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Cover of Pathetic Literature

Grove Press

Pathetic Literature

Eileen Myles

€34.00

A unique collection composed by the award-winning poet and writer, a global anthology of pieces from lesser-known classics by luminaries like Franz Kafka, Samuel R. Delany, and Gwendolyn Brooks to up-and-coming writers that examine pathos and feeling, giving a well-timed rehab to the word "pathetic"  

"Literature is pathetic." So claims Eileen Myles in their bold and bracing introduction to Pathetic Literature, an exuberant collection of pieces ranging from poetry to theater to prose to something in between, all of which explore those so-called "pathetic" or sensitive feelings around which lives are built and revolutions are incited.  

Myles first reclaimed the word for a seminar they taught at the University of California San Diego, rescuing it from the derision into which it had slipped and restoring its original meaning of inspiring emotion or feeling, from the Ancient Greek rhetorical method pathos. Their reinvention of "pathetic" formed the bedrock for this anthology, which includes a breathtaking 106 contributors, encompassing titans of global literature like Robert Walser, Jorge Luis Borges, Rumi, and Gwendolyn Brooks, queer icons and revolutionaries like Dodie Bellamy, Samuel R. Delany, and Bob Flanagan, as well as the invigorating newness and excitement of writers on the rise, including Nicole Wallace, Precious Okoyomon, and Will Farris. Creative nonfiction by Karla Cornejo Villavicencio, Jack Halberstam, and Porochista Khakpour rubs shoulders with poetry by Natalie Diaz, Victoria Chang, Lucille Clifton, and Ariana Reines, all joined by prose from Chester Himes, Djuna Barnes, Chris Kraus, and Qiu Miaojin, among so many others. The result is a matchless anthology that is as much an ongoing dialogue as an essential compendium of queer, revolutionary, joyful, and always moving literature.  

From confrontations with suffering, embarrassment, and disquiet, to the comforts and consolations of finding one's familiar double in a poem, Pathetic Literature is a swarming taxonomy of ways to think differently and live pathetically on a polarized and fearful planet.

Published in 2022 ┊ 672 pages ┊ Language: English

recommendations

Cover of At the Full and Change of the Moon

Grove Press

At the Full and Change of the Moon

Dionne Brand

Fiction €17.00

Written with lyrical fire in a chorus of vividly rendered voices, Dionne Brand's second novel is an epic of the African diaspora across the globe.

It begins in 1824 on Trinidad, where Marie-Ursule, queen of a secret slave society called the Sans Peur Regiment, plots a mass suicide. The end of the Sans Peur is also the beginning of a new world, for Marie-Ursule cannot kill her young daughter, Bola, who escapes to live free and bear a dynasty of descendants who spill out across the Caribbean, North America, and Europe.

Haunted by a legacy of passion and oppression, the children of Bola pass through two world wars and into the confusion, estrangement, and violence of the late twentieth century.

"[Brand has] a lush and exuberant style that may put some readers in mind of Toni Morrison or Edwidge Danticat." — William Ferguson, The New York Times Book Review

Cover of Evolution

Grove Press

Evolution

Eileen Myles

Poetry €16.00

"In Eileen Myles's newest book of poetry, Evolution, we encounter an arrival, a voice always becoming, unpinnable and queer. Myles's new poems are transformations, and perhaps a culmination of the poet's previous inquiries into love, gender, poetry, America, and its politics . . . The form of Myles's work rivals its subject matter in intimacy. The lines in Evolution are physical, a body unleashed but not yet comfortable and not without fear. The short lines rush down the page, movement as touch, touch as freedom." — Natalie Diaz, New York Times Book Review

Cover of Night Philosophy

Divided Publishing

Night Philosophy

Fanny Howe

Fiction €15.00

Night Philosophy is collected around the figure of the child, the figure of the child not just as a little person under the tutelage of adults, but also the submerged one, who knows, who is without power, who doesn’t matter. The book proposes a minor politics that disperses all concentrations of power. Fanny Howe chronicles the weak and persistent, those who never assimilate at the cost of having another group to dominate. She explores the dynamics of the child as victim in a desensitized era, when transgression is the zeitgeist and the victim–perpetrator model controls citizens. With an afterword by Chris Kraus.

