Skip to main content
rile*books

Search books

Search books by title, author, publisher, keywords...

Cover of Ventoline #2 – hiver 2021

Brigade Cynophile

Ventoline #2 – hiver 2021

Felicité Landrivon ed.

€8.00

Partant du constat que la critique musicale, c’est comme le barbecue — il faut se lever tôt pour voir des femmes s’en emparer — Ventoline poursuit ses aventures avec une nouvelle ribambelle de mélomanes, musiciennes, artistes, fans, DJs, facilitatrices et activistes qui partagent dans ces pages ce qu’elles écoutent, vivent, « hument » et « reniflent », pour reprendre les mots de Daphne Oram, s’agissant de musique. Comme pour son prédécesseur, la préparation de ce numéro s’est faite patiemment mais résolument, à rebours d’une atmosphère morbide, sécuritaire et antisociale ; elle a par ailleurs permis des choses qu’on n’aurait pas imaginé faire il y a quelques mois encore, comme chatter plusieurs semaines durant avec la fantastic Hermine Demoriane, échanger des mails avec le bassiste de Fugazi ou sérigraphier un millier de posters pour décorer vos pénates… 

Ce second épisode traitera pêle-mêle d’expérimentations, de hasard, de conditionnement, de mouvements de fesses, de neurologie et de cosmos. Certaines tenteront de répondre à des questions qu’on ne se pose pas assez souvent : que se passe-t-il dans la tête d’une groupie ? Que cuisine-t-on en écoutant Peaches ? Quels sont les groupes de post-punk les plus galère à googler ? Enfin, et c’est particulièrement à propos ces temps-ci, on soulignera l’importance des liens, des réseaux, des toiles d’araignées tissées entre ami.es qui font des projets et projets qui font des ami.es…

(ENG)
Ventoline is a French music zine written and illustrated by women only. The second issue includes contributions by Pia-Mélissa Laroche, Bob Siegrist, Julie Mathys, Gabrielle d'Alessandro, Aude Gravé, Ana Servo, Lucile Gautier, Natalia Paez Passaquin, Garance Carnage, Sophie Lecluse, La Gousse, as well as interviews of Hermine Demoriane and Virginia Genta.

17 x 25 cm, 40 pages printed on newspaper by Newspaper Club ; comes with a screen printed poster by Pia-Mélissa Laroche.

1st edition of 1500 copies, jan. 2021

more on https://ventoline.octavie.club

Language: French

recommendations

Cover of Typing...

Estonian Academy of Arts / EKA GD MA

Typing...

Lieven Lahaye

The fourth in a series of publications, featuring writing by graphic design students of EKA GD MA. Typing... includes essays, scripts, translations and stories on a wide range of topics: killing vowels and milling fonts, personal knowledge management, shortcuts, tedious/careful/tiring/joyful typesetting, type of Georgianness, typing in 3rab(izi) and typing in all lowercase.

With contributions by Anna Wittenkamp Rich, Archil Tsereteli, Fa(tima)-Ezzahra El Khammas, João (Juca) Pedro Nogueira, Karthik Palepu, Laura Martens, Linnea Lindgren, Rok Ifko Kranjc.

Designed by Fatima-Ezzahra El Khammas and Laura Martens
Cover by Hanafi Gazali

Cover of Image RIP: After Printing, Work & Planet Earth

Source Type

Image RIP: After Printing, Work & Planet Earth

Geoff Han

Image RIP, the first publication from Source Type, is centered around New York graphic designer Geoff Han’s investigation into the Shenzen-based printer Artron and explores subjects ranging from design, production, work, and the environment in the post-industrial economy. The book gathers essays by Danielle Aubert, David Bennewith, Geoff Han, Ming Lin, Shanzhai Lyric, David Reinfurt, Mindy Seu, and Dena Yago, and features images by Ann Woo. Image RIP reflects a consistent theme in Han’s practice of the manipulation of image reproduction, printing, production, code, and other techniques to affect the process of viewing and reading.

