The Posthumanist is a bi-annual English and German magazine featuring art, design, technology and writing. Each issue presents one theme from various more-than-human perspectives, inviting readers to imagine what living together on planet earth is and could be.
published commonly, no no no expounds an experimental poetic offering, both text & art.
each issue features a limited edition artwork. which can be tacked or framed or stored in a drawer.
celestial in nature, no no no takes the form required, and necessary.
From its anatomy and autonomy to its death and diet, this issue focuses on the motif Body and all its meanings, direct and indirect, for instance as in relation to human and non-human bearers of bodies, its inhabitants like bacteria and organs, its social, medical and juridical conditions, its intoxications, chemical processes, traumas, transitions, well-being, replacements, weaknesses, and its opposites.
Within the format of a magazine, each page of Pfeil represents the floor, walls, or ceiling which together create an imagined room displaying a printed exhibition. Each issue is dedicated to a specific word, and artists are invited and given space to work on and with this term, and to construct or deconstruct the architecture around it. Combined, the contributions transform into an organic display surrounding the leitmotif.
the eighth issue of mnemotope is full of sharp, vivid worlds that feel like when google maps zooms in from the satellite to street view. these pieces aren’t necessarily moralistic or allegorical, but instead simply insist that you enter into the moment and place that they conjure sharply into being. each cover is hand-stamped, so graphic placement varies.
Le Chauffage (french for “The Heater”) is an artist-run publication based in Brussels. It is conceived as a cross-continental, community oriented platform. Bringing together the work and writing of artists / friends from different cities, Le Chauffage intends to spark discussions and fuel casual forms of critical discourse.
This special, limited-edition issue of Plaster celebrates Akomfrah’s commission for the British Pavilion at the 60th International Art Exhibition, La Biennale di Venezia. The linen presentation box contains: an essay by Akomfrah’s long-time friend and collaborator, the BAFTA-winning film curator June Givanni; an interview with Akomfrah by Harriet Lloyd-Smith; original portraits by photographer Siam Coy and a fold-out poster featuring an exclusive still from Akomfrah’s film installation, Listening All Night To The Rain, now screening in the British Pavilion at the Venice Biennale.
With creative direction by Constantine // Spence and design by Emma Ralph.