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Cover of Nicole Eisenman

L'Incroyable

Nicole Eisenman

Clotilde Viannay ed., Nicole Eisenman

€20.00

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This third issue proposes an immersion into the young years of artist Nicole Eisenman in New York in the 1980s.

Founded in 2015 by artist Clotilde Viannay, L'Incroyable magazine is dedicated to adolescence and retraces the teenage years of a personality, examining the cultural context of his youth.
The magazine is extended by the “Mini” series. Each book immerses itself in the youth of artists through an interview about their teenage years.

Since the 1990s the American artist Nicole Eisenman (born 1965 in Verdun, France, lives and works in New York) has garnered attention with her figurative paintings that, playfully and with great artistic freedom, cross stylistic and compositional elements from the history of art from Renaissance painting to modernism with comics, slapstick, TV culture, pornography, and subcultural image strategies. 

Central to Eisenman's oeuvre is a complex, excessive, drawing-based work that comprises all the classical picture genres as well as a wit formulated between the outrageous and the idiotic. Nicole Eisenman's work is an inspired and gleeful deconstruction of conventions in art and society and it questions social models above all by reversing the clichés of female and male roles. It is about power and powerlessness, about art and commerce, consumerism and sex, about the possibilities made available by professionalism and dilettantism, and how artistic success and everyday life are constructed.

At the same time her work deals with the subsequent question of how the individual and she herself as artist and woman can take up a position within these roles. Eisenman's narratives of grotesque reformulations of social orders, or her depictions of human individuality, are always interspersed with possible failure or scenic breakdown: the pictorial content, the painting procedure, and the message contradict each other, and investigate a state of decline in historical as well as current conventions.

Language: English

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Cover of F.R. David - Spin Cycle

uh books

F.R. David - Spin Cycle

Will Holder

Periodicals €15.00

F.R.DAVID is a typographical journal, dealing with the organisation of reading and writing in contemporary art practises.

This issue, "Spin Cycle", is concerned with captioning, commentary and description. Edited with Mike Sperlinger.

Cover of Mousse #90 – The Fiction Issue

Mousse Publishing

Mousse #90 – The Fiction Issue

Mousse celebrates its 90th issue with a collectible edition, with a special design and format, entirely focused on fiction.

Bringing together a cohort of writers and artists, Mousse #90 – The Fiction Issue stems from the eponymous Fiction column that has dwelled in our pages for five years, and expands its scope. It was developed together with Rosanna McLaughlin, Skye Arundhati Thomas, and Izabella Scott, who collectively coedited the art and literature quarterly The White Review between 2021 and 2023.

Here you'll find reprints from both Mousse and The White Review as well as new stories and translations we have jointly commissioned. Seven interludes, intended to open up other worlds through images, feature portfolios of drawings by Atelier dell'Errore, Michael E. Smith, Camille Henrot, Michael Landy, Simone Forti, Adelaide Cioni, and Evelyn Taocheng Wang.

Cover of Issue № 6 - Winter–Spring 2026 / SENSING BODIES

DEARS

Issue № 6 - Winter–Spring 2026 / SENSING BODIES

Periodicals €15.00

Coming back to the body is rarely tranquil. Often it is turbulent, interrupting dominant narratives and entrenched meanings. It is the upset of being alive, and awake to it.

The fourteen texts in this new issue do not shy away from that turbulence. There is joy and there is pleasure, there is shame, pain, and liberation... Each text addresses this dense experience from a singular perspective, yet together they explore what emerges and becomes possible when sense-making and making sense(s) are re-anchored in the sensing practices of the body.

