Olga Ravn

In seventeenth-century Denmark, Christenze Kruckow, an unmarried noblewoman, is accused of witchcraft. She and several other women are rumored to be possessed by the Devil, who has come to them in the form of a tall headless man and gives them dark powers: they can steal people’s happiness, they have performed unchristian acts, and they can cause pestilence or even death. They are all in danger of the stake.

The Wax Child, narrated by a wax doll created by Christenze Kruckow, is an unsettling horror story about brutality and power, nature and witchcraft, set in the fragile communities of premodern Europe.

Deeply researched and steeped in visceral, atmospheric detail, The Wax Child is based on a series of real witchcraft trials that took place in Northern Jutland in the seventeenth century. Full of lush storytelling and alarmingly rich imagination, Olga Ravn weaves in quotes from original sources such as letters, magical spells and manuals, court documents, and Scandinavian grimoires.

From the acclaimed author of The Employees, a radical, funny, and mercilessly honest novel about motherhood

After giving birth, Anna is utterly lost. She and her family move to the unfamiliar, snowy city of Stockholm. Anxiety threatens to completely engulf the new mother, who obsessively devours online news and compulsively buys clothes she can’t afford. To avoid sinking deeper into her depression, Anna forces herself to read and write.

My Work is a novel about the unique and fundamental experience of giving birth, mixing different literary forms – fiction, essay, poetry, memoir, and letters – to explore the relationship between motherhood, work, individuality, and literature.

The crew of the Six-Thousand Ship consists of those who were born, and those who were made. Those who will die, and those who will not. When the ship takes on a number of strange objects from the planet New Discovery, the crew is perplexed to find itself becoming deeply attached to them, and human and humanoid employees alike start aching for the same things: warmth and intimacy. Loved ones who have passed. Shopping and child-rearing. Our shared, far-away Earth, which now only persists in memory.

Gradually, the crew members come to see their work in a new light, and each employee is compelled to ask themselves whether they can carry on as before – and what it means to be truly living.

Structured as a series of witness statements compiled by a workplace commission, Ravn’s crackling prose is as chilling as it is moving, as exhilarating as it is foreboding. Wracked by all kinds of longing, The Employees probes into what it means to be human, while delivering an overdue critique of a life governed by the logic of productivity.

Translated from the Danish by Martin Aitken

Funny and doom-drenched, The Employees chronicles the fate of the Six-Thousand Ship. The human and humanoid crew members complain about their daily tasks in a series of staff reports and memos. When the ship takes on a number of strange objects from the planet New Discovery, the crew becomes strangely and deeply attached to them, even as tensions boil toward mutiny, especially among the humanoids. Olga Ravn's prose is chilling, crackling, exhilarating, and foreboding. The Employees probes into what makes us human, while delivering a hilariously stinging critique of life governed by the logic of productivity.

Olga Ravn (born 1986) is a Danish novelist and poet. Her debut poetry collection I Devour Myself Like Heather appeared to critical acclaim in 2012. Alongside Johanne Lykke Holm she ran the feminist performance group and writing school Hekseskolen from 2015 to 2019. In collaboration with Danish publisher Gyldendal she edited a selection of Tove Ditlevsen's texts and books that relaunched Ditlevsen readership worldwide.