A Twenty-First-Century Guide to Sailing the Sea of Story.

With an introduction by Theo Downes-Le Guin, Karen Joy Fowler, Molly Gloss and Kelly Link.

Steering the Craft is Ursula K. Le Guin’s carrier bag of the tools of a writer’s craft: how – and why – to write. From the sound of language to tenses to point of view, Le Guin offers a comprehensive and generous guide to the fundamental components of narrative, illustrating her incisive analysis with examples from some of her favourite writers. Revised and updated for the twenty-first century, this handbook includes exercises that the writer can do alone or in a group.

A bleak moon settled by utopian anarchists, Anarres has long been isolated from other worlds, including its mother planet, Urras, a civilization of warring nations, great poverty, and immense wealth. Now Shevek, a brilliant physicist, is determined to reunite the two planets, which have been divided by centuries of distrust. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have kept them apart.

To visit Urras, to learn, to teach, to share, will require great sacrifice and risks, which Shevek willingly accepts. But the ambitious scientist's gift is soon seen as a threat, and in the profound conflict that ensues, he must reexamine his beliefs even as he ignites the fires of change.

Ursula K. Le Guin witnessed and contributed to many of the twentieth century’s rebellions and upheavals, including women’s liberation, the Civil Rights movement and US anti-war and environmental activism.

Spanning fifty years of her life and work, Space Crone brings together Le Guin’s writings on feminism and gender for the first time, offering new insights into her imaginative, multispecies feminist consciousness: from its roots in deep ecology and philosophies of non-violence to her self-education about racism and her writing on motherhood and ageing.

Seventeen short stories reveal the author's sustained concern with human relationships and values in past and future worlds of fantasy, speculation, and unearthly provision.

A bleak moon settled by utopian anarchists, Anarres has long been isolated from other worlds, including its mother planet, Urras, a civilization of warring nations, great poverty, and immense wealth. Now Shevek, a brilliant physicist, is determined to reunite the two planets, which have been divided by centuries of distrust. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have kept them apart.

To visit Urras, to learn, to teach, to share, will require great sacrifice and risks, which Shevek willingly accepts. But the ambitious scientist's gift is soon seen as a threat, and in the profound conflict that ensues, he must reexamine his beliefs even as he ignites the fires of change.

A mini-edition sequel to Catwings follows four winged tabby cats as they return to the city of their birth to find their mother and a new companion.

Wishing to visit their mother, two winged cats leave their new country home to return to the city, where they discover a winged kitten in a building about to be demolished.

When a spoiled kitten named Wonderful Alexander gets caught in a tree, it's up to Jane to save him. Once he is rescued and adopted by the catwings, Alexander decides to repay Jane's favor by helping her to overcome her mysterious fear of speaking.

Ursula Le Guin writes both poetry and prose, and in various modes including children's books, YA books, fantasy, science fiction and fiction. 

The Left Hand of Darkness tells the story of a lone human emissary's mission to Winter, an unknown alien world whose inhabitants can choose, and change, their gender. His goal is to facilitate Winter's inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the completely dissimilar culture that he encounters. Exploring questions of psychology, society, and human emotion in an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of science fiction.

In The Carrier Bag Theory of Fiction, visionary author Ursula K. Le Guin tells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination.

Hacking the linear, progressive mode of the Techno-Heroic, the Carrier Bag Theory of human evolution proposes: ‘before the tool that forces energy outward, we made the tool that brings energy home.’ Prior to the preeminence of sticks, swords and the Hero’s killing tools, our ancestors’ greatest invention was the container: the basket of wild oats, the medicine bundle, the net made of your own hair, the home, the shrine, the place that contains whatever is sacred. The recipient, the holder, the story. The bag of stars. 

This influential essay opens a portal to terra ignota, where the possibilities of human experience and knowledge can be discovered anew. 

Four young cats with wings leave the city slums in search of a safe place to live, finally meeting two children with kind hands.