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Cover of Hurricane Season

New Directions Publishing

Hurricane Season

Fernanda Melchor, Sophie Hughes trans.

€17.00

The Witch is dead. And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.

Like Roberto Bolano's 2666 or Faulkner's novels, Hurricane Season takes place in a world saturated with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it's a world that becomes more and more terrifying the deeper you explore it.

Translated by Sophie Hughes.

Published in 2020Paperback ┊ Language: English

recommendations

Cover of Glass, Irony & God

New Directions Publishing

Glass, Irony & God

Anne Carson

Poetry €16.00

Known as a remarkable classicist, Anne Carson weaves contemporary and ancient poetic strands with stunning style in Glass, Irony and God. This collection includes: "The Glass Essay," a powerful poem about the end of a love affair, told in the context of Carson's reading of the Bronte sisters; "Book of Isaiah," a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome," about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.

Anne Carson was born in Canada and teaches ancient Greek for a living.

Cover of The Hour of the Star

New Directions Publishing

The Hour of the Star

Clarice Lispector, Benjamin Moser

Fiction €14.00

The devastating final work by Brazil’s greatest modern writer, The Hour of the Star tells the haunting tale of Macabéa—a typist who lives in the slums of Rio—underfed, sickly, and unloved, yet inwardly free.

Translated from the Portuguese by Benjamin Moser. With a contribution by Paulo Gurgel and Valente Colm Tóibín.

The Hour of the Star, Clarice Lispector's consummate final novel, may well be her masterpiece. Narrated by the cosmopolitan Rodrigo S.M., this brief, strange, and haunting tale is the story of Macabéa, one of life's unfortunates. Living in the slums of Rio de Janeiro and eking out a poor living as a typist, Macabéa loves movies, Coca-Cola, and her rat of a boyfriend; she would like to be like Marilyn Monroe, but she is ugly, underfed, sickly, and unloved. Rodrigo recoils from her wretchedness, and yet he cannot avoid realization that for all her outward misery, Macabéa is inwardly free. She doesn't seem to know how unhappy she should be. Lispector employs her pathetic heroine against her urbane, empty narrator—edge of despair to edge of despair—and, working them like a pair of scissors, she cuts away the reader's preconceived notions about poverty, identity, love, and the art of fiction. In her last novel she takes readers close to the true mystery of life, and leaves us deep in Lispector territory indeed.

Cover of Near to the Wild Heart

New Directions Publishing

Near to the Wild Heart

Clarice Lispector

Fiction €16.00

Near to the Wild Heart, published in Rio de Janeiro in 1943, introduced Brazil to what one writer called "Hurricane Clarice" a twenty-three-year-old girl who wrote her first book in a tiny rented room and then baptized it with a title taken from Joyce: "He was alone, unheeded, near to the wild heart of life."

Narrative epiphanies and interior monologue frame the life of Joana, from her middle-class childhood through her unhappy marriage and its dissolution to transcendence, when she proclaims: "I shall arise as strong and comely as a young colt."

Cover of Unfit

New Directions Publishing

Unfit

Ariana Harwicz, Jessie Mendez Sayer

Fiction €16.00

A bracing novel that asks how far we would go for the ones we love—and what we would do to destroy the ones we hate. 

Lisa has lost custody of her young twin boys. Caught between the French legal system’s sluggish bureaucracy and her sinister, scheming in-laws, she’s alone and lost, an Argentine migrant in rural France picking grapes for a pittance, only allowed to see her children in supervised visits once a month. Scapegoated and outcast, destitute and desperate, Lisa decides to take radical action: early one morning, she sneaks into her in-laws’ farmhouse, takes back her children, sets the barn ablaze, and makes her escape.