Cover of Beginnings

Ex. Coda

Beginnings

Oliver Boulton, Manon Michèle

Fiction €15.00

What do we start with when telling a story — What tensions activate it — What does it promise — What do we want from it — How do we deliver it — Must it have an end — What about a story which never began — Stories we wish were told — Stories which have always been there — Stories we don’t know how to start.

Beginnings is a collective attempt at questioning protocols and forms of narration, initiated by Manon Michèle. The publication gathers textual and visual works from twenty-nine artists, writers and collectives. With two covers, ninety-six pages, and no end, the publication remains in flux, with no definitive conclusions but the shape of an ongoing question: Where do we start and where might the act of arriving lead.

There’s bodies thrusted through motion, accelerations, collapses, into the folly of life, death, borders and language. There’s following intuition, rabbits, leaders, and the shape of clouds, switching from script to script to escape latched circles and compliance. There’s braiding together clashing dimensions and vital landmarks, processing ghosts to reclaim space, feeding them to trusted spirits. There’s foreseeing new shapes, and believing in what grows. There’s the poetry of saving what can be saved and the pull of letting go. There’s so much to begin with

Contributors
Alice dos Reis, Anaïs Fontanges, Anna Bierler, Auriane Preud’homme, Bravas Graphix, Calli Uzza Layton, Clara Pasteau, Cleo Tsw, D-E-A-L, Elina Birkehag, Eliott Déchamboux, Emilie Pitoiset, Heleen Mineur, Hyo Young Chu, Josefina Anjou, Juliette Lepineau, Kimberley Cosmilla, Manon Michèle, Maria Paris, Marie-Mam Sai Bellier, Mathis Perron, Mia Trabalon, Pablo Bardinet, Pays de Glossolalie, Philip Ullman, Raphaël Massart, Sanae Oujjit, Silvana Mc Nulty, Yunie Chae

Beginnings was edited and designed by Manon Michèle and Oliver Boulton, and published by Ex. Coda, 2025.

Cover of MsHeresies 4 — Daffodils

Rietlanden Women's Office

MsHeresies 4 — Daffodils

Elisabeth Rafstedt, Johanna Ehde

This fourth issue of MsHeresies republishes the chapter *Daffodils* — a warped monologue about a domestic poisoning — from Rosalind Belben’s book Is Beauty Good (1989).

It is typeset alongside a collage of material from two medieval manuscripts: Isidore of Seville’s Etymologiae and De natura rerum (circa 1130–74), which was illuminated and transcribed by a group of eight nuns at the Benedictine abbey of Munsterbilzen in Maastricht; and the so called Claricia Psalter (late 12th–early 13th century) from the abbey of saints Ulrich and Afra in Augsberg, also made by a group of nuns and named after the novice Claricia who is believed to have drawn herself hanging like the tail of a drop-cap Q in the psalter section of the book.

Cover of Miam 09 : Les oiseaux ne chantent pas : ils crient de douleur

Miam Editions

Miam 09 : Les oiseaux ne chantent pas : ils crient de douleur

Various

4SPIKE & howawfulallanis, Alex Less, Alice Royer, Alligataure, Amelie Clicquot, Anjol, Arañada, Axel Fievet , Axelle Bourguignon, Baron & Tosma, Charlie Cooper, Charlotte Sallan Gémard, Délora Abbal, Elliott Sanchez, Erimoczi, femo, Fleur Douglas, Gaia Bergelin & Inès Camrla, Justine Bouvet, Kara, Kiara Patry, Lilian Magardeau & Elisa Grondin, Loreleï, Lucile Moreau, Manon Souza, Marie Martin Design, Mira, Migraine, Nathan Peron, Nathanael Brelin, Nomaison, Ema Tomas, Othilie Jourde Ledoux, Piquico , Rémy Bellariva, Séraphin Degroote Ferrera et Arthur Diguet, Syan Fischer, Tanikawa Sari, Vanessa Kintzel, Virginie Contier, Viviane Le Borgne, Zoé Vincent.