Shagging the Boss

Featuring poems and short stories by Coco Gordon Moore, Nate Lippens, Jimmy Cooper, Danielle Chelosky, Matthew Kinlin, and Thomas Moore, as well as an interview of Jack Skelley by Lydia Sviatoslavsky and photographs by David Catalano. Edited

Goddamn Failure gathers the early grotesque and absurd works of cult writer Ira Rat for the first time. Many of them are previously unpublished.

This book is not intended for children or people with good taste.

Featuring Zoe Leonard, Eileen Myles, Jimmy DeSana, Princess Julia, Olivia Laing, Simon Costin, Timothy Thornton, Mary Manning and many more. Published 2020.

Across multiple worlds in upheaval, a curious cast of Black queer characters must choose between what they already know themselves to be and what they might yet become in the cataclysm. A shapeshifter learns to embrace their body as it changes through a lunar cycle. A stranger’s visit disturbs three sisters sheltering from monsters that stalk the land. An archivist hears an irresistible call to the rising ocean as she uncovers a surprising history. A mysterious fire sparks whispers of revolution in the mind of a vampire’s captive consort.

At once tender and audacious, Nathan Alexander Moore’s debut collection tells the stories of extraordinary creatures making impossible but human decisions. Traversing apocalypses both big and small, these captivating tales vibrate with the tensions between loss and growth; self and community; precarity and possibility.

Nathan Alexander Moore is a Black transfemme writer. She is an assistant professor at the University of Colorado Boulder whose research explores Black transfemininity, speculative fictions and temporality. Their debut chapbook, small colossus, was published in 2021, and their fiction was shortlisted for the 2022 Santa Fe Writers Project Literary Award. She was a 2023 Lambda Literary Fellow in poetry.

A trenchant, darkly humorous, and unsentimental look at Calcutta society. 

Set in Calcutta in the mid-1980s, Truth/Untruth is a fast-paced thriller built around the death of the pregnant Jamuna—a maid in a newly affluent residential apartment complex—and Arjun, the upwardly mobile businessman who seduced her. Packed with a cast of colourful characters, this novel is a trenchant, darkly humorous, and unsentimental look at the different segments of Calcutta society: from the middle-class culture vultures to the unscrupulous ‘promoter’ class and the domestic helpers and slum goons who form an intrinsic part of the city’s life. All are implicated in a complex web of guilt and bizarre twists and turns. Sex, lies, death—the great modernist themes—run like a thread through this book, exposing societal greed, lust, corruption, and moral hypocrisy with a sardonic tone that spares none. An unusual novel by an author who is otherwise known for her hard-hitting activist-feminist stories, Truth/Untruth underlines the exploitative vicious cycle that defines urban relations between the haves and have-nots.

‘Although not of the margins herself, Devi was accomplished in writing from the margins [ . . . ] However, it is indeed worth it if you are looking for an exhilarating social commentary and biting satire that remains relevant today. Devi also reflects the jargon and dialects of the lower classes as deftly as the peculiarities of upper-class speech patterns. A feat of this work is Katyal’s ability to mediate these multiple registers, rewarding the reader with sharp writing that is at once funny, sardonic, and darkly pleasurable to read.‘—Jack Greenbert, Cha: An Asian Literary Journal.

Everyone is asking about his identity. Gay? Muslim? French? Moroccan? Instead of choosing a side, he writes a book. A book about the forest and the city, Paris and Tangiers, shame and forgiveness, dating apps and spiritual discovery. A book about growing up as a diaspora kid in rural France, with desires that want to emerge at any cost. Told in mesmerising prose, How to Leave the World is a beautiful non-answer.

A rare book that depicts the isolation and poetry of rural life. — Annie Ernaux

What it takes to imagine social and physical freedom is what it meant to keep reading this incredible book. — Bhanu Kapil

Marouane Bakhti is a writer and arts journalist. Born in Nantes, France to a Moroccan father and a French mother, he studied history and journalism at the Sorbonne. He writes criticism for Mouvement magazine and lives in Paris. How to Leave the World is his first novel.

Lara Vergnaud is a literary translator of French and has translated over a dozen novels, including works by Zahia Rahmani, Fatima Daas, Mohamed Leftah and Mohamed Mbougar Sarr. Lara was born in Tunisia, grew up in the United States and currently lives in southern France.

978-1-7395161-3-0
21.6 x 13.9 cm
112 pp, paperback
September 2024

This book is built of stories and provocations—like the birth of a pearl, it transforms that which irritates, layer by layer.

Through speculative fiction and critical essays, Pear Nuallak explores what happens when messy, desiring bodies collide with the hard edge of power. The world’s neat categories are unmade and rewritten, revealing that racial capitalism’s myths are just as much fantasies as Thai bird princesses and transgender magic.

Moving playfully across folktale, horror, satire and critique, Nuallak examines how different beings are formed politically, bodily and emotionally. We discover interdimensional fungi resisting colonisation, queer monsters living on Hampstead Heath, and a mysterious canal running through the ruins of capitalism into interstitial realms. We test the borders of queer diasporic nationalism and take apart the racially melancholic memoir. In this fiery yet delicate collection, we aren’t bound by truth, but flow with it into new worlds.

Pear Nuallak is a visual artist and writer from London. They run community art workshops and co-organise a queer social hub with the Black Cap Community Benefit Society. Their writing has been published in The Dark and Interfictions. Pearls from Their Mouth is their first book.