Girls Against God Issue #2

During a residency on Fire Island, artist and writer Hannah Black decided to tackle a highly daunting project: the 2020 novel.

The result of her efforts, Tuesday of September or the End, is a slim, playful work of speculative fiction. Written in the aftermath of the early months of the pandemic and the uprisings of summer 2020, the novel explores the ruptures of the year with a satirical sci-fi bent. Black chronicles the lives of two characters, Bird and Dog, as they contend with rapidly changing political possibilities during the pandemic while the run of Moley Salamanders (i.e. Bernie Sanders) concludes and aliens finally invade earth. Through a galvanic vision of how the riots of 2020 might have turned revolutionary, Black offers a meditation on collective life. This crucial novel invites readers to consider who we are—and, by extension, what we are here for—when our normal referents are muted, deleted and upended.

Hannah Black (born 1981) is a New York-based visual artist, critic and writer from Manchester, England. Her work spans video, text and performance and draws from communist, feminist and Afro-pessimist theory. She is the author of Life (2017, with Juliana Huxtable) and Dark Pool Party (2016). Black is represented by the gallery Arcadia Missa in London and Isabella Bortolozzi in Berlin.

Mucus in My Pineal Gland is the debut collection of New York-based artist and writer Juliana Huxtable (born 1987). Gathering poems, performance scripts and essays, this startling volume expands Huxtable's critique of gender, sexuality, politics, whiteness and history while establishing her as a singular poetic voice.

Juliana Huxtable is a New York City-based writer, performer, and artist. Her work has been featured in numerous publications, including Artforum, Candy, Tropical Cream, and Mousse. She was included in the 2015 New Museum Triennial, curated by Ryan Trecartin and Lauren Cornell.

Sasha Phyars-Burgess’ first monograph, Untitled. Spanning three bodies of work, this 200-plus page monograph includes poems by Ser Alida and Aurora Masum-Javed, a conversation between Sasha Phyars-Burgess, Juliana Huxtable and Carolyn Lazard, and essay by Bill Gaskins. Designed by Studio Lin.

As recipient of the second annual Capricious Photo Award, Sasha is a vital, emerging voice in contemporary photography, engaging the charged line between documentary and fine art. Her work ranges from affecting studies on diaspora, family and place to revolving social phenomenons in which energy, beauty and power meet.

The second annual jury panel was helmed by Capricious Founder and Publisher Sophie Mörner and Associate Publisher Anika Sabin alongside Lauren Cornell, Katherine Hubbard, JOFF, Matt Keegan, Guadalupe Rosales, Ka-Man Tse, and Lyndsy Welgos.

Se Te Subió El Santo is a collection of self – portraits taken by the artist directly after she awoke every morning while away on a week-long residency in Iowa City, IA at the Center for Afrofuturist Studies in Spring 2016. This daily practice confronts notions of the artist’s interests in rendering a full self implicit of gender, race, sexuality, and spirituality while challenging and collapsing the intersections of each identity as well.

The title of the work is taken from Ana Mendieta, the Iowa Years: A critical study, 1969 through 1977 where Julia Ann Herzberg writes in the dissertation:

Ana and Raquelin Mendieta’s vocabulary contained many Afro-Cuban idiomatic expressions. For example, they would often respond to a friend who was acting in an unruly or hyperactive manner by asking” “Se te subió el santo? (“Are you in a trance?”) In the Afro-Cuban context, the expression “subirse el santo” is used in religious ceremony when the orisha/saint takes possession of the believer.

The monograph also includes an essay by author Akwaeke Emezi.

First edition, 94 page, black and white, leather bound hardcover with white foil embossment 

TIONA NEKKIA MCCLODDEN is an interdisciplinary research-based conceptual artist, filmmaker and curator whose work explores, and critiques issues at the intersections of race, gender, sexuality and social commentary. McClodden’s interdisciplinary approach traverses documentary film, experimental video, sculpture, and sound installations. Themes explored in McClodden’s films and works have been re-memory and more recently narrative biomythography.