What follows is a white-knuckled road trip that explores human beings pushed to the edge. Clearly, Lisa is not in her right mind, and as Harwicz deftly mingles a chorus of contradictory voices into her very unreliable narration, the reader comes to regard the protagonist with an unsettling mixture of sympathy and suspicion. Written in savage, chiseled prose, Unfit shoots off, a gripping chase that questions all our assumptions—and points out our hypocrisies— about motherhood, custody rights, love, violence, anti-semitism, and migration. The latest novel by the acclaimed author of Die, My Love (soon to be adapted to a film starring Jennifer Lawrence), Unfit is addictively terrifying, savagely sophisticated, and shockingly brilliant.

Translated from Spanish by Jessie Mendez Sayer

Cover of Água Viva

New Directions Publishing

Água Viva

Clarice Lispector

Fiction €15.00

In Água Viva Clarice Lispector aims to 'capture the present'. Her direct, confessional and unfiltered meditations on everything from life and time to perfume and sleep are strange and hypnotic in their emotional power and have been a huge influence on many artists and writers, including one Brazilian musician who read it one hundred and eleven times. Despite its apparent spontaneity, this is a masterly work of art, which rearranges language and plays in the gaps between reality and fiction.

Clarice Lispector (December 10, 1920 – December 9, 1977) was a Brazilian writer acclaimed internationally for her innovative novels and short stories. Born to a Jewish family in Podolia in Western Ukraine, as an infant she moved to Brazil with her family, amidst the disasters engulfing her native land following the First World War. 

Cover of Zami: A New Spelling of My Name: A Biomythography

Crossing Press Berkeley

Zami: A New Spelling of My Name: A Biomythography

Audre Lorde

Fiction €19.00

Zami: A New Spelling of My Name is a 1982 autobiography by African-American poet Audre Lorde. It started a new genre that the author calls biomythography, which combines history, biography, and myth. In the text, Lorde writes that "Zami" is "a Carriacou name for women who work together as friends and lovers," Carriacou being the Caribbean island from which her mother immigrated.

Cover of Pedagogies of Travesti Liberation

Archive Books

Pedagogies of Travesti Liberation

Maria Clara Araújo dos Passos, Natália Affonso

Essays €15.00

Maria Clara Araújo dos Passos examines the interplay of education, identity, and liberation in Brazil's travesti community.

In Pedagogies of Travesti Liberation, Maria Clara Araújo dos Passos critiques traditional pedagogical frameworks that marginalize gender nonconforming narratives and highlights the effects of systemic discrimination on travestis' psychosocial well-being. The book advocates for inclusive educational practices and emphasizes the need for affirmative curricula.
Newly translated from Portuguese, this work contributes towards connecting political struggles globally and navigating the complexities of translation—particularly of the term "travesti"—across various geographical and political contexts, featuring a conversation between Araújo dos Passos and translator Natália Affonso.

Maria Clara Araújo dos Passos (born 1996 in Recife) is a Brazilian Afro-transfeminist educator and sociologist, and an activist for LGBT rights.

Cover of Hopelessness

the87press

Hopelessness

Verity Spott

Poetry €18.00

"The brilliant Verity Spott has a new book out, called Hopelessness and published by the 87 Press. The work defies categorisation: Verity is a poet, and this book is certainly poetry, but large parts are in prose form and towards the end it even takes on the structure of an absurdist play. There seems to be a loose narrative, and even recurring character voices, so I’m tempted to call it a short experimental novel, in the vein of Kenneth Patchen’s The Journal Of Albion Moonlight (a personal favourite). Ultimately though I’d just call it a book; one full of words that are profound, moving, silly, sad, challenging and beautiful in equal measure. Even though it’s still a boldly experimental piece, in some ways Hopelessness feels like the most accessible thing Verity’s done. Without wanting to sound condescending, it’s also the most mature. You don’t get much more universal than death, love and loss, and these seem to be the main themes explored here. Another is language itself, the way it defines and limits our experience, and the way that we’re constantly at the mercy of words and phrases as they’re deployed by the authorities, the media, and eventually our own thought processes. Dissenting voices continually talk over one another throughout Hopelessness, often sampled from outside sources, or parodies thereof: Sappho, MR James, traditional hymns and folk songs, Hollywood movies, talk radio, tabloid newspapers, dreams and demagogues. Through it all there’s a painful lesson about how loss can make us bitter and hard, and how by refusing to move forward we become empty caricatures mouthing meaningless clichés to wound and hurt. But grief and loss can also teach us about love, if we let them, and there is so much grief and love in this book. Verity continually rearranges reality (that is, language) as if searching desperately for a way out, but in the end, as always, there is just life, love, and death. Hopelessness is a bravura performance, wholeheartedly recommended." — Ben Graham

