Skip to main content
rile*books

Search books

Search books by title, author, publisher, keywords...

Cover of RISO PARADISO, 33 1/3

Look Back And Laugh

RISO PARADISO, 33 1/3

Riso Paradiso

€18.00

Riso Paradiso is a collective of six individuals connected by research and creation in the fields of risography, graphic design, printing techniques, visual communications, photography, illustration and publishing.  

The book is continuation of a residency project that was held in January 2020 at the Hiša kulture Pivka gallery. Theme of the residency was inspired by the in-house LP collection of colleague Leon Zuodar who also co-runs the gallery. Through his record collection they recognised the spirit of their generation. 

Result of the residency was 6 different screen prints, but the idea was further upgraded as the project proceeded and an art publication in the risography technique was conceived.  

recommendations

Cover of This Is My Love, Nobody Can Choose It For Me

Look Back And Laugh

This Is My Love, Nobody Can Choose It For Me

Mina Fina

In her new book, Mina Fina continues to explore the themes of representation of the female body. Through her interventions to the images from old erotic magazines, she questions the normatives of body acceptance and places it into abstract compositions that are half drawings, half collages.

Cover of Poster Edition (bundle)

Self-Published

Poster Edition (bundle)

etaïnn zwer

4 poèmes-affiches, format A3, impriméx en risographie au studio Colorama (Berlin), sur papiers variés, tirage à 150 exemplaires

«GASOLINE, Apocalypse 1998», «the category is: phone sex», «zona nudista», «(fête) sentimental-e-s» : étés d'apocalypse, émojis banane, cruising transocéanique, SMS en short, sales coeurs, baraques à frissons et grand-huit sentimental... ces poèmes courent toustes ~ à genoux, à nu ou en solex ~ après la question du désir, après l'amour aussi, avec une tendre obsession

Design graphique signé Auriane Preud’homme, Enz@ Le Garrec, Roxanne Maillet & Martha Salimbeni, avec des dessins de Gaëlle Loth

Cover of Sforzando - Pastels 2020 - 2022

Goswell Road

Sforzando - Pastels 2020 - 2022

David West

At midday, March 17th, 2020, Macron’s government decided to place France in suspended animation. Total confinement. The first in a series of strict debilitating lockdowns to combat the spiralling Covid-19 pandemic. This first confinement lasted 55 days. It ended on 11th May 2020. The first part of a dramatic trilogy.

One month in, in April 2020, David West picked up a box of pastels that used to belong to his mother. He had had them for many years but never used them. New to the medium, locked in his Paris studio, he sets himself to the task. Naturally, violence ensues. Folk horror. Animals are disembowelled. Faceless sexualised female bodies perform. Screaming faces educate. Covered figures stand motionless. Shadows. Hooded beings populate. Stabbing, scratching, fading, softening, sforzando. Crescendo. Schadenfreude.

Occasional respite comes when West ventures outside - andante - but the externalised screaming pushes him back in. Hagazussa. Ghosts from West’s past, real and unreal, appear and disappear, figures and shapes, compositional arcs, a slimy snaking emerald hand parts the waves for colour to gush forth a new language verde fosforescente, worm purple, rosa shocking, vermillion, cobalt, ultra-black.

This book reproduces a small selection of some 300 works, in chronological order, in an attempt to document time, evolution, revolt, epiphany and joy. Joy in colour, horror, form, symphony, and finally, West’s visions of a new utopia. Marcato. Decrescendo.

Softcover (21cm x 29.7cm)
100 Pages
50 copies
Signed and numbered by David West

Cover of Jangal

Rotolux Press

Jangal

Ana Pi, Léna Araguas and 2 more

Jangal est un ouvrage collectif avec la participation d’Ana Pi, Julien Creuzet, Léna Araguas et Éva Barois De Caevel. Il a été conçu lors de l’exposition « Cet ailleurs, qui rejaillit en moi, lorsque je suis là (…) » de Julien Creuzet à la galerie NaMiMa de l’École nationale supérieure d’art et de design de Nancy.

