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Cover of LSD #01 – A Feminist Issue

Le Singe Design

LSD #01 – A Feminist Issue

Jean-Michel Géridan ed.

€12.00

The first issue of the Cahiers du centre national du graphisme, around the relationship between graphic design and feminism.

Speaking about Chaumont and its festival, Vanna Pinter once wrote rather modestly, “The graphic design faith has remained in dependable legitimate hands, the hands that ensure the transfer of power.” To act outside of those transfers of power, from a co-opting of use, is to run the risk of a possible delegitimization. Acting on the fringe, adopting another vantage point, is therefore not without its risks—in terms of territorial thinking—but must be an absolute in a global context.

At the second iteration of the International Graphic Design Biennial in 2019, we tackled a number of themes, from invisiblization with Silvia Baum, Claudia Scheer and Lea Sievertsen [Not a Muse], and the postcolonial question with Jonathan Castro, to transformations of capital and the repercussion on the economy of a discipline with Tereza Ruller [The Rodina], and the notion of commitment with Teresa Sdralevich. In that context we found many more allies than fans of a “Bingo du Male Tears.”

Opening this first issue of our periodical and titling it “A Feminist Issue” around the figure of Anja Kaiser is about approaching graphic design from a feminist, collaborative and co-constructionist perspective. It is a perspective that a number of others have joined here, including Anna Jehle, Juliane Schickedanz, Fabrice Bourlez, and Loraine Furter. The title of this issue implies another, such as “An other Feminist Issue” coming after “Another Feminist Issue,” for there are many voices and they require us to lend them an ear while being attentive and precise. Le Signe Design [LSD], designed by officeabc, is the periodical of a platform for production, distribution, creative support, dialogue, and mediation between the artistic field of graphic design and the public, what the National Center for Graphic Design is all about. Le Signe Design is not so much a communications forum as a new way to enter a field of study. 

Texts by Anja Kaiser, Loraine Furter, Fabrice Bourlez, Anna Jehle, Juliane Schickedanz.

Language: English

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Cover of Celebrating the Michigan Womyn's Music Festival

Sinister Wisdom

Celebrating the Michigan Womyn's Music Festival

Sinister Wisdom

Sinister Wisdom 103: Celebrating the Michigan Womyn's Music Festival honors the forty-year legacy of the Michigan Womyn’s Music Festival (1976–2015). Sinister Wisdom 103: Celebrating the Michigan Womyn's Music Festival celebrates this embodiment of radical feminist separatist collaboration, transformational self-defined autonomous spaces, a commitment to sisterhood and matriarchal culture, and a musical city sprung from the earth for one week in the woods.

A collective of five womyn each with a deep connection to Fest operated by consensus to create this issue. Striving to represent a range of womyn’s voices, values, traditions, and experiences of Fest, the collective highlighted what Fest has meant to generations of womyn, documented its chronology, and bore witness to the power of this community. Sinister Wisdom 103: Celebrating the Michigan Womyn's Music Festival includes womyn from multiple races, geographies, sexualities, generations, and gender and other social identities. Just as Fest brought together womyn from various backgrounds, our collection includes a range of artistic experience, from seasoned authors and photographers to those womyn new to publishing.
Sinister Wisdom 103: Celebrating the Michigan Womyn's Music Festival remembers the transformations, possibilities, and hopes for spaces cultivating the ongoing empowerment of womyn.

Cover of Unbidden Tongues #7: Continuity Girl

Unbidden Tongues

Unbidden Tongues #7: Continuity Girl

Naomi Pearce

Unbidden Tongues #7: Continuity Girl unpacks the ‘forensic feminist methodology’ developed by writer, curator and administrator Naomi Pearce. Informed by research conducted in various personal archives of women administrators of artist studio spaces in London from the 1970s until now, the components of Pearce’s writing span mortuary field notes, interview transcripts, intimate first-person accounts and an auto-fictive mystery novella. These various evidentiary approaches blend to form an unconventional casebook that puts forward the complicating factors underpinning the process of writing history in the first place.

