hans-Christian Dany, Ruth Angel Edwards, Liv Fontaine, Sarah Gail, Adam Gallagher, Penny Goring, Harmony Grunge, Tiziana La Melia, Aaron Lehman and Thomas Laprade, James Loop, Rosanna McNamara.

The Interjection Calendar 004
Emily Pope (ed.)
Montez Press - 10.00€ -  out of stock

The Interjection Calendar is an on and offline project, devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. The PDF can be downloaded for free and there are 12 releases per year. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works, mapping the year in contemporary art writing, with equal space held for the emerging and the established. The Calendar reflects the current importance of online content media, pushing the relationship between image and text in this domain. 

Contributors: Kerry Campbell is a freelance curator and producer. She currently works as the Public Programmes Curator for Bloc Projects gallery (Sheffield) and is the founder and curator of TMT Projects - a contemporary arts platform based in Luton Town. 

vei darling is a first generation Liberian-American multidisciplinary artist and activist, who grew up in the D(M)V. vei moved to New York City when she was 17, and began an intense path of spiritual reconfiguration. vei positions herself within social justice and humanitarianism, whilst being infused with magick and spirituality. Her ultimate desire is to subvert the current paradigm in lieu of one that respects and reflects life, love, and the pursuit of happiness. 

Caspar Heinemann is a writer, artist and poet. Their interests include critical occultism, gay biosemiotics and countercultural mythologies. Some of the time they teach and read things at institutions, a lot of the time they cook potatoes in different shapes and listen to Alan Watts lectures. They were born in London, UK, roughly 2.5 months after the release of Green Day’s seminal album Dookie. 

Douglas Kearney has published six books, most recently, Buck Studies (Fence Books, 2016), winner of the Theodore Roethke Memorial Poetry Prize, the CLMP Firecracker Award for Poetry and silver medalist for the California Book Award (Poetry). His work has been exhibited at the American Jazz Museum, Temple Contemporary, Los Angeles Contemporary Exhibitions, and The Visitor’s Welcome Center (Los Angeles). He studied at Howard University, Cave Canem, and California Institute of the Arts. Raised in Altadena, CA, he lives with his family just west of Minneapolis and teaches Creative Writing at the University of Minnesota–Twin Cities. Douglaskearney.com 

Cara Levine - with: Khadija Tarver, Christine Wong Yap, Eliza Myrie, Greg Boyle, Rodney Lu- cas, Lukaza Branfman-Verissimo, Ashley Stull Meyers, Sidony O’neal, Kambui Olujimi Jadelynn Stahl, Amanda Eicher, Jessica Angima, Faye Gleisser, Quenton Baker, Sam Aranke, Jade Thacker, Ekaette Ekong, Christopher Johnson, Marvin K White, Kemi Adeyemi, Constance Hockaday, Kate Johnson, Bayete Ross-Smith, Leila Weefur, Kirat Randhawa, Angela Hennessy, Elizabeth Dorbad, Prophet Walker, Shamell Bell, Emilia Shaffer-Del Valle and Ann Lewis. Cara Levine lives in Los Angeles, CA and is an artist exploring the intersections of the physical, metaphysical, traumatic and illusionary through sculpture, video and socially engaged practice. 

Daisy Parris was born in Kent, 1993, and graduated from Goldsmiths in 2014. She currently lives and works in South London. Daisy Parris’ work raises questions about identity politics as well as the limits of what it means to be human. By using various formats such as portraiture, roomscapes and text, Parris focuses on identity struggles as well as the worry, guilt, numbness and the violent encounters of everyday existence. 

Porpentine Charity Heartscape is a writer, game designer, and dead swamp milf in Oakland. Her work includes xeno-femme sci /fantasy, cursed video games, and globe-spanning sentient slime molds. She has exhibited at the 2017 Whitney Biennial, EMP Museum, and the National Gallery of Denmark, and has been commissioned by Vice and Rhizome. 

James Lawrence Slattery is an artist, critic and academic living and working in London. They hold an undergraduate degree in Fine Art from Goldsmiths, University of London and a masters in Film Aesthetics from St Anne’s College, University of Oxford. 

Gjergji Shkurti is a New York based author. His writing explores architecture as fiction and incorporates a filmic imagination. The writing stems from a yearning to push history forward. 

