Nomenclature: New and Collected Poems collects eight volumes of Dionne Brand's poetry published between 1983 and 2010, as well as a new long poem, the titular Nomenclature for the time being.

Dionne Brand is the author of numerous volumes of fiction, poetry, and nonfiction. Her latest poetry collection, The Blue Clerk, also published by Duke University Press, was shortlisted for the Griffin Poetry Prize and won the Trillium Book Award. Her other poetry collections have won the Griffin Poetry Prize, the Governor General's Literary Award, the Trillium Book Award, and the Pat Lowther Memorial Award. Brand's novel, Theory, won the 2019 OCM Bocas Prize for Fiction and the Toronto Book Award, and What We All Long For won the Toronto Book Award. Her works of nonfiction include Bread Out of Stone and A Map to the Door of No Return: Notes to Belonging. From 2009 to 2012 Brand served as Toronto's Poet Laureate. In 2021 Brand was awarded a Windham-Campbell Prize in Fiction. She lives in Toronto.

A Map to the Door of No Return is a timely book that explores the relevance and nature of identity and belonging in a culturally diverse and rapidly changing world. It is an insightful, sensitive and poetic book of discovery. Drawing on cartography, travels, narratives of childhood in the Caribbean, journeys across the Canadian landscape, African ancestry, histories, politics, philosophies and literature, Dionne Brand sketches the shifting borders of home and nation, the connection to place in Canada and the world beyond.

The title, A Map to the Door of No Return, refers to both a place in imagination and a point in history — the Middle Passage. The quest for identity and place has profound meaning and resonance in an age of heterogenous identities. In this exquisitely written and thought-provoking new work, Dionne Brand creates a map of her own art.

Written with lyrical fire in a chorus of vividly rendered voices, Dionne Brand's second novel is an epic of the African diaspora across the globe.

It begins in 1824 on Trinidad, where Marie-Ursule, queen of a secret slave society called the Sans Peur Regiment, plots a mass suicide. The end of the Sans Peur is also the beginning of a new world, for Marie-Ursule cannot kill her young daughter, Bola, who escapes to live free and bear a dynasty of descendants who spill out across the Caribbean, North America, and Europe.

Haunted by a legacy of passion and oppression, the children of Bola pass through two world wars and into the confusion, estrangement, and violence of the late twentieth century.

"[Brand has] a lush and exuberant style that may put some readers in mind of Toni Morrison or Edwidge Danticat." -- William Ferguson, The New York Times Book Review

Dionne Brand's hypnotic, urgent long poem is about the bones of fading cultures and ideas, about the living museums of spectacle where these bones are found. At the centre of Ossuaries is the narrative of Yasmine, a woman living an underground life, fleeing from past actions and regrets, in a perpetual state of movement. She leads a solitary clandestine life, crossing borders actual (Algiers, Cuba, Canada), and timeless. Cold-eyed and cynical, she contemplates the periodic crises of the contemporary world.

A work of deep engagement, sensuality, and ultimate craft from an essential observer of our time and one of the most accomplished poets writing today.

On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet's accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard.

In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet's pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba, and Jorge Luis Borges.

Through these essay poems, Brand explores memory, language, culture, and time while intimately interrogating the act and difficulty of writing, the relationship between the poet and the world, and the link between author and art. Inviting the reader to engage with the resonant meanings of the withheld, Brand offers a profound and moving philosophy of writing and a wide-ranging analysis of the present world.

"The geopolitics of empire had already prepared me for this...coloniality constructs outsides and insides, worlds to be chosen, disturbed, interpreted and navigated - in order to live something like a real self."

Internationally acclaimed poet and novelist Dionne Brand reflects on her early reading of colonial literature and how it makes Black being inanimate. She explores her encounters with colonial, imperialist, and racist tropes; the ways that practices of reading and writing are shaped by those narrative structures; and the challenges of writing a narrative of Black life that attends to its own expression and its own consciousness.