Dream of Europe elucidates Lorde's methodology as a poet, mentor, and activist during the last decade of her life. This volume compiles a series of seminars, interviews, and conversations held by the author and collaborators across Berlin, Western Europe, and The Caribbean between 1984-1992.
While Lorde stood at the intersection of various historical and literary movements in The United States--the uprising of black social life after the Harlem Renaissance, poetry of the AIDS epidemic, and the unfolding of the Civil Rights Movement--this selection of texts reveals Lorde as a catalyst for the first movement of Black Germans in West Berlin. The legacy of this "Black, lesbian, mother, warrior, poet" has been well preserved by her colleagues in Germany.
These selected writings lay bare struggles, bonds, and hopes shared among Black women in a transnational political context, as well as offering sometimes surprising reflections on the US American counter culture with which Lorde is associated. Many of the poems that were important to Lorde's development are excerpted in full within these pages, serving as a sort of critical anthology.
Audre Lorde (1934-1992) published over a dozen books of poetry, a novel, and several volumes of essays, including From a Land Where Other People Live (1972), which was nominated for a National Book Award. Her later works include Coal (1976), The Black Unicorn (1978), and ZAMI: A New Spelling of My Name (1982). Her critical essays, such as "Poetry Is Not A Luxury," have received world recognition, urging generations to come into their own voices. Her work has recently been published in DREAM OF EUROPE: SELECTED SEMINARS AND INTERVIEWS: 1984-1992 (Kenning Editions, 2020) and SISTER LOVE: THE LETTERS OF AUDRE LORDE AND PAT PARKER 1974- 1989 (A Midsummer Night's Press, 2018).
Edited by: Mayra Rodriguez Castro
Published: April 2020
Edited by Faride Mereb and translated by Anne Boyer and Cassandra Gillig, GRENADE IN MOUTH: SOME POEMS OF MIYÓ VESTRINI introduces to Anglophone readers the work of one of the vanguard voices of Venezuelan poetry with texts that cover three decades: from the year 1960 to 1990. Critics have called Miyó Vestrini the poet of "militant death." Vestrini is known, too, as the Sylvia Plath of Venezuela, but if she is a Plath, we think she is one who would have set Ted Hughes on fire. Her poems are not soft or brooding laments. They are bricks hurled at empires, ex-lovers, and any saccharine-laced lie that parades itself as the only available truth.
rile* is a bookshop and project space for publication and performance. rile* is into poetry, theory, choreography, artist writing and various other text based experiments. rile* organizes performances, meetings, launches, readings... rile* is the base word for silence in Láadan, a feminist constructed language developed by Suzette Haden Elgin in 1982. The language was included in her science fiction Native Tongue series. Láadan contains a number of words that are used to make unambiguous statements that include how one feels about what one is saying. According to Elgin, this is designed to counter language's limitations to those who are forced to respond I know I said that, but I meant this.
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