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Cover of SSaliva: Landscapes

Land Arts

SSaliva: Landscapes

François Boulanger

€27.00

‘Landscapes’ is a first attempt to highlight Ssaliva’s visual work. Through a selection of 100 images – digital paintings based on original photographs or screenshots – the book takes us on a scenic journey into the artist’s mind. Recalling a wide variety of references from the fields of photography, painting, landscape architecture and even Internet art, Ssaliva’s paintings bear witness to a wistful sensitivity to urban and rural exploration. Ssaliva has made his region a real playground. Walking through the “indeterminate” or empty spaces of Liège and its surroundings, the artist showed his empathy for the interstices and other abandoned places charged with history. This is what he tried to transcribe in the modification of his digital paintings: A veil wrapping his landscapes in mysteries. With this book, Ssaliva sets a coherent backdrop to his musical production, further completing the puzzle of an instinctive body of work inscribed in the pure romantic tradition.

"François Boulanger is an audiovisual artist born in Liège, Belgium in 1983. He started producing music by the end of the 90’s/early 2000’s and producing his visual work around 2010. Active under several monikers, he started his experimental project ‘Ssaliva’ in 2011 which today covers the entire spectrum of his works. Under this alias, he developed hypnotic soundscapes based on sparse rythms, lush tones and crystallised textures. A personal and romantic rendition of a life amidst nature and city pollution.

His work as Ssaliva also consists of documenting equally ethereal and removed places in pictures, two compulsive and lonely processes that have made him accumulate thousands of strange, escapist mental landscapes. His approach to visual arts is similar to music in terms of process too, stretching images and melodies, compressing bits of it, adding colors and samples until they become part of his own vision. Sometimes ghostly, sometimes sacred, an instantly recognizable form of melancholia.” — Munix

Language: English

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Cover of Local Warming

Zolo Press

Local Warming

Sebastian Black

For Sebastian Black, 2020 was a year like no other: a pandemic; three exhibitions; a move to Los Angeles; a presidential election; a baby, too. Local Warming is Black's tale of it all, as recorded in his diary.

One million years ago, when I started making the paintings compiled here, I was listening to lots of audiobooks and recorded philosophy lectures. It was the winter of 2019, my paintings were about this and about that, and every brushstroke drifted safely over a net of ideas. I was gathering a list of things that I knew to be true because I was sick of having nothing to say when people asked me to explain myself. Then a professor, who to me is now a holy exegete, said that difference precedes identity as the substance of reality. I'd been eavesdropping on YouTube as he taught a continuing-ed class on Deleuze for a claque of narrative therapists. Difference before identity. I couldn't grasp the idea— only touch it. That's okay, said the professor, as though speaking directly to me, the point of thinking isn't to grasp things that are true but rather to prod things that are interesting. — Sebastian Black

Sebastian Black is an artist/writer. He was born in New York City in 1985. He lives and works in Los Angeles. 

Cover of Dreaming Water

Pinacoteca de Sao Paulo

Dreaming Water

Cecilia Vicuña

Dreaming Water is the most thorough monograph dedicated to the work of Chilean artist Cecilia Vicuña to date. Vicuña coined the term “Arte Precario” in the mid-1960s as a new category for her works composed of debris and structures that disappear in the landscape, and which also include her quipus (“knot” in Quechua), envisioned as poems in space.

Dreaming Water brings together over 200 works—including paintings, drawings, screenprints, collages, textiles, videos, photographs, installations, poetry, artist books and performances—created throughout the artist’s remarkable career. It also features several stimulating texts—a lengthy epistolary piece by curator and editor Miguel A. López as well as new essays by anthropologist Elizabeth A. Povinelli, curator Catherine de Zegher and art historian José de Nordenflycht. Vicuña herself contributes two texts, reflecting on her drawings from the “Palabrarmas” project and the activism of the group Artists for Democracy, which she cofounded in 1974. A rousing conversation between Vicuña, anthropologist Marisol de la Cadena and curator Camila Marambio also figures in the book, blending the artist’s voice with those who are experts in fields pertinent to her practice.

Cover of Calculations

Risiko Press

Calculations

Ines Cox

Ines Cox is an artist living between the Nièvre department in central-eastern France and Antwerp. This book consists of some 300 obsessive pages of her handwritten calculations—76% of which are actually true.

Cover by Bonni Cox, back cover by Toni Matthé. Printed in Borgerhout, bound by Gazelle in Deurne. Supported by Centre de la Paresse and Flanders—State of the Art. First presented at Kransen, 23.11.2024. Edition of 100.

Cover of For Chris Mann (Open Space Magazine #22)

Lingua Press

For Chris Mann (Open Space Magazine #22)

Dorota Czerner, Elaine Radoff Barkin

Special issue of this US magazine dedicated in its entirety to the late Australian artist/compositional linguist/raconteur Chris Mann, who died in 2018. The magazine contains tributes from Mann associates and admirers, including Warren Burt, Amanda Stewart, Pi-0, Ronald Robboy, Linda Kouvaras, Alvin Lucier, Ruark Lewis, Annea Lockwood, as well as Mann’s own writing and an interview with him by Philip Blackburn.

88 pages bound in soft-cover glossy colour cover by Brigid Burke.

Cover of In Commemoration of the Visit

Further Other Book Works

In Commemoration of the Visit

Kathleen Fraser, Robert Glück

Poetry €20.00

About her collaboration with Robert Glück, Kathleen Fraser writes:

"In Commemoration of the Visit of Foreign Commercial Representatives to Japan, 1947 is a small picture book assembled as a memento of Japan’s finest tourist sites, to be given to their new allies (and recent adversaries). I discovered the book when my friend Bob Glück sent me to an Asian antique store, where he thought I might find 'little things' for Christmas gifts. Seeing this book in the $1 box, I bought a copy and began to write a poem sequence based on each of the photos and their captions, not knowing that Bob had also bought this book and was writing his own version from the same collection of pictures."

Featuring color reproductions of the entire postcard book, In Commemoration of the Visit is an accidental collaboration–and we couldn’t be happier for the accident.