Cover of +|'me'S-pace

Les Figues Press

+|'me'S-pace

Christine Wertheim

Poetry €20.00

+|`me'S-pace, doc. 001.b is book 1, volume 2 of a wider, ongoing project known as "For Love Alone" Christina'S-tead, a poetic enquiry into the current state of the English tongue.

"In a time when many are questioning if we still need formalism and feminism, Wertheim's +|`me'S-pace, doc. 001.b is a spirited and fun defense of both. Written in part as a didactic instructional manual that cannot keep itself from constantly going astray into beautiful and challenging language play, this is a book that asks crucial questions and reconfigures recent histories. It is essential for its arguments. But even more, it is fun to read for its word play"—Juliana Spahr.

Introduction by Dodie Bellamy and art by Lisa Darms.

Cover of The Pain Journal

Semiotext(e)

The Pain Journal

Bob Flanagan

Biography €21.00

"The Pain Journal" is the last finished work by Los Angeles writer and artist Bob Flanagan and is the extraordinary chronicle of the final year of his life before his death from cystic fibrosis at the age of 43. Flanagan created performances with Sheree Rose that shocked and inspired audiences as he combined text, video, and live performance to create a highly personal exploration of childhood, sex, illness, and mortality.

Cover of Coeur de Lion

Fence Books

Coeur de Lion

Ariana Reines

Poetry €16.00

A reissue of the instant cult-classic love poem, an investigation of poetic address.

Now that I am not addressing you
But the "you" of poetry
I am probably doing something horrible and destructive.
But this "I" is the I of poetry
And it should be able to do more than I can do.

Cover of Margery Kempe

New York Review of Books

Margery Kempe

Robert Glück

Fiction €17.00

First published in 1994, Robert Glück’s Margery Kempe is one of the most provocative, poignant, and inventive American novels of the last quarter century.

The book tells two stories of romantic obsession. One, based on the first autobiography in English, the medieval Book of Margery Kempe, is about a fifteenth-century woman from East Anglia, a visionary, a troublemaker, a pilgrim to the Holy Land, and an aspiring saint, and her love affair with Jesus. It is complicated. The other is about the author’s own love for an alluring and elusive young American, L. It is complicated. Between these two Margery Kempe, the novel, emerges as an unprecedented exploration of desire, devotion, abjection, and sexual obsession in the form of a novel like no other novel.

Robert Glück’s masterpiece bears comparison with the finest work of such writers as Kathy Acker and Chris Kraus. This edition includes an essay by Glück about the creation of the book titled "My Margery, Margery's Bob."

Cover of Do Everything in the Dark (2023)

Semiotext(e)

Do Everything in the Dark (2023)

Gary Indiana

Fiction €17.00

Faced with photos of a once-tumultuous New York art world, the narrator's mind in this scathing, darkly funny novel begins to erupt. Memories jostle for center stage, just as those that they are about always did. These brilliant but broken survivors of the '80s and '90s have now reached the brink of middle age and are facing the challenge of continuing to feel authentic. Luminous with imagery, cackling with bitter humor, and with a new foreword by the author, this roman a cle spares no one.

First published in 2003, Gary Indiana's turn-of-the-millennium novel traces the lives of a loosely connected group of New York artists and the dissolution of their scene.  

During the summer of 2001, the narrator of Do Everything in the Dark, a gallery curator, receives intermittent dispatches from his far-flung friends, many of whom resemble well-known figures in the art and intellectual worlds, who are spread out across the globe, from Istanbul to Provincetown to Santa Fe. Seeking various reprieves from a changed New York, the long-festering, glossed-over incompatibilities of these aging bohemians blossom into exotic and unbearable relief. Beneath the contemporary excesses Indiana chronicles, we can see the outlines of the earlier New York bohemia captured by Dawn Powell.  

Arguably Indiana's most intimate, internal, and compassionate work to date, Do Everything in the Dark is a chilling chronicle of madness and failure, success and disappointment, and the many ways love dies in a world people find increasingly unlivable.