Chanel Vegas is an artist who works in London. She writes poetry, makes paintings, and regularly performs as part of her work. Chanel graduated from Goldsmiths in 2017 and was the first student to be the recipient of the university’s Artist Award. 

Punch Viratmalee currently lives and works in Bangkok, Thailand. Viratmalee graduated Chulalongkorn University in 2015 with a BA in Communication Design. She previously worked at a commercial gallery in Bangkok and is now working as a curatorial assistant for the first Thailand Biennale. She also writes. 

The White Pube is the collaborative identity of Zarina Muhammad and Gabrielle de la Puente under which they write criticism an occasionally curate. The White Pube is based at thewhitepube. com and on Twitter and Instagram as @thewhitepube.

Pfeil Magazine #9 – Error
Anja Dietmann and Nadine Droste (ed.)
Montez Press - 13.50€ -  out of stock

The meaning of the word ‘error’, in its origin, is neutral. In Latin ‘errare’ means both ‘to wander freely’ and ‘to wander from the right path’. After the seventeenth century, however, the word ‘error’ lost its ambiguity within English usage and became clearly understood as wrongdoing, as defect, as a way of missing a desired effect. The ninth issue of Pfeil Magazine focuses on the potential of erroneous processes to redefine the meaning of malfunction and takes a look at movements that are aimless or non-productive. Through this reflection, ‘error’ is introduced once again as the possibility of wandering freely. 

Contributions by: Mitchell Anderson, Christiane Blattmann, Adam Christensen, Tyler Coburn, Hans-Christian Dany, Michael Dean, Gina Fischli, Flaka Haliti, Laëtitia Badaut Haussmann, Lina Hermsdorf, Judith Hopf, Karl Larsson, Clare Molloy, Susan Morgan and Thomas Lawson, Mense Reents, Stacy Skolnik, Paul Spengemann, Ramaya Tegegne 

Editors: Anja Dietmann, Nadine Droste

Pfeil Magazine #10 – Mainstream
Anja Dietmann (ed.)
Montez Press - 13.50€ -  out of stock

Within the format of a magazine, each page of Pfeil represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, and artists are invited and given space to work on and with this term, and to construct or deconstruct the architecture around it. Combined, the contributions transform into an organic display surrounding the leitmotif. 

The tenth issue is dedicated to Mainstream, this volume questions exercised motions of majorities, practiced over long or short distances and timeframes, that can become patterns, sometimes taken for granted, sometimes followed unconsciously, automatically, or even mechanically. 

Contributions by: Alice Creischer, Annette Kelm, Charlotte Simon, Dodo Voelkel, Emily Pope, Hans-Christian Dany, Harry Gamboa Jr., Heike-Karin Föll, Holly White, Jan Matthé, Jannis Marwitz, Karl Holmqvist, Kevin Gallagher, Lars Bang Larsen, Magdalena Los, Marina Pinsky, Merle Radtke, Nicola Gördes, Pablo Schlumberger, Penny Goring and Stella Rossié.
Editor: Anja Dietmann

Sirens
Dawn Mellor
Montez Press - 30.00€ -  out of stock

‘Masturbation in between the crimes against you will become a deciding matter in the kangaroo court. Philosophical questions will be answered without inquiry.’ 

If you have ever wondered how a cross between a funding application gone wrong and a tabloid column about the art world would read, this is it. Mellor presents a unique combination of novel and image, creating a polymorphous narrator who moves between personifications. Perhaps the most hazardous of these is Tippy Rampage, who is satisfyingly livid with the state of, well, everything. 

In a series of paintings, female police officers from British television shows such as Happy Valley and The Bill are positioned in an array of apocalyptic settings: freezing, burning, and backdropped by flooding. The accompanying text chronicles an acute feeling of being watched, what it feels like to watch whoever is watching you, or, as Mellor writes, how it feels to be kettled in your own flat, by your own paintings. 

Fragmented accounts map the protagonist’s shifting relationship to crime, gender, class and sexuality from multiple perspectives: as a child in Gamesley in the ‘70s, a lesbian performer in sex clubs in the mid ‘90s, an artist with and without gallery representation, and as a lecturer within an academic institution. These changes of position mix the language of a rally cry with an acerbic satire of the authorial voice and everyone they encounter. 

Published by Montez Press, Sirens is the first novel by Dawn Mellor and includes the complete set of the Sirens paintings. 