First launched in 2012, and published by mfc michèle didier (micheledidier.com), == is a small-run arts publication, edited by Matt Keegan. ==#2, 2015, is designed by Su Barber and published in an edition of 500 by Capricious Publishing. Barber and Keegan worked together on North Drive Press (northdrivepress.com) between 2005-2010, and this publication shares a variety of traits with NDP.

==#2 is a non-thematic arts publication contained in a box with a 96-page bound volume featuring artist-to-artist interviews, texts, and transcriptions. Six loose multiples are also included.

Contributors include: Sam Anderson, Uri Aran, Fia Backström, Darren Bader, Judith Barry, Stefania Bortolami, Daniel Bozhkov, Milano Chow, Anna Craycroft, Lucky DeBellevue, Cristina Delgado, Haytham El-Wardany, Jake Ewert, Vincent Fecteau, Corrine Fitzpatrick, Harrell Fletcher, Rachel Foullon, Aurélien Froment, Kenny Greenberg, Calla Henkel, Leslie Hewitt, Jaya Howey, Adelita Husni-Bey, Iman Issa, Ruba Katrib, Jill Magid, Jo Nigoghossian, Aaron Peck, Max Pitegoff, David Placek, Olivia Plender, Lisa Robertson, Andrew Russeth, Amy Sillman, Diane Simpson, Greg Parma Smith, Jessica Stockholder, Martine Syms, and Anicka Yi.

The inaugural issue of the journal of psychoanalysis and interdisciplinary discussions, around the figure of the fold.

Jocaste, a journal of psychoanalysis and discussion, co-published by the International Lacanian Association and Empire Editions, with graphic design by Syndicat studio, aims to be a place for encounters and exchanges between current advances in psychoanalysis and proposals from various disciplines. This journal welcomes contributions from contemporary artists, essayists, poets, psychoanalysts, and women and men engaged in praxis and in the times in which we live.

Texts by Philippe Azoury, Valérie Batteux, Jean Brini, Guillaume Cassegrain, Alexis Chiari, Julie Everaert, Cristiana Fanelli, Virginia Hasenbalg, Christiane Lacôte-Destribats, Sabine Laran, Marie-Christine Laznik, Colin Lemoine, Federico Leoni, Cyrille Noirjean, Thatyana Pitavy, Massimo Recalcati, Jean-Paul Sauzède, Jean-Claude Silbermann, Gibus de Soultrait, Stéphane Thibierge, Eriko Thibierge-Nasu; conversations with Gautier Deblonde, François Petit, Simon Schubert, Gibus de Soultrait.

Special issue of this US magazine dedicated in its entirety to the late Australian artist/compositional linguist/raconteur Chris Mann, who died in 2018. The magazine contains tributes from Mann associates and admirers, including Warren Burt, Amanda Stewart, Pi-0, Ronald Robboy, Linda Kouvaras, Alvin Lucier, Ruark Lewis, Annea Lockwood, as well as Mann’s own writing and an interview with him by Philip Blackburn.

88 pages bound in soft-cover glossy colour cover by Brigid Burke.

CONTRIBUTORS Anna Bierler, India Boxall, Craig P Burrows, Alex Hampshire, Kayla Adara Lee, Marijn van der Leeuw, Melanie Matthieu, Gabriella T Moreno, Amira Prescott, Harrison Pickering, Astarte Posch, Ananda Serné, Zazie Stevens, Gedvile Tamosiunaite, Mia You.

cover image Ananda Serné & Poyen Wang

DAISYWORLD MAGAZINE is a seasonal art publication on perception, the sensory, the non-human, ecology & erotica with an emphasis on interconnectedness. The artist's intimate knowledge based on observation, questioning anthropocentrism through beauty & language. Reflecting on the past season while softly moving into the next, each issue launches in-between seasons; appreciating experience, transition, and metamorphosis instead of anticipating the next big thing.