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Cover of What Makes an Assembly? – Stories, Experiments, and Inquiries

Sternberg Press

What Makes an Assembly? – Stories, Experiments, and Inquiries

Laurent Jeanpierre ed. , Anne Davidian ed.

€28.00

A crossdisciplinary inquiry into the practices and forms of assembly making, through multiple times and geographies.

Assemblies are ancestral, transcultural ways of coming together as a community. Over the past decades, multiple social movements have reappropriated these forms of collective organisation as a prominent component of political struggle, to defend radical visions of democracy. At the same time, governments across the globe have sought to reframe public deliberation as a response to the failures of representative democracy.

How can we analyze this double movement, and could assemblies of equals once again offer possibilities to reimagine and renew the ways politics is practiced? To address these questions, we need to move beyond simply asking what assemblies can do, and instead examine how they are made. This means departing from the shores of a speculative, deliberative ideal and restoring attention to both their diversity of forms, and their capacities to perform, deform, and transform.

Bringing together accounts written by those who practice assemblies, and contributions from artists, activists, historians, philosophers, and social scientists, as well as three architectural experiments that attempt to imagine models for a future assembly, the book proposes a critical inquiry into the potential of assemblies to shape political subjects. From assemblies in Indigenous territories of Brazil to those of the Yellow Vests in France, from medieval communes to street parliaments in Africa, from citizens' assemblies set up by public authorities to practices forged from emancipatory traditions, What Makes An Assembly? examines the tensions that exist in all assemblies between the need for form and the danger of formalization; between the scripts, rituals, and architectural settings from which they derive, and their capacity to erupt and emerge anew.

Contributions by Ayreen Anastas, Andreas Angelidakis, Hans Asenbaum, Frédérique Aït-Touati, Richard Banégas, Sandra Benites, Jean Godefroy Bidima, Patrick Boucheron, Florence Brisset-Foucault, Manuel Callahan, François Cooren, Armando Cutolo, Pascale Dufour, Ben Eersels, Tallulah Frappier, Rene Gabri, Delphine Gardey, Alana Gerecke, Andrés Jaque/Office for Political Innovation, Laurent Jeanpierre, Pablo Lafuente, Laura Levin, Stacey Liou, Catherine Malabou, Charlotte Malterre-Barthes, Florian Malzacher, Piersandra Di Matteo, Markus Miessen, raumlabor, Philippe Urfalino, Yellow Vests, Aleksandra Wasilkowska, Ana Terra Yawalapiti.

recommendations

Cover of Leslie Thornton

Sternberg Press

Leslie Thornton

Leslie Thornton, Natalie Bell and 2 more

Produced on the occasion of Leslie Thornton's major solo exhibition at the MIT List Visual Arts Center as well as a recent solo exhibition at Kunstverein Nurnberg, this richly illustrated volume is the first monograph on this important artist and filmmaker, offering essential, foundational scholarship on Thornton's influential work in film and video.

Since the mid-1970s, American avant-garde filmmaker and artist Leslie Thornton (born 1951) has produced an influential body of work in film and video. Thornton's early encounters with experimental, structuralist, and cinéma vérité traditions fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. In part through her forceful and dynamic use of sound, Thornton exposes the limits of language and vision in her works, while acknowledging the ways that language and vision nevertheless remain central to scientific discourse and narrative in general. Her work consistently interrogates modes of representation and the violence of looking, pushing beyond critiques of the gaze to consider biases in perception, or the way voice and sound can undermine an otherwise dominant visual narrative.

Cover of The Disintegration of a Critic

Sternberg Press

The Disintegration of a Critic

Jill Johnston

Performance €16.00

Thirty texts by cultural critic, auto/biographer, and lesbian icon Jill Johnston.

Jill Johnston was renowned as a writer on dance, especially on the developments around Judson Dance and the 1960s downtown New York City scene, and later as the author of the radical-feminist classic Lesbian Nation (1973). This book collects thirty texts by Jill Johnston that were initially published in her weekly column for The Village Voice between 1960 and 1974. The column provided a format in which Johnston could dissolve distinctions between the personal, the critical, and the political. Her writing took turns and loops, reflecting its times and contexts, and set a stage for the emergence of Johnston as a public figure and self-proclaimed radical lesbian that defied any prescribed position.

