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Cover of What Should We Do with Our Brain?

Fordham University Press

What Should We Do with Our Brain?

Catherine Malabou

€26.00

Recent neuroscience, in replacing the old model of the brain as a single centralized source of control, has emphasized “plasticity,” the quality by which our brains develop and change throughout the course of our lives. Our brains exist as historical products, developing in interaction with themselves and with their surroundings.

Hence there is a thin line between the organization of the nervous system and the political and social organization that both conditions and is conditioned by human experience. Looking carefully at contemporary neuroscience, it is hard not to notice that the new way of talking about the brain mirrors the management discourse of the neo-liberal capitalist world in which we now live, with its talk of decentralization, networks, and flexibility. Consciously or unconsciously, science cannot but echo the world in which it takes place.

In the neo-liberal world, “plasticity” can be equated with “flexibility”—a term that has become a buzzword in economics and management theory. The plastic brain would thus represent just another style of power, which, although less centralized, is still a means of control.

In this book, Catherine Malabou develops a second, more radical meaning for plasticity. Not only does plasticity allow our brains to adapt to existing circumstances, it opens a margin of freedom to intervene, to change those very circumstances. Such an understanding opens up a newly transformative aspect of the neurosciences.

In insisting on this proximity between the neurosciences and the social sciences, Malabou applies to the brain Marx’s well-known phrase about history: people make their own brains, but they do not know it. This book is a summons to such knowledge.

Published in 2008 ┊ 120 pages ┊ Language: English

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Cover of Stop Thief!: Anarchism and Philosophy

Polity Press

Stop Thief!: Anarchism and Philosophy

Catherine Malabou

Philosophy €28.00

Many contemporary philosophers – including Michel Foucault, Jacques Derrida, and Giorgio Agamben – ascribe an ethical or political value to anarchy, but none ever called themselves an “anarchist.” It is as if anarchism were unmentionable and had to be concealed, even though its critique of domination and of government is poached by the philosophers.

Stop Thief! calls out the plundering of anarchism by philosophy. It’s a call that is all the more resonant today as the planetary demand for an alternative political realm raises a deafening cry. It also alerts us to a new philosophical awakening. Catherine Malabou proposes to answer the cry by re-elaborating a concept of anarchy articulated around a notion of the “non-governable” far beyond an inciting of disobedience or common critiques of capitalism. Anarchism is the only way out, the only pathway that allows us to question the legitimacy of political domination and thereby wfree up the confidence that we need if we are to survive.

Cover of Palma Africana

Éditions B42

Palma Africana

Michael Taussig

Dans Palma africana, l’anthropologue australien Michael Taussig explore la production d’huile de palme en Colombie. Alors que cette dernière envahit tout, des chips au vernis à ongles, l’auteur examine les conséquences écologiques, politiques et sociales de cette exploitation.

Bien que la liste des horreurs induites par la culture du palmier à huile soit longue, nos terminologies habituelles ne permettent plus de rendre compte des réalités qu’elles décrivent. À travers cette déambulation anthropo-poétique au cœur des marécages colombiens, c’est donc la question du langage que l’auteur interroge. Comme William Burroughs, pour qui les mots sont aussi vivants que des animaux et n’aiment pas être maintenus en pages – Michael Taussig souhaite couper ces dernières, et les rendre à leur liberté.

Pensé à partir d’une vie d’exploration philosophique et ethnographique, Palma africana cherche à contrecarrer la banalité de la destruction du monde et offre une vision pénétrante de notre condition humaine. Illustré de photographies prises par l’auteur et écrit avec la verve expérimentale propre à l’anthropologue, ce livre est le Tristes Tropiques de Michael Taussig pour le XXIe siècle.

Traduit de l’anglais par Marc Saint-Upéry.

Cover of Desire/Love

Punctum Books

Desire/Love

Lauren Berlant

Fiction €22.00

In this small theoretical novella-cum-dictionary entry, Lauren Berlant engages love and desire in separate entries. In the first entry, Desire mainly describes the feeling one person has for something else: it is organized by psychoanalytic accounts of attachment, and tells briefly the history of their importance in critical theory and practice. The second entry, on Love, begins with an excursion into fantasy, moving away from the parent-child structure so central to psychoanalysis and looking instead at the centrality of context, environment, and history. The entry on Love describes some workings of romance across personal life and commodity culture, the place where subjects start to think about fantasy on behalf of their actual lives.

Whether viewed psychoanalytically, institutionally, or ideologically, love is deemed always an outcome of fantasy. Without fantasy, there would be no love. Desire/Love takes us on a tour of all of the things that sentence might mean.

Cover of In Pursuit of Revolutionary Love: Precarity, Power, Communities

Divided Publishing

In Pursuit of Revolutionary Love: Precarity, Power, Communities

Joy James

Violence is arrayed against us because we’re Black, or female, or queer, or undocumented. There is no rescue team coming for us. With that knowledge, we need a different operational base to recreate the world. It is not going to be a celebrity savior. Never was, never will be. If you’re in a religious tradition that is millennia-old, consider how the last savior went out. It was always going to be bloody. It was always going to be traumatic. But there’s a beauty to facing the reality of our lives. Not our lives as they’re broken apart, written about, and then sold back to us in academic or celebrity discourse. But our lives as we understand them. The most important thing is showing up. Showing up and learning how to live by and with others, learning how to reinvent ourselves in this increasing wasteland. That’s the good life.

Foreword by Da’Shaun L. Harrison.
Afterword by Mumia Abu-Jamal.

"Joy James’s Revolutionary Love is umph-degree love; or love beyond measure. It is anything love. It is love without reckoning. It is love that dares all things, beyond which others may find the spirit-force to survive; to live to fight another day. Such love is also fighting itself, for the sake of ensuring that others may live." — Mumia Abu-Jamal

Cover of Vampyroteuthis Infernalis

Atropos Press

Vampyroteuthis Infernalis

Vilem Flusser

Flusser introduces an infernal creature from the oceanic abysses, who slowly emerges, not from the oceans, but from man's own depths to gaze spitefully into his eyes and reflect back at his own existence.

Originally published only in German in 1987, this version has been edited and translated by Rodrigo Maltez Novaes, Ph.D. candidate at the European Graduate School, Saas-Fee, under the supervision of Prof. Dr. Siegfried Zielinski, from the original, unpublished and extended Brazilian-Portuguese version of the manuscript recently found at the Vilém Flusser Archive at the Universität der Kunst, Berlin. This edition is also accompanied by a selection of previously unpublished excerpts from Flusser's correspondence with Milton Vargas and Dora Ferreira da Silva, with whom he discussed the development of the present text.

Cover of Routes/Worlds

Sternberg Press

Routes/Worlds

Elizabeth A. Povinelli

Elizabeth Povinelli's anthropology of the otherwise locates itself within forms of life that run counter to dominant modes of being under late settler liberalism. In these essays, she considers the emergence of new worlds and the extinguishment of old ones, seeking to develop a social imaginary that can sustain radical potentiality without turning a blind eye to our deep interdependence.