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Cover of Soviet Texts

Ugly Duckling Presse

Soviet Texts

Dmitri Alexandrovich Prigov

€25.00

Translated by Simon Schuchat and Ainsley Morse. With nearly 300 pages of prose and poetry, SOVIET TEXTS is the first representative selected volume of Prigov's poetry and experimental prose texts to appear in English. It includes short stories about amazing heroes of the revolution and after, and poetic sequences that expose literature, history, and culture to the stark light of a post-modern Gogolian laughter, some of which became cult-classics for his generation—such as the cycle "Image of Reagan in Soviet Literature." A selection of post-Soviet writings, concerned with human mortality and human sinfulness, is also included. While Prigov's writing is very definitely of the Soviet and post-Soviet world, it is consonant with contemporaneous avant-garde writing elsewhere.  

Dmitri Alexandrovich Prigov (1940-2007) was a leading writer of the late Soviet and early post-Soviet era. Almost until the collapse of the Soviet Union, his writing circulated solely in unofficial samizdat editions and overseas publications. He was briefly detained in a Soviet psychiatric hospital in 1986 but released after protests from establishment literary figures. A founder of Moscow Conceptualism, Prigov was a prolific writer, in all genres, as well as an accomplished visual artist. Described by some critics as Russia's ultimate post-modern trickster, Prigov mastered many personas all of which come together in what is finally an enigmatic, Warhol-esque artistic mask. Indeed, during the late Soviet period he mounted a critique of ideological culture in a similar manner to western Pop Art's engagement with consumer culture. His performative work lay the seeds for much contemporary Russian socially-engaged art, and Prigov directly encouraged and inspired the next generation of conceptual dissident artists, such as the well-known Voina (War) group and, later, Pussy Riot, who dedicated their intervention at the 2018 World Cup in Moscow to Prigov's memory. Prigov died in Moscow in 2007, at the age of 66; a lifespan longer than average for a Russian male of his generation. En route to a performance with the Voina group—for which he planned to read poems inside a wardrobe while being carried up the stairs of Moscow University—he collapsed in the subway after a heart attack.

Language: English

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Cover of Read Me: Selected Works

Ugly Duckling Presse

Read Me: Selected Works

Holly Melgard

Essays €20.00

Read Me gathers the tools necessary to make sense of contemporary problems so ubiquitous they seem too big to name. Spanning a multiplicity of genres, media, and tonal registers, this book surveys Holly Melgard’s formally experimental poetic works produced between 2008 and 2023, including sound poems, essays on poetics, and books that exploit print on demand to, for example, counterfeit money. In often wildly comic turns of thought, Melgard’s work cleaves personal agency from automated defaults by mapping trauma and technocracy from the inside out.

From critical talks to fictional monologues, the poet translates into language the unremarkable torments of neoliberalization in the digital age.

Cover of Notes on Conceptualisms

Ugly Duckling Presse

Notes on Conceptualisms

Vanessa Place, Robert Fitterman

What is conceptual writing, how does it differ from Conceptual Art, what are some of the dominant forms of conceptualism,where does an impure or hybrid conceptualism fit in, what about the baroque, what about the prosody of procedure, what are the links between appropriation and conceptual writing, how does conceptual writing rely on a new way of reading, a “thinkership” that can shift the focus away from the text and onto the concept, what is the relationship between conceptual writing and technology or information culture, and why has this tendency taken hold in the poetry community now? What follows, then, is a collection of notes, aphorisms, quotes and inquiries on conceptual writing. We have co-authored this text through correspondence, shared reading interests, and similar explorations. Notes on Conceptualisms is far from a definitive text, and much closer to a primer, a purposefully incomplete starting place, where readers, hopefully, can enter so as to participate.

Cover of God Is a Bitch Too

Ugly Duckling Presse

God Is a Bitch Too

María Paz Guerrero, Camilo Roldán

Poetry €14.00

God Is a Bitch Too is the accelerated and acidic English-language debut of Colombian poet María Paz Guerrero­. In this chapbook, god is needy, Latin American, and an overweight woman. No one asks god to dance. Someone speaks, someone tries: “One is the measure of their body.”

God Is a Bitch Too is #13 in the Señal series for contemporary Latin American poetry in bilingual editions.

Cover of Sonnet(s)

Ugly Duckling Presse

Sonnet(s)

Ulises Carrión

Poetry €20.00

A lost gem of permutational conceptualism from a key figure in artist's book culture, available again

Known internationally as one of Mexico's most important conceptual artists, Ulises Carrión (1941-89) played a decisive role in defining and conceptualizing the genre of the artists' book through his manifesto, The New Art of Making Books (1975), which he wrote soon after the 1972 publication of SONNET(S) and his move from Mexico City to Amsterdam, where he opened the legendary bookshop gallery, Other Books and So, the first space dedicated exclusively to artists' publications and an important precursor to such artists' book hubs as Printed Matter.