Johnston's original texts are accompanied by three new contributions by Ingrid Nyeboe, Bruce Hainley, and Jennifer Krasinski, as well as an appendix with archival material related to a panel Johnston organized in 1969, titled “The Disintegration of a Critic: An Analysis of Jill Johnston.”

Edited by Fiona McGovern, Megan Francis Sullivan, Axel Wieder.
Texts by Jill Johnston; contributions by Bruce Hainley, Jennifer Krasinski, Ingrid Nyeboe.

Cover of Up Your Ass

Sternberg Press

Up Your Ass

Valerie Solanas

Fiction €12.00

Valerie Solanas's rarely published, legendary play, Up Your Ass, explodes social and sexual mores and the hypocritical, patriarchal culture that produces them through her signature irreverence and wit, incisiveness and camp.

The play, whose full title is Up Your Ass Or From the Cradle to the Boat Or The Big Suck Or Up from the Slime, marches out a cast of screwy stereotypes: the unknowing john, the frothy career girl, the boring male narcissist, two catty drag queens, the sex-depraved housewife, and a pair of racialized pickup artists, among others. At the center is protagonist Bongi Perez—a thinly veiled Solanas—a sardonic, gender-bending hustler who escorts us through the back alleys of her street life. The fictionalized predecessor to SCUM Manifesto, the play shares the same grand, subversive, implicative language, equally spitting and winking, embracing the margins, the scum, and selling a trick along the way.

Valerie Solanas (1936-1988) is an American radical feminist intellectual, known for her SCUM Manifesto—a pamphlet with which she declares the power of women and imagines a political future through the margin—, and for having tried to assassinate Andy Warhol.

Edited by Leah Whitman-Salkin.
With a contribution by Paul B. Preciado.
Graphic design: Roxanne Maillet.

Cover of Aftershow

Sternberg Press

Aftershow

Pauline Boudry/ Renate Lorenz

Performance €25.00

A monograph / artists' book that engages with the recent film installations of Pauline Boudry / Renate Lorenz. Installation shots, research material, scripts, and film stills give an insight into the artists' investigation of performance in film and their dense net of references to experimental film, the history of photography, sound, and underground (drag) performances.

The book's title alludes to an interest in opaque events that are belated, left backstage or off-screen. A number of (fictitious) letters to friends and collaborators such as Sharon Hayes, Yvonne Rainer, Ginger Brooks-Takahashi, and Jack Smith place the work of Boudry & Lorenz in a context of debates around temporalities, activism, the archival, decolonizing practices, and queer histories. Published following the exhibition “Patriarchal Poetry” at the Badischer Kunstverein, September 27– November 24, 2013.

Cover of Burn & Gloom! Glow & Moon!

Sternberg Press

Burn & Gloom! Glow & Moon!

Katrina Daschner

Monograph €19.00

Retrospective monograph: a journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.

In Daschner's textile-based works, threads are minimal yet highly visible, akin to the pinch needed to wake up from a dream. These works—as well as her collages—merge with her confronting yet inviting image politics: she cuts and pastes stories of love and pleasure, violence and resilience, death and rebirth.
The written contributions reflect on Katrina Daschner as part of a hardworking generation of queer artists and makers who have been responding to the major conceptual shifts and gender upheavals happening in contemporary art since the 1990s, especially in New York and London. They highlight Katrina Daschner's longstanding line of intersectional queer interest that continues to undermine (neo-)liberal, heteropatriarchal conceptions of sexuality, gender, subjectivity, and relationships

Edited by Övül Ö. Durmuşoğlu.
Texts by Amelia Groom, Tim Stüttgen; foreword by Övül Ö. Durmuşoğlu; interviews by Rike Frank.