Dawn Mellor (b.1970) is an artist based in London, who has been exhibiting internationally since the 1990s. Solo exhibitions and special projects include Sixty Years at Tate Britain; London, Vile Affections at Studio Voltaire; London, Dawn Mellor at The Migros Museum; Zurich, Sirens at Team Gallery; New York, Madame X and The Party Tricks at Victoria Miro; London, Michael Jackson On The Wall at The National Portrait Gallery; London (touring), What Happened to Helen? Focal Point Gallery; Southend and Malerei, Böse at Kunstverein; Hamburg.

Pfeil Magazine #11 – Love
Anja Dietmann (ed.)
Montez Press - 13.50€ -  out of stock

The eleventh issue of Pfeil Magazine looks into the multitude of meanings behind the word love: a positive affection and strong physical feeling which can be addressed to a friend, family, food, God, an object, or to an amorous partner or partners. Furthermore, it questions the expectations which go along with love, whether that love is returned or unanswered. Relationship patterns and role distributions are surveyed, vulnerabilities are assessed, but besides that the Love issue is also about a pregnant male seahorse, an infatuation with a smiling rock, sports and much more. 

Contributors: Adrian Williams, Anneli Schütz, CAConrad, Ceyenne Doroshow, Cyd Nova, Dan Kwon, Emily Pope, Eva Illouz, FORT, Gerrit Frohne-Brinkmann, Gina Fischli, Hanna Fiegenbaum, Hans-Christian Dany, Keenan Jay, Maria Jakobsen, Mette Sterre, Monika Baer, Nick Oberthaler, Lindsay Lawson, Stine Sampers, Suné Woods, Theodore Barrow, Thomas Laprade, Vanessa Place and Vincent Ramos.

The Interjection Calendar 005
Christiane Blattmann and Emily Pope (eds.)
Montez Press - 10.00€ -

For the Interjection Calendar each month Montez Press invites an artist, a writer, a poet or a doer of some sorts to say things. All 12 pieces have introspection and reflection in common. They are a subjective overview of writing in the expanded field of contemporary art and writing in the year 2019. This is the Interjection Calendar 2019, the fifth collection in this series. 

With contributions by sabrina soyer, Lisa Robertson, Hatty Nestor, Adrianna Whittingham, Sondria, Claudia Pagès, Laetitia Paviani, Bella Milroy, Georgina Tyson, Son Kit, Alix Jean Vollum, Rene Matic and bleubaglife. 

Find the last 12 PDF's on montezpress.com.

Salt Magazine #10
Hannah Regel, Thea Smith, Jala Wahid
Montez Press - 11.50€ -  out of stock

SALT.’s tenth issue is themed ‘Glossolalia’. Glossolalia means to speak in tongues, to speak in a language misunderstood, perhaps dead, perhaps not yet existent: a latent language waiting to be translated. It is in this almost-silence that we have found our submissions to reside, often emerging from a feeling of isolation or alienation where a will to speak reverberates but has not yet come to the fore.

Contributors: Sabeen Chaudhry, Gabriella Hirst, Anna Ilsley, Yessica Klein, Carlos Kong, Jessie Makinson, Harriet Middleton Baker, Jessa Mockridge, Penny Newell, Hannah Regel, Lou Lou Sainsbury, Thea Smith, Jala Wahid, Evie Ward, Eleanor Ivory Weber, Charlott Weise, Nicola Woodham.

Red Tory
Spitzenprodukte
Montez Press - 18.00€ -  out of stock

Tom Buckle is an ambitious young moderate Labour apparatchik, rising happily through the party bureaucracy on a diet of bottomless brunches, legitimate concerns and drug-fueled Blairite sex parties. That is until he meets Otto, a charismatic young radical whose urge for cocks, communism, and a mysterious plot for the victory of the holetariat opens his eyes to a changing world. Finding himself thrown into a chaotic new political landscape of pigfucking PMs, frog-frenzied neonazis and falafel-throwing communists, Tom has to pick a side. Will he manage to nd a third way to a safe seat, or will Corbyn’s terrifying red horde make his moderate mission impossible? And can Tom resist the most seductive of all highs — pure, high-grade socialism, main-lined straight into London’s clogged and throbbing veins? So much for a kinder, gentler form of politics!

Published April 2019.

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