With texts by Valérie Hug, Marco Antonini, cassiane c. pfund, Elodie Olson-Coons, Ines Marita Schärer, Bernadette Kolonko, Jo Bahdo, Lotta Beckers, Melanie Jame Wolf, Samuel Brzeski, Madeleine Kaye, Nora Longatti, Rosanna Puyol Boralevi, Larissa Clement-Belhacel

editorial team: Delphine Chapuis Schmitz, Nicole Bachmann, Robert Steinberger, and Shelby Lee Stuart as invited editor

Cover of Worms Issue 11: Faith & Worship

Worms Magazine

Worms Issue 11: Faith & Worship

Caitlin McLoughlin, Clem Macleod and 2 more

Periodicals €22.00

The theme for each issue of Worms tends to emerge steadily as gathering clouds. Often there is a nebulous sense of something that we want to explore, unripe fruits plucked from things we have read and heard and pocketed without much thought for later examination. It’s only when our pockets grow heavy, when ideas amass into something worthy of a second glance, that we start to name them. In the case of this one, our eleventh issue, its theme has its roots in the previous. The Love Issue—released in July 2025—explored love in all its guises: radical, complex, beautiful, violent. But in our study of the heart’s infinite mysteries there lurked an undercurrent of something else. Faith, close to love, was a persistent reoccurrence. Devotion, strength, clarity, refuge – these emerged as dimensions of love that can also be mapped across a search for something beyond the material. Worms 11: Faith & Worship began here.

FEATURING: Lamorna Ash, Clare Carlisle, Fanny Howe, Chris Kraus, Eileen Myles, Kazim Ali, Fiona Alison Duncan, Lauren J. Joseph, Olivia Laing, aja monet, Charlotte Northall, Arpan Roy, Noura Salahaldeen, Sarah Schulman, Michelle Tea.

CONTRIBUTORS: Temperance Aghamohammadi, Alaa Alqaisi, RZ Baschir, Sarah Burgoyne, F. Tibiezas Dager, Giulia De Vita, Helena Geilinger, Misha Honcharenko, Courtney Ann LaFaive, Ozziline Mercedes, Nicko Mroczkowski, Evie Reckendrees, Charlie Stuip, Clár Tillekens, Phoenix Yemi.

PHOTOGRAPHERS: Antonia Adomako, Eve Delaney, Jen Dessinger, Isabel Maccarthy, Britteny Najar, Katarzyna Postaremczak, Honor Weatherall.

ILLUSTRATORS & ARTISTS: Clara Esborraz, Eric Hesselbo, Lily Makoski, Samantha Rosenwald, Ivy Shepherd-Barron, Mary Watt, Shu Hua Xiong.

EDITORS: Caitlin McLoughlin, P. Eldridge, Clem MacLeod, Arcadia Molinas.

Proof Reader: Annalise June Kamegawa.

DESIGN: Caitlin McLoughlin & Clem MacLeod.

RUNWAY JOURNAL SUPPLEMENT

Contributors: Wassila Abboud, Anna Carlsson, Alexander Cigana, Bree Turner, Amelia Zhou.

Editors: Debris Facility, Ena Grozdanic, Victoria Pham.

Runway Supplement Design: SM Studio (Safiye Gray & Molly Cranston).

Cover Credits: Photo of Fanny Howe by Lynn Christoffers, Illustration by Mary Watt.

Cover of Segunda Vez: How Masotta Was Repeated

Oslo National Academy of the Arts

Segunda Vez: How Masotta Was Repeated

Dora Garcia

Publication documenting the research made by Dora García for a video project on Oscar Masotta, pioneer of Lacanian psychoanalysis in Latin America and influential art critic.

It features a selection of Masotta's writings as well as contextual essays on his work.Segunda Vez is an art research project centered on the figure of Oscar Masotta (Buenos Aires, 1930, Barcelona, 1979), an author of groundbreaking texts about the Happening, art, and dematerialization, a pioneer of Lacanian psychoanalysis in the Spanish-speaking world, and a happenista. The project has yielded a full-length and four medium-length films by Dora García, two Cahiers documenting the research, and this book. Segunda Vez: How Masotta Was Repeated offers a selection of Masotta's writings, including his early study of Argentinean author Roberto Arlt, as well as texts that contextualize Masotta's thought and broaden the reach of his reflections on the intersections between performance and psychoanalysis, art and politics.

Edited by Emiliano Battista.
Texts by Dora García, Oscar Masotta, Roberto Bolaño, Jorge Jinkis, Inés Katzenstein, Ana Longoni, Emiliano Battista, Aaron Schuster, Julio Cortázar.

English edition

13,5 x 21 cm (hardcover)

320 pages (color & b/w ill.)