Cover of Stage of Recovery

Divided Publishing

Stage of Recovery

Georgia Sagri

Performance €14.00

Close to spiritual anarchism, Georgia Sagri’s writing happens in the heat of negotiation. Starting in the months leading up to the occupation of Zuccotti Park in 2011, which became the movement for people’s self-governance known as Occupy, this book carries the energy and commitment of open struggle, direct address, self-organisation and public assembly. It is a critique of representation and its implicit oblivion, told through a decade of artistic and activist practice. The writing is a mode of recovery, it is pre-content shared to encourage open processes in art, thinking and action.

Georgia Sagri (born Athens, 1979) lives and works in Athens and New York. Her practice is influenced by her ongoing engagement in political movements and struggles on issues of autonomy, empowerment and self-organisation. From 1997 to 2001 she was a member of Void Network, a cultural, political and philosophical collective operating in Athens. In 2011 she was one of the main organisers of the Occupy Wall Street movement in New York. Since 2013 she has been a member of the assembly of the Embros Theatre Occupation, and in 2014 she initiated Ύλη[matter]HYLE, a semi-public cultural space in the heart of Athens. She is professor of performance at the Athens School of Fine Arts.

Cover of In the Delirium of the Simulation: Baudrillard Revisited

becoming press

In the Delirium of the Simulation: Baudrillard Revisited

Achim Szepanski

Philosophy €15.00

Third edition featuring afterword by Alessandro Sbordoni & several appendices, including a new translation & edit of “Taylor Swift Does Not Exist”. 

This is a monumental and extensive work from someone who is arguably the most well-versed scholar of Baudrillard, Deleuze & Laruelle in the German-speaking world, Achim Szepanski, the original founder of Mille Plateaux, Force Inc Music Works and NON. This book is dedicated to Jean Baudrillard, who would be described by Achim as the most radical and advanced stimmung in Philosophy. Through this comprehensive and devouring analysis of Baudrillard’s work, the author presents a gripping account of their own philosophy; alongside his magnum opus Die Ekstasie der Spekulation, this book, In the Delirium of the Simulation, provides the strongest case for what might be called, in light of his passing, Szepanskism or Szepanskian Economics. 

From Finance, to non-philosophy and radical experimental music, Szepanski is an anomalous and unique theoretician with one hell of a history. 

CONTENTS:

  • Metabox of Terms: Simulation, Code, Hyperreality, Fractal, Seduction and Implosion 
  • Baudrillard's Maximisation Hypothesis: the System and the Other
  • Baudrillard & Marxism: Signs, Production and Money
  • Distinguishing the Consumer System (or Shopping Mall) from the Landfill
  • Baudrillard & the Financial Simulacrum
  • Excursus on Jonathan Beller's World Computer 
  • Hyperreality & Artificial Intelligence
  • Baudrillard & Quantum Theory
  • Afterword: Hyperculture by Alessandro Sbordoni
  • Appendix 1: Taylor Swift Does Not Exist
  • Appendix 2: Baudrillard: After the Orgy
  • Appendix 3: Imagination & Reality: Psychoanalysis vs Baudrillard
Cover of Letterpress Revolution

Duke University Press

Letterpress Revolution

Kathy E. Ferguson

Non-fiction €29.00

While the stock image of the anarchist as a masked bomber or brick thrower prevails in the public eye, a more representative figure should be a printer at a printing press. In Letterpress Revolution, Kathy E. Ferguson explores the importance of printers, whose materials galvanized anarchist movements across the United States and Great Britain from the late nineteenth century to the 1940s. Ferguson shows how printers—whether working at presses in homes, offices, or community centers—arranged text, ink, images, graphic markers, and blank space within the architecture of the page. Printers' extensive correspondence with fellow anarchists and the radical ideas they published created dynamic and entangled networks that brought the decentralized anarchist movements together. Printers and presses did more than report on the movement; they were constitutive of it, and their vitality in anarchist communities helps explain anarchism’s remarkable persistence in the face of continuous harassment, arrest, assault, deportation, and exile. By inquiring into the political, material, and aesthetic practices of anarchist print culture, Ferguson points to possible methods for cultivating contemporary political resistance.