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Cover of SSaliva: Landscapes

Land Arts

SSaliva: Landscapes

François Boulanger

€27.00

‘Landscapes’ is a first attempt to highlight Ssaliva’s visual work. Through a selection of 100 images – digital paintings based on original photographs or screenshots – the book takes us on a scenic journey into the artist’s mind. Recalling a wide variety of references from the fields of photography, painting, landscape architecture and even Internet art, Ssaliva’s paintings bear witness to a wistful sensitivity to urban and rural exploration. Ssaliva has made his region a real playground. Walking through the “indeterminate” or empty spaces of Liège and its surroundings, the artist showed his empathy for the interstices and other abandoned places charged with history. This is what he tried to transcribe in the modification of his digital paintings: A veil wrapping his landscapes in mysteries. With this book, Ssaliva sets a coherent backdrop to his musical production, further completing the puzzle of an instinctive body of work inscribed in the pure romantic tradition.

"François Boulanger is an audiovisual artist born in Liège, Belgium in 1983. He started producing music by the end of the 90’s/early 2000’s and producing his visual work around 2010. Active under several monikers, he started his experimental project ‘Ssaliva’ in 2011 which today covers the entire spectrum of his works. Under this alias, he developed hypnotic soundscapes based on sparse rythms, lush tones and crystallised textures. A personal and romantic rendition of a life amidst nature and city pollution.

His work as Ssaliva also consists of documenting equally ethereal and removed places in pictures, two compulsive and lonely processes that have made him accumulate thousands of strange, escapist mental landscapes. His approach to visual arts is similar to music in terms of process too, stretching images and melodies, compressing bits of it, adding colors and samples until they become part of his own vision. Sometimes ghostly, sometimes sacred, an instantly recognizable form of melancholia.” — Munix

Language: English

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Cover of Treatise of a Coat

Verlag der Buchhandlung Walther König

Treatise of a Coat

Helen Marten

Featuring coloured pencil, watercolour, ink, airbrush, acrylic and graphite, alongside other more unusual media like sand, silicone or olive oil, this book is a sumptuous, visual document of Marten's drawing and painting practice on paper. Designed as an unruly "artist's book", Treatise of a Coat has multiple physical and linguistic folds. The title is a forcing of the homonymic similarities of coat: the literal jacket that is unfurled to expose the naked and unruly shame of human forms; the fur or hair of an animal; the verb-function of to coat, with its intentional building up of visual desire - the acts of lacquering, spreading, enclosing, flooding, directing, or husking that line and colour expedite when creating an image. The constituent materiality of this book is designed with the physicality of making a work on paper in mind.

Cover of Elke dag is een tentoonstelling

Infinitif

Elke dag is een tentoonstelling

Pieter De Clercq

Special edition: 100 out of 300 books are reworked by making cutouts in the book.

Cover of Tongue Touching The Other

Cutt Press

Tongue Touching The Other

Bilge Emir

Tongue Touching the Other / Dil Ötekine Değince is a result of a research project on the Turkish language and its exchanges mainly with Arabic, Farsi and Kurdish. Through language, it aims to follow a common, transnational history and how modern national identities affected our knowledge of that history, and sense of belonging. However, as much as commons, varied forms and dimensions of marginalization are also deeply embedded in our history, culture, language, and as a result, in our everyday lives and in our collective unconsciousness. This book is an attempt to rethink the social, economic & cultural contexts of identity and the concept of “othering” and reflect on inherited motives of imperial and colonial structures, racism, colourism, classism & gender roles.

The book was created through a multi-layered process involving research, conversations, and design. The research phase explored academic texts, etymology, and visual culture to uncover narratives of commons and division. Conversations with 18 people across 9 countries—based on trust and anonymity—provided personal, subjective insights, recorded between July 2022 and January 2025. These dialogues were transcribed and, rather than presented chronologically, were edited into a montage alongside archival visuals and texts, shaping the book's four-chapter narrative:

Yabancı / Stranger / یابان
Misafir / Guest / مسافر
Eğitim / Education
Temsil / Representation / تمثيل

Cover of The Chroma Series

selva oscura press

The Chroma Series

Quim Pujol

Poetry €25.00

The Chroma Series lists elements of reality and systematically changes their color to evoke monochrome universes. The resulting poems may be conceived as mental films where quick-change art coexists with nonsense and politics.

Cover of Fugue

Mousse Publishing

Fugue

Aaron Amar Bhamra, Céline Mathieu

Fugue is published on the occasion of the eponymous duo exhibition by artists Aaron Amar Bhamra and Céline Mathieu, presented at Jester in Genk, Belgium. The title, derived from the Latin fuga (flight), evokes both its musical and psychological meanings: a contrapuntal compositional technique and a state of dissociation. These dual connotations—aural and mental—resonate throughout the exhibition and this accompanying publication.

Céline Mathieu's work moves between the sensory and the conceptual, integrating multiple media to explore the circulation of thoughts and materials in relation to specific sites. Aaron Amar Bhamra's practice draws on recurring forms and materials to construct evolving personal and social archives, often reactivating exhibition spaces by engaging with their historical contexts.

In addition to documenting the exhibition, the publication features an introduction by Jester's artistic director Koi Persyn, a visual score of a sound composition by Charlie Usher, written contributions by Céline Mathieu, curator Eloise Sweetman, and researcher Johanna Schindler, as well as a series of analog photographs by Aaron Amar Bhamra.

Contributions by Koi Persyn, Céline Mathieu, Charlie Usher, Eloise Sweetman, Johanna Schindler, Aaron Amar Bhamra.

Austrian artist Aaron Amar Bhamra (born 1992) often procures exhibition spaces that subtly expose their systematics and physical experience by incorporating imprints reminiscent of other spaces or past exhibitions. He occasionally uses recurring forms and materials, weaving a site of shifting personal and social archives.

Céline Mathieu (born 1989) is a Belgian artist and writer. Her practice is often site and condition specific, using sound, scent, sculpture, performance, text and different materials in performative installations. The work is both sensory and conceptual. Her work looks into the circulation of thoughts and materials. Material and economic cycles merge with hyper-personal items, resulting in fluid work that cannot quite be pinned down.