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Cover of These are the tools of the present

Mophradat

These are the tools of the present

Mai Abu ElDahab ed., November Paynter ed., Marnie Slater ed.

€15.00

This publication comprises a series of interviews with contemporary artists, musicians, and writers who are in dialogue with Beirut and Cairo. While not purporting to be an overview of the art scenes in these cities, this book begins to draw a picture of how artists think about what it means to be active in the contexts of these cities. It offers insight into the circumstances that structured these artists’ stories, and the often accidental influences that have shaped how their practices have developed.

Language: English

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Cover of Girls Like Us #6 - Secrets

Girls Like Us

Girls Like Us #6 - Secrets

Jessica Geysel, Sara Kaaman and 2 more

A secret can be a private space for self-creation – or a shared site of pleasure.

We explore secrets in a plethora of forms and contexts. From layered accounts of mediaeval ecstasy to the unexplored sensory experience of smell. From camouflaged play to queer readings of astrological charts and the hidden history of house music. From a very analog point of view to the outskirts of the internet.

Cover of Pyre

Spiral Editions

Pyre

Michael Cavuto, Astrid Terrazas

Poetry €20.00

"From this moment / and hence backwards / a visitation / echoes thru the apparent opening / to the tomb / the narrow passage is the mind's reasoning / in clarity / as she moves like a shadow / having lived her life before " — Joanne Kyger, from Places to Go (Black Sparrow, 1970)

"All processes measured as form are traceable in curved decay. Seemingly unmeasurable, unquenchable, the heart stone harbors its own native entropy. The evolution of organs is not ours to decipher. We’re drawn slanting toward the stone in helices of approaching circles. Our movements throw shadows, our bodies ring haloes." — Michael Cavuto, "Isis Theses"

"In the dual work of Isis Theses & Pyre I-V, living, death, language’s work of remembrance, place & poetic lineage all take part in shifting throughlines of recombinant forms, as a spiral spirals back on itself, changed over time. Early on, here, Cavuto writes “There is not enough wood for coffins. There is wood enough for a boat.” a Pyre then is a boat, a burning that is going somewhere, not death-as-end but as an upward & outward movement into collectively shared air, an archeology of connection. “Kyger wrote that memory is a weird dimension carried around invisibly in the ‘mind’’ Cavuto writes, in one of those moments that feels like a key, “Writing, she said, gives history back to you.” But it is not only history that Cavuto is carrying forward in these poems, it is something more spatially complex, enlivened & embodied in the dance of the words, & in the vital breakdown of the words themselves. The poems in Pyre I-V enact their answer to the question ‘what essence is left us when no words are left,’ & leave us, after the ritual process, dazzled with the true sense that something is left, something important of resonance & remembrance, in the atomized language-space; the air around the dis-integrating morphemes shimmering on the page as dissipative, potentiate sparks. —Cody-Rose Clevidence

Michael Cavuto is a poet based in Brooklyn, New York. His books include Country Poems (Knife Fork Book, 2020) and Pyre (Spiral Editions, 2025). With the poets Dale Smith and Hoa Nguyen, he publishes the Slow Poetry in America Newsletter. Along with Tessa Bolsover, he publishes hand-bound poetry books through auric press.

Pyre, Michael Cavuto. Illustrations by Astrid Terrazas. 52p, 8.5" x 6.75", hand sewn with red linen thread. Covers letterpressed on a 1963 Vandercook proof press with Strathmore Premium Grandee paper. Copy text and illustrations printed both offset and digitally on Mohawk felt paper in a first edition of 275. Printed, assembled, and bound in “Kingston, New York,” the unceded and currently occupied lands of the Haudenosaunee, Mohican, Munsee Lenape, and Schaghticoke. With thanks to Vladimir Nahitchevansky and the various friends who helped assemble.

Cover of Elke dag is een tentoonstelling

Infinitif

Elke dag is een tentoonstelling

Pieter De Clercq

Special edition: 100 out of 300 books are reworked by making cutouts in the book.

Cover of Ik ben Elias of het gevecht met de nachtegalen, door Maurice Gilliams

Time has fallen asleep in the afternoon sunshine

Ik ben Elias of het gevecht met de nachtegalen, door Maurice Gilliams

Wouter Krokaert

For the project Time has fallen asleep in the afternoon sunshine a group of people/ performers memorize a book of their choice. Together they form a library collection consisting of living books. After years of learning by heart and reciting for readers, some of the books have now been written down from memory to create new editions, versions resulting from this process. This book is one of those books, chosen by one person, learned by heart and recited many times, and now written down again from memory. This edition is not a re-edition of the original text. It is a re-writing of the text after the process of reading, memorizing and reciting, with all the alterations that might have occured in the course of this process.

Cover of Under Current

Serralves Foundation

Under Current

Alice dos Reis

Companion reader for Under Current, an exhibition and film by Alice dos Reis. With 'Blue Carbon' by Holly Childs, 'Hydrofeminism: Or, On Becoming a Body of Water' by Astrida Neimanis, 'King Tide' by Sophia Al-Maria, 'Notes on a Dotted Red Wave' by Danea Io, 'Smart Oceans, Alien Times: Octopi Engineering' by Bogna M. Konior, 'To a Current's Ear' by Alice dos Reis and more. Bilingual edition (Spanish-English).

Cover of Katalog 2

Risiko Press

Katalog 2

Jan Matthé

Assembled and copied by Jan Matthé at Permeke Library Antwerp, September—October 2022. Edited at Kransen, printed in Borgerhout in an edition of 200, bound by De Wrikker in Berchem. Released on the occasion of Permeke draait door met Risiko Press, Sunday 27 November 2022 at Permeke Library, with readings and performances by Tina Schott, Jóhanna Kristbjörg Sigurðardóttir, Stefanie Alexandra, Sis Matthé, Ria Pacquée, Jan Matthé, Clodagh Kinsella and Roman Hiele. Thanks to Christel Kumpen for the invitation, Allon McKaye for the Saturday and Toni Matthé for the unicorn with a heartshaped tail.