One of Carrión's earliest bookworks, SONNET(S) represents a landmark shift in the artist's output from poetry to artists' books. Here, Carrión takes a single poem by Dante Gabriel Rossetti through 50 typographic and procedural permutations. This republication is supplemented by new essays on Carrión's bookworks by contemporary artists, writers, and scholars from Mexico, Europe and the US. 

Published March 2021

Cover of SMALLTOWNNOVELLA

Ugly Duckling Presse

SMALLTOWNNOVELLA

Ronald M. Schernikau, Lucy Jones

Fiction €18.00

An homage and reimagining of the classic German Bildungsroman, Schernikau paid tribute to the form even as he challenged stylistic, sexual, and political conventions. Written in all lower-case, SMALLTOWNNOVELLA is a brilliant stream-of-consciousness narrative that follows b, a teenager navigating politics and queer desire in a small, West German town. When b—who is interested in communism and knitting—falls in love with leif, a popular jock, b’s life at school is very predictably upended.

“A mighty, slender record of the provocative intelligence of a queer teenage mind.” —Eliot Duncan

Ronald M. Schernikau was born in 1960 in Magdeburg, East Germany and grew up in Hanover, West Germany. After completing his Abitur in 1980, he moved to West Berlin and studied German literature, philosophy, and psychology. In 1986, he started studying at the Institut für Literatur Johannes R. Becher (German Institute for Literature) in Leipzig, GDR. In 1989 he obtained GDR citizenship and relocated to Berlin. He worked as a dramaturge, and in radio and TV until his death in 1991. His publications include Kleinstadtnovelle (Small-Town Novella, 1980); Die Tage in L. (The Days in L., 1989); Legende (Legends, 1999); Königin im Dreck (Queen in the Dirt, 2009); and Irene Binz. Die Befragung (Irene Binz. The Interview, 2010).

Lucy Jones is a British translator and writer based in Berlin. She is the translator of Brigitte Reimann’s Siblings, (Penguin Modern Classics), Anke Stelling’s Higher Ground (Scribe) and Annemarie Schwarzenbach’s Lyric Novella (Seagull Books), among others. Her translations and book reviews have appeared in Asymptote, Words Without Borders and CulturMag. She is the runner-up for the Society of Author’s Schlegel-Tieck Prize in 2023.

PRAISE

“This slender book is a fierce account of queer teenage imagination: provocative, haughty, coy, insolent, and wild. As angsty as it is intelligent, Schernikau’s prose also feels protective and sweet. SMALLTOWNNOVELLA is the book, the friend, I wish I had in high school.” —Eliot Duncan

“…an earnest, seemingly offhand account of a brilliant young man growing up in a small town and realizing that his queerness and his communist politics will come to structure his life. (…) the first of Schernikau’s many attempts to lay out a gay politics that would open him to the world rather than fating him to a specific lot within it: an identity politics not constructed to elaborate and defend a single perspective, but one that sought to locate the self within a broader movement to transform society." —Ben Miller & Nicholas Courtman, LARB

Cover of Honey Volume 2

Self-Published

Honey Volume 2

Mars Dietz, Opashona Ghosh and 1 more

Poetry €15.00

HONEY is a zine meditating on the experiences of friendship. 

Volume 2 was edited by Mars Dietz, Opashona Ghosh and Dylan Spencer-Davidson—each inviting contributions from friends. 

Following vol. 1’s optimism about the underappreciated potentials of friendship, vol. 2 marks a noticeable turn towards friendship's messier sides. Letters to deceased friends, childhood social complexities, unrealised sexual desire, pushback against the overfetishisation of queer kinship, and more. 

Contributions from Azul De Monte, Ana Božičević, D Mortimer, Adriana Disman, Pelumi Adejumo, Iggy Robinson, Clay AD, To Doan, Edward Herring, marum, Lou Drago, Aisha Mirza, Iga Świeściak, Roya Amirsoleymani, George Lynch, Emily Pope and Kari Rosenfeld. 

Original artworks by Opashona Ghosh and Iga Świeściak, and featuring artworks by Azul De Monte and Emily Pope. 

Riso printed on recycled paper with Pagemasters (London).

Cover of a queer anthology of wilderness

Pilot Press

a queer anthology of wilderness

Richard Porter

Periodicals €15.00

Featuring Zoe Leonard, Eileen Myles, Jimmy DeSana, Princess Julia, Olivia Laing, Simon Costin, Timothy Thornton, Mary Manning and many more. Published 2020.

Cover of GOAT FOIL

Tabloid Publications

GOAT FOIL

Maxwell Gontarek

Poetry €14.00

"Marie’s fragrance, smashed out of the bottle for another breath. We should always doubt that the air is pure. We should always doubt that the air is not." 
–Alexandre Curlet

Includes an excerpt from Josh Barber's "Omnipotence".
Published as part of Paraphernalia and Addenda 2.2 of Tabloid Publications.