Cover of Alphabet Magazine #01

Self-Published

Alphabet Magazine #01

Thomas Lenthal, Donatien Grau

Periodicals €28.00

The first issue of the magazine made by artists, founded by Donatien Grau and Thomas Lenthal. Contributions by Mathias Augustyniak, Naomi Campbell, Théo Casciani, Michael Chow, Pan Daijing, Es Devlin, Claire Fontaine, Edwin Frank, Theaster Gates, Nicolas Godin, Alejandro Jodorowsky, Hedi El Kholti, Michèle Lamy, Paul McCarthy, Ian McEwan, Eileen Myles, Marc Newson, Hans Ulrich Obrist, Diana Widmaier Picasso, Ariana Reines, Barbara Chase-Riboud, Julian Schnabel & Jason Momoa, Hanna Schygulla, Juergen Teller, Iké Udé, McKenzie Wark, Robert Wilson, Yohji Yamamoto.

Alphabet is the artists' magazine. Here, they run the show. They write, they make images, they select their own works, they interview the figures they admire, they tell us what we did not know about them nor could have ever fathomed about life. This magazine is conceived entirely to put them in the driver's seat, and to enable readers to become part of the unique vision of some of today's greatest luminaries.

It is a manifestation of the creative community, coming together from all fields, from all generations and threads of culture. Writers, musicians, designers, painters, sculptors, poets—artistic figures of every kind converse all the time in their lives, but they did not have a shared space for their editorial projects. This is it.

Everyone who finds their way into Alphabet has made a mark on life, art, and culture, in a way that signals their importance to the present. Some of the contributors may be world famous, others well respected, others on the way to becoming the legends they already are. Their relevance to culture is the same, and that is why they all belong here, in the endeavor of the creative community. There is no hierarchy of status, or domain, or apparent impact. Some of the greatest revolutions happen undercover. Some of the most established voices are still breaking ground. The magazine's premise is simple: the old opposition between pop and underground does not make sense anymore. There are many creative communities, each following its own rules, each inventing its own space. Here, wherever they come from, whatever their community, artists can exist together, with the same intention of changing, and improving, what life is; with the same belief that art matters more than anything else.

None of the contributors is here randomly. They keep life thrilling and exhilarating, challenge the perception of everything and anything. Their role in shaping every aspect of life can hardly be overstated. That is why they needed a place to elaborate their own alphabet, their way of ordering and structuring language, the world, and the fabric of life—a place of freedom, where everything would be done to highlight their visions, where the very design would be a shrine to their magic. Even the distribution of the magazine was conceived with artists—each contributor suggesting sites of their liking.

Alphabet is also the magazine of magazines. Here, readers find essays, fictions, poetry, visual projects, DIY methods, recommendations from those who know, even games and astrology—and an artist's alphabet, articulating an entire universe. Anything that has ever formed a section of a magazine could find its way here. Even the cover is conceived by an artist: it was conceived especially by the legendary Robert Wilson. Artists will rejuvenate what magazines are, and magazines will be kept forever young by and with them.

Founded by Donatien Grau and Thomas Lenthal, Alphabet is a bi-yearly art magazine. Not a magazine about art. It's a magazine made by artists. Each contribution like an œuvre, making it the ultimate collector piece. Each cover is designed, with the word Alphabet, by a different artist, initiating a cult series.

Cover of Animal - Family - Bad Mood Audience - Sleeping Bad Mood

Galerie

Animal - Family - Bad Mood Audience - Sleeping Bad Mood

Krõõt Juurak

The first comprehensive monograph on the work of Krõõt Juurak

In the past fifteen years, Krõõt Juurak has developed a series of practices and performances that do not necessarily take place in a theatre or a gallery, at a predictable time or space, but rather come to existence as performative conditions through certain other triggers. This volume is both a record and a performative expansion of Juurak’s practice. Through four themed chapters (Animal, Family, Bad Mood Audience and Sleeping Bad Mood), the publication features a rich array of text-based works, essays, interviews, documentation and ephemera that will provide an insight into Juurak’s singular body of work including Internal Conflict, Sleeping Performance, Autodomestication, Performances for Pets and Bad Mood.

Edited by Galerie / Adriano Wilfert Jensen and Simon Asencio

Text contributions by Krõõt Juurak, Alex Bailey, Kate Strain, Noor Mertens, Suzan D. Polat, Jessica Ullrich, Guendalina Pirelli, Donny Mahonney, Simon Asencio and Adriano Wilfert Jensen.

Published October 2020