In this particular title, the biographical lens focuses on Shirley Read—a photographer, writer, teacher, administrator and oral historian, whose work has been largely overlooked, until now.

Cover of Chesil Cliff House and other failures

Sticky Fingers Publishing

Chesil Cliff House and other failures

Sam Moore

Orbiting around the saddest house in the history of Grand Designs, Sam Moore’s Chesil Cliff House and other failures takes us to North Devon where, standing at the cliff’s edge, we meet Edward Short: a man with a Fred Perry shirt and a dream. Amongst a chorus of characters including Kevin Mcloud as Father Time, Moore by means of Short leads us into a study of creative failure, gender, and, ultimately, the desire to keep writing.

"I struggle to see anyone living here. It feels like a distorted wonder of the world, a cautionary tale. Something that could never have been lived in, but that had to be made."

About the author:
Sam is a writer, artist, and editor. They are the author of All my teachers died of AIDS (Pilot Press), Long live the new flesh (Polari Press), and Search history (Queer Street Press). They are one of the co-curators of TISSUE, a trans reading and publishing initiative based in London.

About A Series of Attempts:
This new series published by Sticky Fingers Publishing explores the essay form through the etymological root of essay: to try, trial or attempt. In 1508, French theorist Michel de Montaigne published a collection of 107 texts called Essais, described by his contemporaries as ‘self-indulgent and embarrassingly confessional.’ It is through these roots we find the attitude and intentions at the heart of this series; that through thinking together, through trying to figure it out on the page, we can reach new and increasingly nuanced ways to understand each other and the worlds we inhabit.

Cover of Dear Friend Catalogue 2019-2022

Lugemik

Dear Friend Catalogue 2019-2022

Ott Kagovere, Sandra Nuut

Dear Friend is a monthly letter format publication covering design events, issues, and ideas. This publication distributed via snail mail is initiated by Sandra Nuut and Ott Kagovere.

The publication edited by Sandra Nuut & Ott Kagovere features all the letters from the Dear Friend publishing project, which they initiated at the Graphic Design Department of the Estonian Academy of Arts in 2018. The book includes contributions by Singapore-based design writer Justin Zhuang, designer and writer Else Lagerspetz, and artist Lieven Lahaye. The book is designed by Ott Kagovere and published by Lugemik and Estonian Academy of Arts.

Texts by Justin Zhuang, Lieven Lahaye, Else Lagerspetz

Letters written by Alicia Ajayi, Stuart Bertolotti-Bailey, Claudia Doms, Nell Donkers, Maarin Ektermann, Rosen Eveleigh, Maryam Fanni, Saara Hannus, Eik Hermann, Paul John, Maria Juur, Ott Kagovere, Maarja Kangro, Arja Karhumaa, Kristina Ketola Bore, Nicole Killian, Rachel Kinbar, Tuomas Kortteinen, Keiu Krikmann, Kadri Laas, Else Lagerspetz, Lieven Lahaye, James Langdon, Jungmyung Lee, Kai Lobjakas, Michelle Millar Fisher, Maria Muuk, Sheere Ng, Sandra Nuut, Laura Pappa, Jack Self, Indrek Sirkel, Paul Soulellis, Triin Tamm, Laura Toots, Alice Twemlow, Loore Viires, Sean Yendrys, Justin Zhuang

Cover of Efemmera Reissue #7: Cassandra Radical Feminist Nurses Newsletter

Alder & Frankia

Efemmera Reissue #7: Cassandra Radical Feminist Nurses Newsletter

A reissue of the 1982 inaugural Cassandra Radical Feminist Nurses Newsletter: founding members explain their interests, intentions, and goals, and invite other nurses to join them. 

Introductory text by Peggy Chinn, founding member, and also co-author of Peace & Power: A Handbook of Feminist Process.

The Alder & Frankia Efemmera Reissue series amplifies, graphically reinterprets, and shares historic feminist ephemera. What ideas, strategies, and tactics from the past can we inherit to bring forth a feminist future?