Verity Spott is a poet from Brighton. Verity is the author of several books including Hopelessness (the 87 Press), Click Away Close Door Say (Contraband Books), We Will Bury You (Veer Books) and Poems of Sappho (in translation, Face Press). From 2018 to 2019 Verity was Poet in Residence at the University of Surrey. Verity teaches poetry in Brighton with The Creative Writing Programme and (alongside Kat Addis) with the Hollingdean Wednesdays project where they hold a poetry reading and writing group in Hollingdean Community Centre. Verity's poems have been translated into Greek, Spanish, Portuguese, Dutch and German and their book Hopelessness has been translated into French and published by Même pas l'hiver. Verity plays cello in the improvised tune duo Benzo Fury and the free jazz trio In Threads. Since 2006 Verity has run the monthly poetry, performance and music event Horseplay.

Cover of Affiliation

Zoème

Affiliation

Mira Mattar, Judith Abensour and 1 more

Affiliation, de Mira Mattar, autrice londonienne issue de la diaspora palestinienne, explore des thèmes tels que le genre, la famille, la religion, la guerre, l’écologie, le colonialisme et l’amour, en lien avec des lieux comme la Jordanie, le Liban, la Palestine et le Royaume-Uni. Interrogeant nos affiliations personnelles et collectives, et la manière dont les systèmes de pouvoir influencent nos désirs et nos identités, le livre s’ouvre sur quatre Lettres d’Amman qui propulsent le texte poétique dans le mouvement du monde et attestent de la dynamique de l’exil palestinien, où l’éclatement, l’effacement et l’appropriation se mêlent avec les effets contemporains de la mondialisation. 

La deuxième partie du livre, intitulée Affiliation (pour mon père) est un long poème rétrospectif qui court sur une trentaine de pages. L’écriture à la première personne de Mira Mattar met en tension des contextes politiques, domestiques, intimes, économiques où se déploient des affiliations coloniales, capitalistes, patriarcales, nationalistes. Elle en restitue les violents processus internes, passant du refus de se soumettre à l’impossible échappée. Dans Affiliation, on fait l’expérience d’être en dehors: en dehors de son corps, en dehors d’un pays, en dehors d’une pièce. Il n’y a aucune position stable, et le sujet se construit dans un éclatement constant. Peu de livres articulent aussi finement expérimentation formelle et nécessité de l’expression verbale. Affiliation est un flux de langage dont on peut sentir l’urgence à chaque vers.

Cover of Grand Rapids

Semiotext(e)

Grand Rapids

Natasha Stagg

Fiction €18.00

Installed alongside the Grand River in downtown Grand Rapids, Michigan, Alexander Calder’s public sculpture La Grande Vitesse has come to symbolize the city. Tess moves there from Ypsilanti, Michigan in 2001—the same year that her mother dies, when everything begins to move, for her, in slow motion. Thrust into adolescence nearly rudderless, fifteen-year-old Tess is intoxicated, angsty, and sexually awake. A decade later, inspired by diary entries and TV reruns, she remembers this summer in the suburbs as the one that redefined her. Its echoes of death are frozen in time like the waves represented in the Calder sculpture or the concrete steps leading down to the churning river. She comes to see Grand Rapids as a collection of architecture and emblems, another home to which she cannot return.

Natasha Stagg is the author of Sleeveless: Fashion, Image, Media, New York 2011–2019 and Surveys: A Novel, both published by Semiotext(e). Her work has appeared in Artforum, Bookforum, Texte Zur Kunst, n+1, Spike Art, Flash Art, Dazed, V, Vice, 032c, and other publications.